<< 1 >>
Rating: 
Summary: A Truly Magnificent Biography
Review: "Truffaut" is a rather imposing book at over 450 pages, but it is an extremely interesting read. The book is very strong on Truffaut's formative years and reads almost like a novel. Throughout the story of Truffaut's 51+ years the authors pull no punches, and not everything they say is complimentary to their subject. If you have seen most of Truffaut's movies, you will notice that some of Truffaut's biography sounds like the plots of some of his films. This is, in fact, the essence of Truffaut, who could never really separate his films from his life. The book is very strong on the connection of Truffaut's personal life to his films, and the circumstances which decided what sort of movie he would make at any one time. At a personal level you will learn about his connection to Renoir and Hitchcock. It devotes no space, however, to an artistic analysis of his films, which is not usually part of a film maker's biography. This area, however, is treated wonderfully by Annette Insdorf in her book "Francois Truffaut." The two books together are as complete a treatment of Francois Truffaut as one could wish. From such a detailed and complete book one learns not only abut Truffaut but also a great deal about his Cahiers and Carosse colleagues. Of particular interest to me was to see the deterioration of the relationship between the passionate bourgeois Truffaut and the ultra-ideological Marxist Godard. The authors quote a letter from Truffaut in which he bears his claws, but it is Godard who appears to have been venomous. If you love the films of Francois Truffaut, this is a book you must read. After you read the book you will want to revisit Truffaut's 21 films and 2 shorts, and then you will want to read the book again.
Rating:
Summary: A Truly Magnificent Biography
Review: "Truffaut" is a rather imposing book at over 450 pages, but it is an extremely interesting read. The book is very strong on Truffaut's formative years and reads almost like a novel. Throughout the story of Truffaut's 51+ years the authors pull no punches, and not everything they say is complimentary to their subject. If you have seen most of Truffaut's movies, you will notice that some of Truffaut's biography sounds like the plots of some of his films. This is, in fact, the essence of Truffaut, who could never really separate his films from his life. The book is very strong on the connection of Truffaut's personal life to his films, and the circumstances which decided what sort of movie he would make at any one time. At a personal level you will learn about his connection to Renoir and Hitchcock. It devotes no space, however, to an artistic analysis of his films, which is not usually part of a film maker's biography. This area, however, is treated wonderfully by Annette Insdorf in her book "Francois Truffaut." The two books together are as complete a treatment of Francois Truffaut as one could wish. From such a detailed and complete book one learns not only abut Truffaut but also a great deal about his Cahiers and Carosse colleagues. Of particular interest to me was to see the deterioration of the relationship between the passionate bourgeois Truffaut and the ultra-ideological Marxist Godard. The authors quote a letter from Truffaut in which he bears his claws, but it is Godard who appears to have been venomous. If you love the films of Francois Truffaut, this is a book you must read. After you read the book you will want to revisit Truffaut's 21 films and 2 shorts, and then you will want to read the book again.
Rating:
Summary: A book that delves deeply into the life of Truffaut
Review: The book starts from before day one, describing Truffaut's conception into the world as accidental and unwanted. We see parents who were much harsher and less loving in the bio than we do in The 400 Blows. We are presented with a boy genius turned truant, turned self-hating autodidact who by the grace of some magical force is redeemed. That magical force, of course, is the beauty and wonder of film. Amid this telling, we are given a lesson in French film history. Great names like Max Ophuls, Jean Renoir, Alain Resnais, Goddard, and Cocteau. We see this young boy rise from a state of debilitating poverty to the ranks of polemical, ingenious film criticism. We are excited when this precocious film journalist rails against a heavily commercialized, stagnant film establishment, and we hold our breaths when this same critic turns director, and releases his first full length feature, The 400 Blows and wins the Cannes' Grand Jury Prize. In this biography, the wonderful and important films that made Truffaut famous take a back seat. Instead, we see how his formative years inform his adult years in his search for love from actress, to actress, to actress. We see Truffaut's friendships and fall outs with brilliant filmmakers, and we see what goes on behind the scenes on the sets of his films. We realize, quite easily, that Truffaut the man is very special. At the end of the book, we come away with at least a glimpse of the true essence of Truffaut--a singular genius, searching for love in life and through films; a humble creator who makes films to please no one but himself; a charming friend who prefers humor over sentimentality; and most of all, an intensely private individual who used film to articulate his deepest yearnings. Yes, Truffaut was a great film maker, but as this biography so convincingly shows, he was an even greater person.
Rating:
Summary: A book that delves deeply into the life of Truffaut
Review: The book starts from before day one, describing Truffaut's conception into the world as accidental and unwanted. We see parents who were much harsher and less loving in the bio than we do in The 400 Blows. We are presented with a boy genius turned truant, turned self-hating autodidact who by the grace of some magical force is redeemed. That magical force, of course, is the beauty and wonder of film. Amid this telling, we are given a lesson in French film history. Great names like Max Ophuls, Jean Renoir, Alain Resnais, Goddard, and Cocteau. We see this young boy rise from a state of debilitating poverty to the ranks of polemical, ingenious film criticism. We are excited when this precocious film journalist rails against a heavily commercialized, stagnant film establishment, and we hold our breaths when this same critic turns director, and releases his first full length feature, The 400 Blows and wins the Cannes' Grand Jury Prize. In this biography, the wonderful and important films that made Truffaut famous take a back seat. Instead, we see how his formative years inform his adult years in his search for love from actress, to actress, to actress. We see Truffaut's friendships and fall outs with brilliant filmmakers, and we see what goes on behind the scenes on the sets of his films. We realize, quite easily, that Truffaut the man is very special. At the end of the book, we come away with at least a glimpse of the true essence of Truffaut--a singular genius, searching for love in life and through films; a humble creator who makes films to please no one but himself; a charming friend who prefers humor over sentimentality; and most of all, an intensely private individual who used film to articulate his deepest yearnings. Yes, Truffaut was a great film maker, but as this biography so convincingly shows, he was an even greater person.
Rating: 
Summary: Comprehensive and frequently touching biography
Review: There was considerable autobiographical content to the movies of Truffaut, but they expose only a public side, frequently with a focus on male/female relations. Truffaut's childhood is exposed as sadder, but possibly less harsh than his image (and The 400 Blows) suggest. The rest of his life was lived to its fullest with many life-long friends, close working relationships and a touching continuity to his relations with the women in his life, even after the time of passion had passed. There are many references to French intellectuals and film-makers that will not be familiar to American readers and occassionally slow the book down. The description of the genesis of many of the famous movies and the time and troubles to be overcome to bring a movie to the viewer is as the best I have read. All-in-all, this is an entertaining and extremely well-written biography. The translation is seamless.
Rating:
Summary: THE DIRECTOR WHO LOVED WOMEN
Review: When you saw all of TRUFFAUT's films ,this book has the edge over all other books about him.It is a complete biography about a man who had a passion for making movies.It is also about a man who loved actresses and had love affairs with many of them.FRANCOIS is all over the book with his strenghts and his weaknesses.Many of his movies have autobiographical contents;STOLEN KISSES for instance show his obsession with women;The character of AZNAVOUR in SHOOT THE PIANO PLAYER is almost a portrait of himself;JULES AND JIM was a love triangle ,and in his private life FRANCOIS had several mistresses at the same time.His sensitive approach has also ruined a few movies like THE SOFT SKIN and THE MISSISSIPI MERMAID.As a critic he could be very rude at times ,but he was a convincing debator.Finally ,i would say that movies were really his escape from the monotomy of life ;it was his own ticket for adventure.A worthy biography ,because i learn things about him beyond gossip.
Rating:
Summary: Not definitive, but the best biography we have so far...
Review: While I share the other reviewer's enthusiasm for this excellent biography, there were some problems with the book that suggest to me that there is more to be said about Mr. Truffaut. The jumps in time throughout the book were ominous, as if the authors either didn't have enough information or didn't want to write about a particular moment in Truffaut's life. The organization of the book into short chapters with titles like "Friends First" and "The Diminished Life" some only 3 or 4 paragraphs long interrupted the flow of the narrative for me and made it hard to keep names and events clearly in my mind's eye. The biography was strongest on the early and late periods in the director's life. The long middle section felt repetitive and I found myself wandering a bit. As other reviewers have pointed out: you wont' find any exhaustive information on the making of various films in this book. I am looking forward to reading the Insdorf book for film coverage. There is an exhaustive listing of Truffaut's written works at the end of the book, but a curiously short list of books an articles on Truffaut (24 listings primarily in French). I suspect that the publishers trimmed this list considerably, so you will have to look elsewhere for a comprehensive bibliography. Despite my criticisms I enjoyed this book a great deal and it has led me back to the films which are now enhanced from reading this biography.
<< 1 >>
|
