America and Americans and Selected Nonfiction (Penguin Classics)

Rating:
Summary: Not Steinbeck's best, but worthy of big fans' attention
Review: Although overall this book is clearly inferior to some of Steinbeck's other works of nonfiction, it has its high points and is worthwhile for big fans. If you are not already familiar with Steinbeck's nonfiction, I suggest you read A Russian Journal, Travels with Charley in Search of America and Once There Was A War before buying this book.

Among the best pieces in this book are "I Am A Revolutionary," "The Soul and Guts of France" and "Terrorism." Aside from these three pieces - and a paragraph or two scattered here and there among some of the others - this book consists of fairly slow, relatively uninteresting and disappointingly uninsightful text. Still, it's Steinbeck, and if you've a big fan, then reading even his mediocre work is more fun than most things you could be doing with your time. Otherwise though, if you have a mere passing interest in Steinbeck or have not read the other works mentioned above, then either read his other material first or just forget about this book altogether.

Rating:
Summary: A Steinbeck Centennial Treat
Review: As an educator interested not only in John Steinbeck's literature but also in his function as a cultural critic, I find this wonderful new edition, put together to coincide with a series of Steinbeck Centennial events going on all around America in 2002, to be a marvelous source of information. This will bring one of Steinbeck's lesser known and later works, "America and Americans," to the attention of many more people, and that text, which is both a celebration of the American experience and a cautionary warning about where we were headed, as Steinbeck saw it in the 1960s, would be a great selection for book club groups to read and discuss in this centennial year.

This 400+ page collection also has seven thematic chapters that explore Steinbeck's nonfiction and journalistic writing in these topic areas: places he loved, socio-political struggles, the craft of writing, friends and friendship, travel abroad, being a war correspondent, and miscellanea. This is great bedside reading: something delicious to dip into, eloquent and thoughtful, and one can jump around.

The editors are both noted Steinbeck scholars who are making this man accessible to the common people (we, the salt of the earth, whom he champions and celebrates in so many of his writings). Perhaps I am partial to John Steinbeck because I live in "Steinbeck Country," but I still think his works deserve our attention and study in the 21st century. He had a lot of significant insights--this book is a wonderful follow-up for those who have only yet experienced his fiction.

Rating:
Summary: Uneven collection of character-driven Steinbeck nonfiction
Review: John Steinbeck (1902-68) wrote newspaper columns for two years during the 1950s in addition to reporting on the 1956 presidential nominating conventions and stints as a war correspondent during World War II and the Vietnam War. He also wrote some articles for magazines and the ruminations on America for a book of photographs that was his last book (and which fills about a quarter of this collection).

Always he wrote about his impressions, primarily of people. The best pieces in this collection are not accounts of foreign wars but of people in distinct places. Like Steinbeck's life, the book begins with Salinas, California, continues through San Francisco and New York City to Sag Harbor on Long Island, where Steinbeck lived in the 1950s and 60s. In the "Journalist Abroad" section there are strong pieces on people in Positano and Ireland. And there is a section on friends (all male, of course) including a long memoir of his idol and naturalist mentor, Ed Ricketts, and short but very illuminating memoirs of the popular WWII correspondent Ernie Pyle and the photographer Robert Capa (who accompanied Steinbeck on his Russian visit), plus concise tributes to Adlai Stevenson as an orator and to Henry Fonda as an actor.

The section "On writing" is regrettably short, and the selections of WWII colums from _Once There Was a War_ (a book which is in print) are mystifyingly missing the best ones, which Steinbeck wrote during the invasion of Italy. The Vietnam reports are unconvincing propaganda from what he presented as a war against Mao. (Brezhnev, perhaps, but not Mao!)

Many of the pieces are entertaining in the mock heroic Steinbeck manner of _Tortilla Flat_ and _Travels with Charley_ and some are moving. The text "America and Americans" had little impact. It certainly has not supplanted Tocqueville's analysis of democracy in America, but is not without interest. As generally for Steinbeck in fiction or nonfiction, the description of particular individuals is more interesting than the generalizations.

The editors provide useful introductions to the sections, but must think that Steinbeck's ideas and craft of the 1960s was the same as those of the 1930s. It is difficult but not impossible to find out when a particular piece was published but this vital information is not included in either the table of contents or with the title of the pieces.

Rating:
Summary: The Great American Novelist reports...
Review: Steinbeck, as he and the annotator in this book repeatedly declare, let his interests range freely in his choice of nonfiction subjects. The whimsical pieces darn near steal the show. There's an affectionate account of his old Model T, and how its radiator happened one day to spew hot oatmeal all over his mother while riding in downtown L.A. There's a self-deprecating sports article, in which he proposes the sport of oak tree racing. There are some quite funny and surprisingly touching dog stories. The man could make *anything* a joy to read!

But the meat of the "selected nonfiction" section is the 1930s reportage of the California migrants, which would later become the basis of his Depression novels. It is a searing experience even seventy years later, being made to watch formerly solid American citizens being ground into the mire by poverty, malnutrition, and hopelessness.

Even his much-denounced Vietnam coverage has unmistakably Steinbeckian passages of humanity. He goes for a combat patrol in an AC-47, a "Magic Dragon", and frankly confesses his fear. He flashes back to conversations with combat journalists and ordinary soldiers, who were killed very shortly thereafter. He accurately contrasts the omnipresent threat of guerrilla attacks with the more formal setpiece battles of previous wars--and portrays the confusion this arouses in the public back home.

The final bit is the republished _America and Americans_, which is one long cry of "Where are we going, and why are we in this handbasket?" Perfectly understandable for someone of his age and background encountering the Sixties for the first time... But even here his native American optimism refuses to let him despair. He concludes, "We have failed sometimes, taken wrong paths, paused for renewal, filled our bellies and licked our wounds; but we have never slipped back--never."

Rating:
Summary: The Great American Novelist reports...
Review: Steinbeck, as he and the annotator in this book repeatedly declare, let his interests range freely in his choice of nonfiction subjects. The whimsical pieces darn near steal the show. There's an affectionate account of his old Model T, and how its radiator happened one day to spew hot oatmeal all over his mother while riding in downtown L.A. There's a self-deprecating sports article, in which he proposes the sport of oak tree racing. There are some quite funny and surprisingly touching dog stories. The man could make *anything* a joy to read!

But the meat of the "selected nonfiction" section is the 1930s reportage of the California migrants, which would later become the basis of his Depression novels. It is a searing experience even seventy years later, being made to watch formerly solid American citizens being ground into the mire by poverty, malnutrition, and hopelessness.

Even his much-denounced Vietnam coverage has unmistakably Steinbeckian passages of humanity. He goes for a combat patrol in an AC-47, a "Magic Dragon", and frankly confesses his fear. He flashes back to conversations with combat journalists and ordinary soldiers, who were killed very shortly thereafter. He accurately contrasts the omnipresent threat of guerrilla attacks with the more formal setpiece battles of previous wars--and portrays the confusion this arouses in the public back home.

The final bit is the republished _America and Americans_, which is one long cry of "Where are we going, and why are we in this handbasket?" Perfectly understandable for someone of his age and background encountering the Sixties for the first time... But even here his native American optimism refuses to let him despair. He concludes, "We have failed sometimes, taken wrong paths, paused for renewal, filled our bellies and licked our wounds; but we have never slipped back--never."

Rating:
Summary: Classic Prose Addressing a Classic Question
Review: There are people who truly reflect their time, or at least a period within their life, and what they believed about it. Steinbeck is one of those people. This book presents some of his best work. It also shows a change in the times and the man. Steinbeck's time, at least the time he addressed in his best writing was the depression, World War II, and some of the fifties. Unfortunately, he did not quit then, and some of his later work is the writing of a man grown disillusioned and sad.

This book takes us through many years, and many places. Much of it is well known. It's really great when the topic is a personal friend, or an unsuspecting stranger (the article written after the death of Ed Ricketts, or the article about a French village in the Alps shortly after World War II). It gives a consistent voice to the views of one man and his reaction to the world around him. Much of it has been popular from time to time, and much of it has always been unpopular with a certain group of people. It would be easier to pick out the `good' from the `bad' is they were arranged chronologically, but they are not. If you are a fan of good writing, the whole book is `good.' If you want to admire what Lee (in East of Eden) called `clean thinking' skip the end. By the time I got to the middle of `America and Americans' (about the last quarter of the book) it was getting old, and frankly I love Steinbeck's fiction so much that I could not finish it. By that time, it had become a litany of the complaints of my father, and the music was gone.

Critics argue about how great a writer Steinbeck was. One of their greatest criticisms was that he was too popular, or that he wrote for a popular following. That may be a valid criticism, and it may be one of the best reasons for reading his work. Which ever it is for you, it is here in abundance. The intimate details, the exacting prose, and the popular viewpoint. Whatever else we think, there is a Steinbeck voice that is unique, and worthy.

The strongest point in Steinbeck's writing is the sense of place. This book of non-fiction presents the land and the people. The real people and places who became Joad's, or Trask's, or sheriff's, are here in vivid detail. The Salinas of his youth, New York, France, Italy, traffic in Rome, and seaside villages are all vivid and inviting.

If you have read "The Harvest Gypsies" "The Log From the Sea of Cortez" "The Grapes of Wrath" or "East of Eden" many of the things in here will be familiar. If you have not, read this book. It may make them more appealing.

Rating:
Summary: Classic Prose Addressing a Classic Question
Review: There are people who truly reflect their time, or at least a period within their life, and what they believed about it. Steinbeck is one of those people. This book presents some of his best work. It also shows a change in the times and the man. Steinbeck's time, at least the time he addressed in his best writing was the depression, World War II, and some of the fifties. Unfortunately, he did not quit then, and some of his later work is the writing of a man grown disillusioned and sad.

This book takes us through many years, and many places. Much of it is well known. It's really great when the topic is a personal friend, or an unsuspecting stranger (the article written after the death of Ed Ricketts, or the article about a French village in the Alps shortly after World War II). It gives a consistent voice to the views of one man and his reaction to the world around him. Much of it has been popular from time to time, and much of it has always been unpopular with a certain group of people. It would be easier to pick out the 'good' from the 'bad' is they were arranged chronologically, but they are not. If you are a fan of good writing, the whole book is 'good.' If you want to admire what Lee (in East of Eden) called 'clean thinking' skip the end. By the time I got to the middle of 'America and Americans' (about the last quarter of the book) it was getting old, and frankly I love Steinbeck's fiction so much that I could not finish it. By that time, it had become a litany of the complaints of my father, and the music was gone.

Critics argue about how great a writer Steinbeck was. One of their greatest criticisms was that he was too popular, or that he wrote for a popular following. That may be a valid criticism, and it may be one of the best reasons for reading his work. Which ever it is for you, it is here in abundance. The intimate details, the exacting prose, and the popular viewpoint. Whatever else we think, there is a Steinbeck voice that is unique, and worthy.

The strongest point in Steinbeck's writing is the sense of place. This book of non-fiction presents the land and the people. The real people and places who became Joad's, or Trask's, or sheriff's, are here in vivid detail. The Salinas of his youth, New York, France, Italy, traffic in Rome, and seaside villages are all vivid and inviting.

If you have read "The Harvest Gypsies" "The Log From the Sea of Cortez" "The Grapes of Wrath" or "East of Eden" many of the things in here will be familiar. If you have not, read this book. It may make them more appealing.

Rating:
Summary: He's the Man
Review: This is only essential for hardcore Steinbeck fans, but his insight and singular turns of phrase pervade this prolific collection. Of particular note is his homage to his three best teachers, less than two pages long, called "...like captured fireflies." America and Americans is dated in parts, but his takes on corporations and America's obsession with children are prescient, and his indefatigable optimism essential. A different resonance than the novels, but of the same calibur.