Wodehouse: A Life

Rating:
Summary: Best Wodehouse biography ever done
Review: Every Wodehouse fan is probably asking whether they need yet another biography of the master, after Benny Green, Joseph Connolly, David Jasen, Frances Donaldson, etc, and the answer is definitely YES, if the book is this one.

Whether you're a Wodehouse devotee, as I am, or would just like to get acquainted with the life of a major 20th century literary figure, McCrum's biography is well worth your time. He firmly anchors Wodehouse in his time and place. He clearly explains less well known aspects of Wodehouse's contribution, such as his effect on the development of the American musical. He doesn't shy away from the mysteries of Wodehouse' life, such as his asexuality, but at the same time, he refuses to overspeculate or overanalyze. He lucidly charts Wodehouse' development as a writer.

I highly recommend this book.

Rating:
Summary: jeeves, not!
Review: I liked Wodehouse better before I read this book. Bertie et al are still engaging characters, but Wodehouse himself comes off as a self-absorbed workaholic who put his book sales above all else.

Rating:
Summary: All you ever wanted to know about Wodehouse
Review: Perhaps only we diehard wodehouse fans will enjoy the book but for us it's a treasure chest. For the first time I understand why Bertie Wooster loathed Christopher Robbin so. Milne their author, attacked Wodehouse viciously for broadcasting from Germany during WW11.

Wodehouse's parents denied him first love and then a university education. I would have liked to know how they reacted to his success as a writer. McCrum never mentions it.

The author made a few mistakes in describing the stories but considering Wodenhouse's massive output that's understandable.

Rating:
Summary: An excellent, if commissioned, biography
Review: Robert McCrum's book, first of all, is a commissioned biography. It represents the best efforts, and inevitably failings, of such endeavors. McCrum is a literate, thorough researcher, and has produced a respectable volume ready to stand aside the best other Wodehouse biographies. Most importantly, McCrum has intelligently meshed both the retelling of a life and literary analysis, including analysis of many of the Wodehouse books, demonstrating his familiarity with the canon. However, there are significant and unavoidable drawbacks to an effort such as McCrum's, which represents an assignment, rather than the labor of a true Wodehouse scholar. McCrum only stands alongside, not supplanting, the many existing Wodehouse biographies, going all the way back to David Jasen's pioneering first effort. Such specialized books as Lee Davis's Bolton and Wodehouse and Kern, Iain Sprott's Wodehouse at War, Kristin Thompson's analysis of the Bertie Wooster/Jeeves saga (and, humbly, my own forthcoming book on Wodehouse and Hollywood), all remain necessary specialized adjuncts to all the more general biographies. For American readers, McCrum rather overplays the significance of the Berlin broadcasts to Wodehouse's legacy, and only narrowly avoids a tendency to lapse into an Anglocentric perspective in the book that is evident in his promotional interviews. McCrum does make a number of surprising factual errors, surely a result of coming to the subject "cold," rather than as an expert, but more annoying is his determination to interpret levels of meaning into Wodehouse's personal life rather than simply accepting him as the product of a generation who kept private matters private. Nonetheless, despite these shortcomings, the McCrum book is solid, scholarly, and well repays its price and the time necessary to read the 400 + pages, for he does enlighten both the life, and the writing, of P.G. Wodehouse.


Rating:
Summary: Wodehouse's Sources, Inspirations, Habits and Shame
Review: Should a dedicated fan of P.G. Wodehouse's writing read this book? Yes, I think so. Mr. McCrum's book is filled with information that will make reading Mr. Wodehouse's many comic offerings more rewarding. For instance, where did so many of those wonderful names come from? Many were drawn from people and places that Wodehouse knew as a youth. Why did he have such a jaundiced view of aunts and say so little about mothers? His own family history contained strained relationships with dictatorial aunts and a distant mother who ignored him. Where did the inspiration for Blandings Castle come from? It turns out to be based on actual experiences in an English country home. Simply from those perspectives, I felt that my understanding of Wodehouse plots, humor and references were vastly increased.

In addition, I knew that P.G. Wodehouse was very prolific, but I never quite understood how he did it. I was fascinated to see how disciplined he was to keep doing his daily quota of words. As someone who likes to write as well, this was a positive inspiration to keep to that discipline myself. I was also pleased to find out more about how he developed his plots and characters and did his rewriting. If you combine this book with Sunset at Blandings, you can get a quite helpful perspective on the details of his craft.

Next, I am always running into veiled and ambiguous references to P.G. Wodehouse having done some broadcasts for German radio during World War II while living in Germany. It was never clear to me what that was all about. Now, this book gives me enough information to have views on the subject. I hadn't realized that Wodehouse had been interned by German forces in prison environments for over a year before the broadcasts. In addition, he was released from internment before agreeing to do the broadcasts which turn out to have been very ill-considered but not a clear-cut case of selling out to the enemy.

Naturally, the ultimate question is also about how interesting Wodehouse must have been in person. That's a disappointment. He was a real bore in public who preferred solitude. On the other hand, I was fascinated to see how much of his personality can be found in the various characters in the stories.

I was aware of his famous quote about writing about life as though it is musical comedy, but I didn't realize that he actually helped write lyrics for musical comedies among his many successes.

Finally, there's a marvelous question of what-might-have-been. Wodehouse was about to go to university with bright prospects when he family pulled the financial plug to favor his older brother. P.G. spent two years working in a bank while writing furiously at every spare moment to establish himself in England, rather than being sent abroad as another bank trainee. You'll find yourself cheering for him!

Mr. Wodehouse lived so long that there's also the fascinating part of the tale about how his writing went from being cutting edge comedy to being historical fiction about the Edwardian era.

The less you have read of Mr. Wodehouse's work, the more you will probably enjoy this volume.

I found that the book's main weakness was that it gave me a great many more details about his personal life than I really wanted to know (such as all of his dogs and his relationships with them) and a little less on his writing than I would have liked to know.

But it's a solid effort, nevertheless, and one that will provide much pleasure to Wodehouse fans.


Rating:
Summary: A fascinating book about a dull man who wrote clever books.
Review: The consensus about P. G. Wodehouse held by everyone who knew him was that he was very pleasant, sweet and good-natured, but also rather boring. He was never witty. His conversation centered around writing and sport.

Mr. McCrum has pulled off a tour-de-force and written a biography that is captivating. He has obviously done his research and he doesn't gloss over the unseemly events of World War II. But he also shows the generous side of a man who was notorious for watching his pennies.

This is truly an excellent biography that reveals much about late Victorian and Edwardian England. Wodehouse was the great comic writer of his day, and this book shows what it took for him to achieve his apparently effortless prose.

I highly recommend this book to anyone interested in writing.