Frida: A Biography of Frida Kahlo

Rating:
Summary: Complete and Complex Like Frida
Review: Hayden Herrera has written an excellent portrait of the great artist Frida Kahlo, complete in thought and tender in describing a woman well lived.

Frida Kahlo is the ultimate survivor and represents women for their strength, tenderness, fierceness and suffering compassion. She lived during a time when women had few rights, especially Mexican women, she faced the dreadfulness of the Mexican Revolution in her early years, a bout with polio, a horrible bus accident that attempted to cripple her for life, an often unfaithful husband, criticism of her dreams, activism, accused Communism and many exciting adventures in life. She lived a true artistic life and her paintings represent the complicated nature of her inner soul. She loved hard and fought often, for her rights, her dreams and her man. While bed-ridden and suffering in the severest of agony she taught herself to paint, her body encased in a huge white cast, she painted to survive and reached the other end with a unique perspective on art. Her life and home were surrounded with color, a rainbow that never needed the promise of something golden at the end. She danced her own rhythm and never stopped walking her own path. This is a woman to be admired!

Herrera does an excellent job as the biographer of this phenomenally complicated woman. Her research is thorough and her suggestions entirely believable. You will be transported back in time into the life of a controversial woman who deserves every ounce of recognition that Herrera has given us.

Rating:
Summary: Top Kahlo book out there
Review: If you are a Frida Kahlo or Diego Rivera fan (as I am) that is... then this book is your bible -- it is a well-organized orchestration of dates, facts, and photographs about the Mexican artist gods. Some of the moments in the book are intimate, while others are possibly exagerations of the artists' famous life.

With a movie in the works (Selma Hayek plays Frida - that is after Laura San Giacomo, Madonna and Jennifer Lopez all had the part, and were dropped because Fridomexicans complained about the lack of Mexicanity in the actresses chosen to portrait their newly-found goddess), Kahlo is sure to solidify her position as the top-of-the-art-food-chain Latin American artist of the century (Georgia O'Keefe considered her the best female artist of the 20th century) and make her iconic face even more famous.

Kahlo deserves this position because she painted honestly and brutally. She painted her memorable Jewish-Austrian-Spanish-Mexican face, single eyebrow and slim moustache in stark honesty; she had many lovers of both sexes (when such a course of sex exploits was practically unknown); she grabbed her Mexicanity with a fierce pride and ferocity that would not be in vogue until decades after her death (Kahlo was born in 1907 and died in 1954) and yet during her life she was just the wife of a very famous Mexican muralist and a champagne Communist who partied with the Fords and Rockefellers while marching with the workers down the wide avenues of Mexico City. It is thus ironic that it is Kahlo, whose astonishing life and unique paintings are now the subject of lawsuits between governments and collectors, has taken the limelight from her talented womanizer husband and is rightfully considered one of the best artists of the 20th century, period. This is THE BOOK about her.

Rating:
Summary: Deep but narrow
Review: Kahlo is an utterly capitaviting character, and this book delves deep into her turbulent life to capture some of what made her the painter and the woman she was. She lead an incredible life, battled staggering pain and loss, managed a marriage with a furiously self-involved genius while becoming one herself (a genius, that is), and created her own mythology. Frida's story is incredible, and Herrera brings us into contact with her totally unique energy.

But still. After pages and pages of direct citations from Kahlo's diary, after pages and pages of psychoanalytical interpretation of her paintings, the book starts to wear out its welcome. The politics of Mexico are not given any where near as much detail as desirable, and as for the rest of the world . . . forget it. WWII isn't even mentioned, and her relationship with the Communist Party is glossed over. For such a political woman as Kahlo, the absence of any analyis of the world she lived in is pretty stunning, and a major weakness of the book, since it makes it ultimately impossible to understand her.

Still, Frida Kahlo was a great painter and an extraordinary woman. To learn both more and less about her than you want, this is the perfect book.

Rating:
Summary: The Best Book on Frida Kahlo
Review: One cannot live in the modern world without regularly encountering self-portrait images of the beautiful and tragic Frida Kahlo. Whether on coffee mugs, t-shirts, posters, or Mexican artifacts, Frida's exquisite face with its darkly joined eyebrows and beribboned hair is immediately familiar to most observers, even if they do not know who she was. Yet Frida Kahlo's popularity in the twentieth century can be wholly attributed to her brilliance. Unlike the work of most modern artists, almost all of her 200 paintings depict realist, surrealist, and primitive self-portraits symbolizing the concerns and agonies of her life. Hayden Herrera's fine biography is still, seventeen years after its publication, the champion text on one of the most important, original, and phenomenal painters of our time.

Frida was born in 1910 (the year the Mexican Revolution began)to a Mexican mother and German father in the same cobalt blue house in Coyoacan, a suburb of Mexico City, where she later worked and shared her life with the great muralist Diego Rivera. Ironically, it is the house where her life also ended. Today it is a museum, open to the public and still festooned with her beautiful collections of retablos, pottery, and Mexican folk art. Frida's life was consumed by pain as a result of suffering polio at age 6 and a bus/trolley collision as a teenager when, thrown from the bus, she was gored by a steel rail. Frida spent most years of her life bedridden and in body casts (which she also painted)after some 30 surgeries meant to alleviate her suffering. Throughout her life,and even while prone in a bed with a mirrored canopy, she painted herself because of the focus created by chronic pain and said, "I paint self-portraits because I am so often alone." Her self-portraits suggest deep meanings as her face is always encircled with images derived from her physical and psychological life. The paintings are vibrant and, typical of many of her women contemporaries' works, tiny.

Hayden Herrera's book presents a comprehensive life study of the great artist, incorporating photographs, diaries, letters, painting reproductions, eye witness accounts, and local history and politics in the most readable, enjoyable, intelligent work available. An art historian, Ms. Herrera is thoroughly knowledgeable and writes beautifully, as well. One will be as engrossed by this book as by any great novel. Her work convincingly recreates the scenes from Frida's life and populates them with important contemporaries Frida knew and loved, including Andre Breton, Leon Trotsky, Tina Modotti, Pablo Picasso, and, of course, her own Diego Rivera who called her the greatest painter of our time.

There isn't a more engaging biography available about Frida Kahlo (in second place is Herrera's other text, Frida Kahlo:The Paintings), and one need not be an art student to be enthralled by this work. Ms. Herrera's compassionate, energetic account will capture anyone who wonders just what Frida Kahlo was like--her inspirations, occupations, and truly vivacious approach to her one very painful and amazingly productive life.

Rating:
Summary: Frida Kahlo is Alive and Well
Review: The greatest compliment one could offer a biographer is that she has brought to life her subject with honesty and insight. Well, I offer this compliment to Hayden Herrera. It is supreme understatement for me to observe that the Mexican artist, Frida Kahlo, was a complex person filled with great contradictions. Yet, through liberal use of Frida's letters coupled with Herrera's own insightful analysis of her painting, "Frida" brings this great artist to life for us to bask in her brilliance, energy and strength. "Frida" is one of the most remarkable, illuminating and fulfilling biographies I have ever read. I highly recommend this magnificent book.

Rating:
Summary: Fascinating woman!
Review: There is something a bit frightening about a person so intense. Frida Kahlo lived her life with passion and intensity. Hayden Herrera recorded this life in all its colors. I especially liked the critical exploration of her paintings woven in with the story of her life. It is a fascinating life and if you only read one book about Frida Kahlo, this is the one you should read.

Rating:
Summary: Alegria!
Review: This is one of the first biography's I have read in a long time. I became very interested in Frida after I read a book about the life of Tina Modotti which fascinated me. Tina was one of Diego's many mistresses and a friend of Frida's. They were both extraordinary women of an extraordinary era. I am a painter and first painted the beautiful Tina after reading the book of her remarkable life. I am now overwhelmed with the Herrera biography of Frida and have become her disciple. I feel that I know her, I feel her spirit, I certainly felt her pain. I began taking art lessons as a very young child the year that she passed. I pray that some of that incredible spirit of hers came my way. Her pain was unfathomably deep and yet she survived with a love for life, art, and a difficult man. Her ability to love so deeply was beyond reckoning. There will never be another Frida. I wish that I had known her, been one of her compatriots. I do know her through the book, through her art. The book inspired me, challenged me, and made me feel so thankful that people like Frida grace this world.