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Rating: Summary: Almost as good as the book! Review: Gary Giddins has pealed away the mendacity that has surrounded Bing Crosby in published literature since his death. Bing was pilloried in books by his son Gary, and painted in other biographies as a philandering, cold-as-ice misanthrope. Finally Crosby fans can embrace a book (read by Edward Lewis), which contains much positive information on one of the greatest and most influential Americans icons of the 20th century. Bing's brilliance has been inexplicably eclipsed since his death. Hopefully, this book will introduce the Crosby magic to those who have never been exposed to it.Without Bing Crosby, popular music would not sound the way it sounds today, it's that simple. When he first started singing with Paul Whiteman's band in the 20's as a member of the Rhythm Boys, all vocalists sounded the same: weak-kneed tenors warbling through megaphones, ala the insufferable Rudy Vallee. Bing's mellifluous, effortless baritone became the standard by which every other singer strove to emulate: Sinatra, Como, Dean Martin and every other singer initially copied Bing. Giddins correctly emphasizes Bing's influence on 20th century pop culture. He was a vocal innovator par excellence and his jazz phrasing, timing and cadence remains unmatched. Giddins also explores in great depth Crosby's numerous affairs, his tortured marriage to the alcoholic Dixie Lee, and brings out some interesting gossip: did you know Bing smoked pot regularly with Louis Armstrong in the early 30's? No more Mr. Goody Two Shoes! I've loved Bing Crosby all my life and have waited a lifetime for an intelligent and readable biography. Gary Giddins is an excellent writer and researcher and he has created a minor masterpiece. This is an essential addition to any Crosbyphile's bookshelf. The audio version is excellent, you'll enjoy listening to the book while commuting to work.
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