Rating: 
Summary: A delight to read, to treasure and savor...
Review: Going through the pages of this book, one gets to know several of the aspects of Isabella Rossellini's life in a candid way, yet she is only revealing what she intends to and not a single fact more... thus, she shares and keeps and does it in a wonderful way.After reading it feels as if one has had a long, warm, affectionate conversation with her, feeling that, perhaps even if for the duration of the reading, she is a dear, most valued friend.
Rating:
Summary: "Is Being Remembered a Kind of Antidote to Death?"
Review: I don't usually run up and get a book autographed by the author. But person at the luncheon was mesmerizing. I sat there and thought about her mother Ingrid Bergman, her trials and tribulations, her remarkable beauty, her astonishing talent, and her warmth and genuineness. It was a wonderful and heartwarming 2 hours. I think everyone felt they had met a friend. The book? It covers the waterfront, written in crisp, clear, engaging style. Honest, memorable, including her unforgettable encounters with Anna Magnani, Katharine Hepburn, Martin Scorsese (ex-husband), Gary Oldman. Film, modeling, Television, businesswoman, human being. "Is being remembered a kind of antidote to death? Is fame a sor of eternity? A remedy to the sadness of the end? Does having a famous mother, whoisstill seen every day on TV smiling, crying, walking, talkin, maker her death different, less definitive than other deaths?" This book will last!
Rating:
Summary: "Is Being Remembered a Kind of Antidote to Death?"
Review: I don't usually run up and get a book autographed by the author. But person at the luncheon was mesmerizing. I sat there and thought about her mother Ingrid Bergman, her trials and tribulations, her remarkable beauty, her astonishing talent, and her warmth and genuineness. It was a wonderful and heartwarming 2 hours. I think everyone felt they had met a friend. The book? It covers the waterfront, written in crisp, clear, engaging style. Honest, memorable, including her unforgettable encounters with Anna Magnani, Katharine Hepburn, Martin Scorsese (ex-husband), Gary Oldman. Film, modeling, Television, businesswoman, human being. "Is being remembered a kind of antidote to death? Is fame a sor of eternity? A remedy to the sadness of the end? Does having a famous mother, whoisstill seen every day on TV smiling, crying, walking, talkin, maker her death different, less definitive than other deaths?" This book will last!
Rating:
Summary: tender yet revealing
Review: Isabella Rosselini really is a beauty icon. SOME OF ME not only reveals her vulnerability, but also her point of view on life.It's simply listed as the best book I bought this year. Her way of telling the story is so amazing yet delicate. This book is a must for all Rosselini's fans.One has never thought that she too can be so revealing about her life beautifully
Rating: 
Summary: Only "Some" of her
Review: Isabella Rossellini lays bare some of her life in "Some of Me," an autobiography that reads like a prism -- it splits her life into many images, while never really forming a whole. It's an intriguing read, with plenty of interesting details about a unique life, but somehow Rossellini never quite bares her soul. Rosselini writes about her childhood in Italy, with movie icon Ingrid Bergman as a mother, and revolutionary filmmaker Roberto Rossellini as a father. She reluctantly entered acting -- and almost stopped forever when her first film was a flop -- and became a Lancôme cosmetics model, only to be fired for her age. She tells of her son's adoption, her battle with scoliosis, her failed marriage to Martin Scorsese, and the background of her vast mixed family. "Some of Me" is less like an autobiography than snapshots of Rossellini's life. It's non-linear, darting from adulthood to childhood to adolescence with no order. She doesn't explain much about her husbands and lovers, but explains plenty about the wet nurse who cared for her and her twin sister as babies. Rossellini gives the feeling of being at peace with the world -- she's gotten past her initial heartbreaks and problems. Some strong emotions -- grief at her mother's loss, anger at Lancôme's attitude towards her -- seep through. But Rossellini never really bares her deeper emotions or her soul. This book is like having a deep conversation with her: you will hear about her life, but won't be able to really get down and deep. Despite that, Rosselini has a bright style, full of melancholy and humor. She relates conversations with her now-dead parents, talks about pelting the paparazzi with rocks, and Audrey Hepburn's dirty fingernails. She lets readers see another side of Ingrid Bergman -- a loving neat-freak, who calmly tells her daughter that she's acquainted with the F-word. "Some of Me" is an apt title -- it gives us part of the picture, and leaves you feeling that parts of it are still hidden. Isabella Rossellini's book is engaging, but somehow feels unsatisfying.
Rating:
Summary: Only "Some" of her
Review: Isabella Rossellini lays bare some of her life in "Some of Me," an autobiography that reads like a prism -- it splits her life into many images, while never really forming a whole. It's an intriguing read, with plenty of interesting details about a unique life, but somehow Rossellini never quite bares her soul. Rosselini writes about her childhood in Italy, with movie icon Ingrid Bergman as a mother, and revolutionary filmmaker Roberto Rossellini as a father. She reluctantly entered acting -- and almost stopped forever when her first film was a flop -- and became a Lancôme cosmetics model, only to be fired for her age. She tells of her son's adoption, her battle with scoliosis, her failed marriage to Martin Scorsese, and the background of her vast mixed family. "Some of Me" is less like an autobiography than snapshots of Rossellini's life. It's non-linear, darting from adulthood to childhood to adolescence with no order. She doesn't explain much about her husbands and lovers, but explains plenty about the wet nurse who cared for her and her twin sister as babies. Rossellini gives the feeling of being at peace with the world -- she's gotten past her initial heartbreaks and problems. Some strong emotions -- grief at her mother's loss, anger at Lancôme's attitude towards her -- seep through. But Rossellini never really bares her deeper emotions or her soul. This book is like having a deep conversation with her: you will hear about her life, but won't be able to really get down and deep. Despite that, Rosselini has a bright style, full of melancholy and humor. She relates conversations with her now-dead parents, talks about pelting the paparazzi with rocks, and Audrey Hepburn's dirty fingernails. She lets readers see another side of Ingrid Bergman -- a loving neat-freak, who calmly tells her daughter that she's acquainted with the F-word. "Some of Me" is an apt title -- it gives us part of the picture, and leaves you feeling that parts of it are still hidden. Isabella Rossellini's book is engaging, but somehow feels unsatisfying.
Rating:
Summary: european grace
Review: Isabella was fired from Lancome because the American market isn't open to the idea of 40 year old representing their products. In France, 50 year old Brigitte Bardot and Catherine Deneuve (ahh Deneuve...) have both been equal symbols of sex and obsession for decades. In America it is quite different. Isabella knew that going into the contract with Lancome. She knew that one day she would have to be replaced by younger and slimmer Uma Thurmans of the World. Perhaps it isn't fair but that's how the american market operates (oh c'mon beauty, youth and sex sells). I found her analysis on the subjec almost phony. But the real reason I read the book is that I find both her parents Bergman and Rossellinia true exemple of pure European grace. I, therefore, certainly appreciated the antecdotes and memories.
Rating:
Summary: Beautiful and Funny
Review: Ms. Rossellini's wit and beauty carries her book with pleasure for those who read it. By the last page, you are left with wanting to know more about this extrodinary woman and can hopefully discover more of her works in the future.
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Summary: I want to hang out with Isabella Rossellini
Review: My mom and I have this barometer of how personable a celebrity seems. If they seem like someone we'd get along with, we say he/she could "live on our street". I liked Isabella so much, she could be my next-door neighbour! (I'm even pretty sure she wouldn't mind that I just called her by her first name!)
I loved this book! It's funny and real, and Ms. Rossellini comes across so charmingly, flaws and all. It's not a linear autobiography--it skips about from her childhood to early adulthood willy-nilly, and doesn't strictly stick to reporting things that happened in her life. She gives a lot of insight into her own personal philosophy that somehow gives the book a much more friendly, conversational tone than the typical memoir. If I had to have a complaint, I'd wish that she were a little more gossipy about her famous husbands/boyfriends, but that's just not her style.
Rating: 
Summary: An enjoyable piece of film history
Review: This book is an enjoyable read. Isabella Rossellini has a knack for a clever turn of phrase and she guides the reader through a witty recollection of her life. If you're looking for scandal or hot gossip, you're going to be sadly disappointed. Rossellini has chosen to write a breezy look at her complicated, and often controversial, life. She is Ingrid Bergman's daughter; Americans don't know her father. Her mother inspires awe in the hearts of Americans. In the minds of most American audiences, her father is simply the lover who caused Bergman's ruin in the '50s. Rossellini had some idea of her parents' scandalous relationship, but she was sheltered from most of it because she lived in Italy. Any discussion of Rossellini's life must begin with an examination of her parents and their effect upon their daughter. Bergman was an actress first, and a mother second. She valued her career more than her life as a mother. Rossellini does not portray her mother as a monster, or a lunatic who brandishes wire hangers at every turn. Ingrid Bergman is a complicated woman whose love of film and acting infused her entire life. She loved her children -- and she did not mistreat them -- but her first love was her acting career. As a daughter, Rossellini resented her mother's devoting to her career but she never questioned it. She never questioned her father's relationship with her mother, who was married at the time that she became involved with Roberto Rossellini. A major scandal ensued. Bergman exiled herself in Italy for many years. Upon her return to America in 1958, she won an Academy Award for her performance in Anastasia. Rossellini never explores her mother's feelings about being forced to leave America because of the scandal, nor do we get a full portrait of their marriage. Rossellini was not an attractive man, and it must have been his mind and his artistry that attracted Bergman to him. Writing about Rossellini's mother is unavoidable. Isabella Rossellini is the daughter of a famous actress. Her mother was the repository of the audience's dreams and ambitions. They wanted to be her, look like her, talk like her. It is now Isabella's turn to be that repository of dreams. Isabella Rossellini undertook this role when she became the exclusive model/spokeswoman for Lancome cosmetics. The campaigns were an enormous success, and profit margins for Lancome went up considerably. Rossellini was often known more for her Lancome ads than her film career. Lancome was not a company that prided itself on tact and personal warmth. When the company perceived Rossellini as too old, they tried to force her to resign so that they would not experience a public relations nightmare. Isabella refused to resign and the company terminated her employment. The company obviously underestimated the public, which was outraged that Rossellini had been fired. The company eventually hired Juliette Binoche, who looks suspiciously like Rossellini, for other Lancome ads. Rossellini simply reports these events; she does not make judgments about the people involved. She states the facts as she sees them, which brings up another interesting point about this book. Isabella Rossellini intentionally lies throughout large chunks of this book. She revels in her deceptions, as when she says that she gave birth to two children when she actually adopted her son. She is a natural storyteller and she weaves an interesting portrait of an actress struggling to define her own identity. One such defining moment was the film, Blue Velvet. Rossellini portrayed a brutalized torch singer in David Lynch's bizarro cinematic concoction. In one scene, she emerges from the bushes completely naked, bruised, and beaten. During the filming of this difficult scene, fans lined up with picnic baskets and chairs to watch Rossellini film the scene. Rossellini went to Lynch, and asked him to remove the people from the location, as she did not believe they should watch this difficult scene. David Lynch did nothing. She performed the scene in front of the crowd, and afterward, the audience left. They could not handle the difficult nature of the scene. Lynch's refusal to protect Rossellini's privacy as an actress makes his forays in cinematic misogyny completely understandable. Rossellini's relationship with Lynch is not understandable. She does not detail the relationship but it is difficult to fathom why an intelligent woman would become involved with such a loony schmuck. Her marriage to Martin Scorsese also does not come under much scrutiny except for an affair with another man that produced her daughter. I wanted to know why she linked herself to men that create films which are so openly hostile. Rossellini does not provide me with that kind of analysis, but what she has provided is a wonderful, light trifle of a read. Immensely readable, it is evidence that Rossellini is more than just her mother's daughter.
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