Rating: 
Summary: Great writing supports a thin story
Review: I recently discovered Alan Furst and consider him one of the best period novelists writing today. I read "Kingdom of Shadows" first, which was excellent, and came to this novel with great expectations. While Furst again delivers rich characterization and the ominous atmosphere of German-occupied Paris, I felt the story did not rise to the level of the word craft. The main character is complex but is so detached and unopinionated that I found myself not caring about him or the choices that he made. His ennui soon became mine as I soldiered on reading this novel, waiting for something to happen. A hokey escape sequence followed by a maudlin ending left me disappointed. Looking back, I realize that I came to this book for a spy story and on that basis this novel fails; however, had I come to it to experience what France must have been like under Nazi occupation, then I would rate this book is a smashing success.
Rating: 
Summary: German Occupation - Vivid Portrait of Paris, 1940
Review: In the carefully researched novels by Alan Furst we encounter men and women facing extraordinary situations, individuals overwhelmed by historical events. The World at Night makes good reading and offers an intriguing look at France during the first year of occupation. Jean Claude Casson, a producer of moderately successful movies, is awakened by news that German forces are attacking. Within days he is conscripted into military service and engaged in filming a documentary on the front line. The French forces crumble and Casson becomes part of the chaotic retreat. This rapid collapse of France is followed by German occupation. Furst paints a vivid picture of winter 1940-41 in Paris, a remarkably cold winter, made worse by severe food and fuel shortages. Casson survives, but faces the moral dilemma inherent to all living under military occupation. What activities are just and what activities constitute collaboration with the enemy? Casson reluctantly agrees to carry money into Spain for the Resistance. We travel with him, unprepared for contingencies, essentially naive. With each step Casson is closer to disaster. He survives again, but only to become entangled with German counter espionage efforts. Jean Claude Casson was not completely satisfactory as a protagonist. He wanders erratically from one woman to another, a behavior shared by key characters in other stories by Alan Furst. His rather sudden deepening love for Citrine was a critical turning point in the plot, but was not entirely convincing. I consequently found the ending abrupt and somewhat implausible. Despite this reservation, I highly recommend The World at Night. Alan Furst has created a fascinating portrait of wartime France, not the typical picture of resistance fighters destroying bridges, but a more authentic examination of life under occupation. The World at Night is good history as well as entertaining reading.
Rating:
Summary: Another gem from Furst
Review: Once again, Alan Furst has brilliantly taken us back into the 1930s and 1940s, this time to Paris in the immediate aftermath of the Nazi Germany invasion. The protagonist, a film producer who initially thinks life can continue as normal, takes us step by step through the transition from sadness to resentment to anger to resistance against a brutal occupying force.
Furst's real achievement in this novel is taking the mundane and the normal and weaving them into the difficult and violent world of war and occupation. Everyday experiences like eating, drinking, earning a living, loving and talking are the primary daily behaviors around which the characters interact, but they are all intruded upon by the occupation. This is what makes the book so "real."
Furst combines history, fiction, and the mysteries of espionage as well as anyone since Eric Ambler. He is always worth reading.
Rating: 
Summary: Disappointing plotting from an over-rated author
Review: The mystifying critical acclaim attending Alan Furst makes more of his efforts than he deserves even at his best, and this is his absolute nadir. His writing is hailed as "cinematic", apparently because the chapters are chopped into short, incoherent set pieces that are clearly meant to be visually evocative, but succeed only in being disjointed and telegraphic. There is no complexity or depth to his characterizations, and he has created a hero so unsympathetic that you wouldn't mind seeing the Nazis catch him. As for his vaunted ablility to evoke war-time Europe, the flat and lifeless descriptions here are particularly disappointing. An intelligent teen-ager with a thesaurus, a map of Paris, and the Michelin green guide could do just as well. Readers interested in evocative pre-war suspense would be better served sticking to novels of the period. Compare Mr. Furst's writing with Eric Ambler's (eg, "Journey into Fear" or "Cause for Alarm"), and decide for yourself.
Rating:
Summary: Furst's first as a series
Review: This book is the first in a series of books by Alan Furst about men caught in the turmoil of the early days of Wrold War II in Europe. This one is the first to consider Jean Casson, a French film director, who scrambles to stay alive and fight the Germans in the game of espionage. Furst uses his story to draw a picture of how it was then, and this is as interesting as one can be in the events of that time in that place. Two other of his books, The Polish Officer and Kingdom of Shadows, take this approach further East, and are much the better for it. Worth reading as a beginning to his other books
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