The Diary of Samuel Pepys (Modern Library)

Rating:
Summary: The World Upside Down
Review: I've long been a student and a collector of information on the personalities of Restoration England, growing out of a desire to know more about the background in literature classes. The Restoration crowd loved life, and in this volume (and presumably the next) you see how tenuous their lives were -- 5000 a week in the City of London dying of plague, two fleets of 100 ships each at war in a narrow sea, everyone so intent on feathering their nest and getting their next place, and an honest man rarest commodity of all. I love all these diaries. I've learned to ignore a lot of the textural (not text) notes that tell you if there was a blot on the page, or the symbol was not quite clear, but the footnotes are amazing and so is the information. Love Sam; he could have done pretty much as he pleased with me, I fear. But in his daily strolls of 5 miles and more I fear I could never have kept up as he went up and down the town, up and down the river. I've been to London and took the boat tour on the Thames from the houses of Parliament down to Greenwich to see the naval museum and Queen's house -- and he would walk, day or night, from London to Depworth, to Woolwich, to Greenwich (though he'd borrow the boat if he could) and pay attention to all he passed. What a companion!

Unfortunately for my budget's sake I started buying these in 3s and am now having trouble filling up 1666-1669. I will persevere, though, and anticipate a re-read of all or part probably every summer (while TV takes a dive and there's good light to read by until long into the evening). The only thing I have wished for is more portraits of the people he is speaking of--and the portraits by Huysmans and Lely that he reports having seen fresh painted. However, financially that may not have been doable. Will have to keep searching for a companion Restoration Portraits volume to keep me happy.

Great reading - do start from the beginning to get into the swing of things. A random paragraph doesn't put you "in the life" like the unrolling panorama does. A better map of London at your elbow (though there is one in the back of each volume) will also increase your pleasure.

Rating:
Summary: The World Upside Down
Review: I've long been a student and a collector of information on the personalities of Restoration England, growing out of a desire to know more about the background in literature classes. The Restoration crowd loved life, and in this volume (and presumably the next) you see how tenuous their lives were -- 5000 a week in the City of London dying of plague, two fleets of 100 ships each at war in a narrow sea, everyone so intent on feathering their nest and getting their next place, and an honest man rarest commodity of all. I love all these diaries. I've learned to ignore a lot of the textural (not text) notes that tell you if there was a blot on the page, or the symbol was not quite clear, but the footnotes are amazing and so is the information. Love Sam; he could have done pretty much as he pleased with me, I fear. But in his daily strolls of 5 miles and more I fear I could never have kept up as he went up and down the town, up and down the river. I've been to London and took the boat tour on the Thames from the houses of Parliament down to Greenwich to see the naval museum and Queen's house -- and he would walk, day or night, from London to Depworth, to Woolwich, to Greenwich (though he'd borrow the boat if he could) and pay attention to all he passed. What a companion!

Unfortunately for my budget's sake I started buying these in 3s and am now having trouble filling up 1666-1669. I will persevere, though, and anticipate a re-read of all or part probably every summer (while TV takes a dive and there's good light to read by until long into the evening). The only thing I have wished for is more portraits of the people he is speaking of--and the portraits by Huysmans and Lely that he reports having seen fresh painted. However, financially that may not have been doable. Will have to keep searching for a companion Restoration Portraits volume to keep me happy.

Great reading - do start from the beginning to get into the swing of things. A random paragraph doesn't put you "in the life" like the unrolling panorama does. A better map of London at your elbow (though there is one in the back of each volume) will also increase your pleasure.

Rating:
Summary: A Blend of Chronicle, Confession, and Tabloid Gossip
Review: Pepys' secret diary, kept in cryptic shorthand to shield it from prying eyes, covers the years 1660 to 1669, starting with the return of Charles II from exile and ending when the writer's failing eyesight made writing difficult. He was 27 years old when he began this work, and quite impecunious. Through the patronage of his kin, Edward Montagu (later Earl of Sandwich) he rose from humble beginnings to a respected position (Clerk of the Acts in the navy office). Educated at Cambridge, he was ill prepared for the job: while he read Latin and French, he did not know the multiplication tables and had to be taught basic mechanics. However, he seems to have applied himself to his work with diligence and persistence. During the naval war with Holland (1665-67) he was surveyor of victualling. In this capacity, he gained the confidence of the lord high admiral, the Duke of York (later King James II). After the war, he defended the navy office in Parliament against charges of mismanagement with a speech that seems to have been the high point of his career.

His eyewitness accounts of the Plague (1665) and the Great Fire (1666) in London are riveting. But it is the description of quotidian events that sheds light on how the people lived. Moving easily among different social classes, he recorded their moods and diversions. He attended public executions of regicides (complete with display of heads and organs to a cheering crowd), and noted when initial enthusiasm for the restoration of the monarchy gave way to disillusionment; when anger at the King's debauchery and neglect of state business bred nostalgia for the reign of Oliver Cromwell.

While critical of the King's and the Court's incessant "gambling and whoring", Pepys himself was no paragon of virtue. His dalliances with maidservants and accommodating ladies of his acquaintance caused bitter quarrels with his wife. He seems to have lusted after every pretty girl who crossed his path. Repeated vows to mend his ways generally came to naught. Some of the racier passages in his diary are written in fractured French or Latin.

Pepys was an avid theater-goer: he loved Macbeth and Henry IV, but thought Midsummer Night's Dream silly and inane. There was a lot of music in his life: he played the lute, the flageolet, and the violin, and missed no opportunity to join in singing, dancing, drinking and merry-making. He carefully noted, however, how much these diversions cost him. He also conscientiously recorded the bribes and kickbacks paid him by suppliers. Forever curious, he attended lectures and observed experiments, read voraciously and enjoyed a good discourse.

If he often appears vain and foolish, it is because he portrays himself as vain and foolish. His naive enjoyment of even the most mundane things ("this pleased me mightily" is an oft-repeated phrase) cannot fail to strike a sympathetic chord in the reader. He comments on fashion trends (powdered wigs, beauty spots, wearing of masks and male riding habit by court ladies, etc.). When he yielded to fashion and had a periwig made for himself, it was delivered full of nits. New servants had to be deloused and fitted with clean garments, but once domesticated, they were part of the household; they received music lessons and, in some cases, lessons in Latin and Greek. When they misbehaved, he beat them until his arm hurt.

The parallel career of his wife deserves some reflection: the "poor wretch" who, early in their marriage, used to wash his dirty clothes by hand, graduated to lace gowns, powdered wigs and a coach of her own; but discontent increased in proportion to luxury. "I have to find her something to do", mused Sam. Dancing and painting lessons, theater visits and parties filled the void. The couple had no children.

The Modern Library Edition is, of course, a greatly abridged version of the six-volume original. One may quibble with the selection or deplore the lack of notes; but the hefty original is available to all who want to know more.

Rating:
Summary: A few words about Pepys and the diary of the soul
Review: There are on the Amazon site two excellent, informative reviews of the Pepys' diaries. They say far more than my own contribution.
I have read in and out of the Pepys' diary more than once. I did this in part because I have read many times that they are the ' best diaries' ever written. Without contending with that I found that they were not for me the most interesting. This probably shows more about my own shortcomings than it does about the work of Pepys.
Pepys' work is filled with description of the life of the time. It is rich in perception of the great city of London in Restoration times. It is filled with personal anecdote, gossip including that relating to his prodigious sexual appetite and activity. It is a busy, businesslike work. And it tells more about a world outside than a world in.
In the diaries I most love there is the quest of the soul to deeply understand itself and its relation to other people, and God. I find that the flurry of activity in the life of Pepys does not lead to this kind of reflectiveness. And thus for me the 'diary' is not a highly significant work personally.


Rating:
Summary: Pretty book, but poorly selected and edited
Review: This book is very recommended for everyone that is, in some degrees, a history "buff". It describes in thorough detail some of the less known aspects of events in that time. For me being a Norwegian I found the parts describing the battle with the Dutch fleet in Bergenshavn particualrly interesting. All in all, an excellent book with extreme historical values.

Rating:
Summary: Pretty book, but poorly selected and edited
Review: While this Modern Library edition is attractively produced, all teachers and students who hope to use it in an academic setting should be aware that this is a severe abridgement--it represents about one-eighth of the original text from 1660-1669. As a result, there are large gaps in continuity, exacerbated by a lack of editorial notes to fill in those gaps. Also, the abridgement omits many of the sexiest passages and seems tailored to a Victorian sensibility. ...