The Funhouse Mirror: Reflections on Prison

Rating:
Summary: A Daring Refelction
Review: Unlike most books I read, I was able to meet with the author of The Funhouse Mirror, Robert Ellis Gordon, on a few occasions. He had published his book through Washington State University Press, and a friend of mine was trying top help him distribute it to a wider academic audience. Knowledgeable, soft spoken and generous, Robert gave me a stack of his books on the promise that I would speak to colleagues and instructors in the Massachusetts area while on a 5 week seminar at Amherst College.

It went over well with fellow teachers at the seminar, which happened to be entitled "Crime, Punishment and Politics" and was led by Professor Austin Sarat. The book contains stories and essays by Gordon reflecting on his years spent as a teacher of creative writing in the Washington State prison system. Several other portions of the book contain the writings of his students in that setting as well.

The book is pure honesty. Sometime brutally so. Prison is not a fairy tale, and there is virtually no way the reader cannot be shocked and moved by the straightforward manner in which prisoners discuss their life there. Prison rape, the way in which sex offenders are treated by both other criminals and the state, and the peculiar pecking order society that has formed behind those prison walls, all of which is largely invisible to the rest of us, Gordon and friends make visible in the most meaningful way.

When I recommended it to one of my high school students, I was very clear about what the book entailed, and, though she had been a victim of violent crime, she decided she wanted to read it anyway. It was painful. She had to stop reading it several times to refocus and adjust. But when she had finished, she wrote one of the most brilliantly cathartic journal entries I had ever read. That's the kind of the power this book contains.

We are largely a throwaway society, in material goods, and sometimes, in human beings, and the 2 million Americans currently behind bars get very little consideration from the public at large when it comes to their conditions or future. The Funhouse Mirror doesn't let us forget that. It's not that Gordon is overly sympathetic towards prisoners. As he has publicly admitted, there are many who, quite simply, have to be there; he doesn't want them on the outside with the rest of us. But at the same time, I don't think he believes that prisoners have nothing to contribute to society, or that their ideas aren't worth noting and thinking about. And in that manner, he is one of the few authors who has dared to give them something of a voice outside the walls of thir imprisonment.

We've gone to great pains and expense as a society to incarcerate these individuals, and in the course of our daily lives, not much opportunity or desire to think about them. Robert Gordon's The Funhouse Mirror is that opportunity.

Rating:
Summary: A Daring Refelction
Review: Unlike most books I read, I was able to meet with the author of The Funhouse Mirror, Robert Ellis Gordon, on a few occasions. He had published his book through Washington State University Press, and a friend of mine was trying top help him distribute it to a wider academic audience. Knowledgeable, soft spoken and generous, Robert gave me a stack of his books on the promise that I would speak to colleagues and instructors in the Massachusetts area while on a 5 week seminar at Amherst College.

It went over well with fellow teachers at the seminar, which happened to be entitled "Crime, Punishment and Politics" and was led by Professor Austin Sarat. The book contains stories and essays by Gordon reflecting on his years spent as a teacher of creative writing in the Washington State prison system. Several other portions of the book contain the writings of his students in that setting as well.

The book is pure honesty. Sometime brutally so. Prison is not a fairy tale, and there is virtually no way the reader cannot be shocked and moved by the straightforward manner in which prisoners discuss their life there. Prison rape, the way in which sex offenders are treated by both other criminals and the state, and the peculiar pecking order society that has formed behind those prison walls, all of which is largely invisible to the rest of us, Gordon and friends make visible in the most meaningful way.

When I recommended it to one of my high school students, I was very clear about what the book entailed, and, though she had been a victim of violent crime, she decided she wanted to read it anyway. It was painful. She had to stop reading it several times to refocus and adjust. But when she had finished, she wrote one of the most brilliantly cathartic journal entries I had ever read. That's the kind of the power this book contains.

We are largely a throwaway society, in material goods, and sometimes, in human beings, and the 2 million Americans currently behind bars get very little consideration from the public at large when it comes to their conditions or future. The Funhouse Mirror doesn't let us forget that. It's not that Gordon is overly sympathetic towards prisoners. As he has publicly admitted, there are many who, quite simply, have to be there; he doesn't want them on the outside with the rest of us. But at the same time, I don't think he believes that prisoners have nothing to contribute to society, or that their ideas aren't worth noting and thinking about. And in that manner, he is one of the few authors who has dared to give them something of a voice outside the walls of thir imprisonment.

We've gone to great pains and expense as a society to incarcerate these individuals, and in the course of our daily lives, not much opportunity or desire to think about them. Robert Gordon's The Funhouse Mirror is that opportunity.