The Siege

Rating:
Summary: "The Siege" is Dunmore's masterpiece
Review: "The Siege" is absolutely brilliant and Helen's Dunmore's masterpiece. How such a luminously crafted and finely imagined work of historical fiction can be overlooked in the annual book award stakes in favour of showier but less deserving titles is something presumably only those familiar with the internal politics of book critic awards can understand.

"The Siege" is a story about a family who endured and partially survived the extremities of cold, hunger and other devastating hardships inflicted on the people of Leningrad when their city came under siege by the Germans in 1941. The horror of the opening transcript of German intent prepares us for what follows. The opening chapters describe the buzz of ordinary lives albeit under the tyranny of the country's own leadership. Nobody trusts anyone. Even neighbours stay away from those in suspect professions (eg, artists and journalists). But life was still good, you can smell the scent of flowers in the air and the natural aroma of fresh fruit and vegetables from the ground. All this will disappear when the Germans suddenly attack, supplies are cut off , the city is frozen solid, stocks run down and people are reduced to starvation and using their furniture and books as fuel for heating as winter encroaches. Scenes of how healthy adults and bonny children turn into emaciated skeletons, scrabble around for broken bits of wood, boil their leather belts for nutrients, etc will guarantee that you will never again leave any morsel of food uneatened on your dinner plate.

We experience the siege of Leningrad through the lives of Anna and her family (her doctor lover Andrei, invalid writer father, his actress mistress Marina and baby brother Kolya). Dunmore's touch of feminism shows through in her vivid characterisation. The womenfolk are warriors compared to the men. Anna's courage and fortitude, Marina's quiet strength and compatriot Evgenia's irrepressable will to live make them unforgettable characters. They tower above the rest. Anna's feelings towards her father (she knows she's the defacto head of the family after her mother's death), her continuing ambivalence towards Marina, etc are all beautifully nuanced, reflecting Dunmore's uncommon grasp of the politics of human relationship.

"The Siege" is a faultless, hugely powerful and emotionally resonant piece of work. Quite simply, it is contemporary literature at its finest and one of the best novels I have read in the past year.

Rating:
Summary: Powerful but problematic
Review: Dunmore does manage to powerfully recount the lives of ordinary people during one of history's lesser known tragedies, as well as encompass some of the vast nature of the siege, and does a good job of fleshing out her characters. However the book relies too much on the drama of the events themselves to provide conflict and dramatic weight rather than the moral choices of the characters themselves.

The Siege itself, and the struggles of ordinary people, are important to remember and to recount, and more than a non-fiction book might, this book does give readers a window into a remarkable time - for this I do recommend it. But in the end, it's not as compelling, nor does it has as much depth, as I had hoped. I kept expecting something more to occur - some sort of story above and beyond the struggle for survival - but was disappointed.

If readers wish to know more about the Siege of Leningrad from an ordinary person's point of view, I highly recommend "Siege and Survival" by Elena Skrjabina, a survivor. This powerful and affecting diary is out of print, but should be in libraries or used.

Rating:
Summary: Dark and Powerful
Review: Helen Dunmore is better known for her intense, claustrophobic novels of family life in England, but I think THE SIEGE is definitely her masterpiece. I am so happy I read this book, though, as other reviewers have already pointed out, it is both harrowing and depressing.

THE SIEGE takes place in Leningrad during the winter of 1941, and opens before Russia has become involved in the war, and, despite the fact that the book centers on one very ordinary family, this is in no way a family novel. THE SIEGE is the story of Anna Levin, her father (who is a writer), her young brother, Kolya, her father's mistress, Marina and Anna's own lover Andrei. Although the love stories between Marina and Anna's father and Anna and Andrei are definitely subplots, there really isn't a lot of romance in this bleak book and one should not go looking for that in the pages of THE SIEGE. Dunmore gives great priority to the siege, itself, and, in doing so, she has chosen not to develop her characters and their interwoven relationships to the fullest.

When I first began reading the book, I was a little shocked at how the residents of Leningrad simply ignored the "political disappearances" that were so clearly murders. But it didn't take long to realize that they were ignoring them because the had to ignore them, because to do more would only put their own lives in jeopardy.

As time advances, however, so do the Nazis and Leningrad is finally surrounded and cut off from the outside world. Despite the book's romantic subplots, this is primarily a novel of survival. How do people survive, not just day by day, but hour by hour, when their own existence is dependent on a ration of one slice of bread per day? What happens to these people before they starve to death? How are the dynamics of family and love changed due to the enormous stresses they must face? Hunger, cold, deprivation...these are the subjects explored by Dunmore in THE SIEGE and, even more than the characters, these grim subjects are the stars of this book.

I think Dunmore made an excellent choice when she relegated her romantic subplots to the very back burner. People who can barely put one foot in front of the other are not going to be overly concerned with finding love. While DOCTOR ZHIVAGO remains my all time favorite film, I do realize the romance between Yuri and Lara was a bit unrealistic and that both characters looked remarkably well-fed, despite the lack of anything even remotely nourishing.

Food, of course, is something of primary importance in THE SIEGE and Dunmore's descriptions of food, even in this harrowing book, are almost poetic and lyrical. There are red cabbages, cucumbers, jam, lime trees, cloudberries and warm, dark honey. Food is described in such great detail in this book, not because of its bounty, but because of its dearth and thus, its importance. Food, in THE SIEGE, has long since ceased to be a source of enjoyment and has become, instead, the very means by which one can live...for at least one more day.

Juxtaposed against the lyrical passages centering on food, are the harrowing passages that detail the siege itself: The claustrophobia of being in a city cut off from the rest of the world; the lack of hygiene; the advancing German army; the lack of heat; the seemingly endless snowstorms; the corpses frozen in the ice; and, of course, the hunger, the starvation, the fight just to survive. Not to live, "life" was given up long ago; survival is all the residents of Leningrad can think of, or hope for, now. These are people whose lives are shattered beyond belief; these are people who have, literally, nothing.

THE SIEGE is one of the darkest books I've ever read, but, at the same time, it's one of the most beautiful. Dunmore's prose is perfect; it's harrowing where it should be harrowing and poetic where it should be poetic. It's not too spare and it's never overblown. It's perfect.

I would recommend this book to anyone who loves extremely well-written, literary fiction and who can tolerate a book of unrelieved bleakness and power.