Transmission

Rating:
Summary: Don't Start This Book Unless You Have Some Free Time!
Review: Arjun Mehta is a brilliant but socially inept young computer programmer in India. Leela Zahir is the beautiful young Indian star of Naughty Naughty Lovely Lovely. Guy Swift is the head of Tomorrow, an internet concept company that is better at creating slogans than actual products. Gabriella is a hot-shot publicist, and, for lack of anything better to do, Guy's girlfriend.

Things start moving when Arjun gets his big break--a computer job in America! Leela is the subject of every young Indian male's fantasies. Guy is about to lose his funding. Gabriella is about to leave him. Arjun relays his American successes to his family back in India, while in reality he is a low paid virtual slave. Then he loses his job and will have to return to India--as a failure! So, in desperation, he does something really bad. He creates a deadly computer virus based on a picture of the dancing Leela Zahir and turns it loose to create havoc.

What happens after that? You will have to read this book to find out. Let's just you won't be able to put it down as it builds toward its amazing surprise ending. Author Kunzru is a brilliant writer who grabs your attention from the first sentence and doesn't let go. His characters are engaging. The dialogue is hilarious. You can see what's coming but you can't stop it. Is it meant to be believable? Not really, but it works. I recommend Transmission highly but--don't start this book unless you have some free time! Reviewed by Louis N. Gruber.

Rating:
Summary: Beyond the static, the information in this novel is vital
Review: Computers, writes Hari Kunzru in his new novel TRANSMISSION, have "always terrorized [users] in small ways, by crashing, hanging, demanding meaningless upgrades or simply scolding them in the persona of an annoying cartoon paper clip." Add to this muted hostility the complication of computer viruses embedded in e-mails and concealed in downloads, and the relationship between man and machine becomes even more tumultuous. This user-unfriendliness is the main subject of TRANSMISSION, Kunzru's follow-up to his popular debut, THE IMPRESSIONIST.

The novel begins with a description of leela.exe, a virus distributed by a harmless-looking e-mail featuring a five-second clip of fictional Indian movie star Leela Zahir, from her film Naughty Naughty Lovely Lovely. As it moves across the globe network by network, the virus shuts down water and power, misroutes trains and planes, scrambles bank account information, and closes businesses and countries. Kunzru then rewinds the story to introduce its creator, a lonely Indian programmer named Arjun Mehta, who has few connections to the real world that do not pertain to his overbearing family or to his twin obsessions with computers and movies, specifically Leela Zahir's elaborate musicals.

After interviewing with an international IT consulting firm called Databodies, Arjun flies to California with the promise of steady programming work and the American dream of prosperity --- i.e. money, celebrity and women. Once there, he confronts a harsher reality: he is one of many foreign programmers who has been hoodwinked by Databodies and who now sits in halfway homes watching soaps and waiting to be placed with a company. After almost a year of forced unemployment, Arjun is hired out to Virugenix, an IT firm in Washington State. There he meets a fellow programmer named Christine Schnorr, who starts an against-her-better-judgment flirtation with him. When the inevitable happens, it coincides with the collapse of the IT market, and to protect his job and mend his broken heart, Arjun creates and disseminates the leela virus, which quickly mutates into ever-more-dangerous strains.

TRANSMISSION travels along a strange narrative arc. Like an old PC, the novel starts slow, but once it finally boots up, the momentum of the interconnected stories is impressive and engaging, bolstered by Kunzru's carefully considered details and his lively portrayal of an increasingly globalized technocracy that blends the world's cultures even as it further isolates its individuals. One of the novel's highlights is Arjun's brief tenure at Virugenix, when Kunzru's depiction of the work environment is comical in its anthropological observations: "Most of the AV team were not particularly gregarious creatures. People did their thing and other people left them to get on with it. No one took much notice of Shiro's habit of flapping his arms violently every few minutes or Donny's refusal to allow purple objects into his field of vision."

Into Arjun's gradual unraveling Kunzru interweaves the story of Guy Swift and his girlfriend, Gabriella Caro. Recalling Eric Packer, the hero of Don DeLillo's critically panned COSMOPOLIS, Guy is a celebrity businessman at the helm of Tomorrow*, a branding company specializing in the youth-oriented market. He talks mostly in trendy business-speak, as if its abstractions can conceal the fact that he has very little to say. Gabriella, a movie publicist with movie star looks, sees herself as just another commodity for Guy, akin to his ostentatious apartment on the Thames. As Guy struggles comically to control the damage the leela virus wrecks on Tomorrow*, Gabriella travels to Scotland to put a positive spin on Leela Zahir's erratic behavior on the set of her new movie, which the press has surrounded like a medieval army.

Kunzru interrupts these stories with authorial asides in an attempt to enlarge the context of the story, to set a global stage, even to implicate the reader. "Who clicked?" he writes. "Did you click? Were you curious enough to try?" But the real effect of these intrusions is less grandiose: they simply stall the story, frustrate the reader, and paint Kunzru as more than a little self-satisfied.

However, as these narrative strands progress and intersect in unexpected ways, Kunzru's intrusions lessen and TRANSMISSION streamlines into a witty satire of our computer-dependent society, alternately hilarious and frightening. Unfortunately, his characters, so long the focus of the novel, do not get to finish their stories; the author rudely steps in and interrupts them, making himself the focus of the final chapter. To borrow one of Kunzru's metaphors, there is entirely too much signal noise muddying up this TRANSMISSION, but beyond that static, the information is vital.

--- Reviewed by Stephen M. Deusner

Rating:
Summary: Gripping Reading
Review: Excellent book. Good Pace just like his previous book Impressionist.

i am looking forward to his next novel.

Way to go Hari !!

Rating:
Summary: Great Fun, Great Satire
Review: Hari Kunzru's Transmission is a terrifically funny satire about a computer virus, its creator and the lives it touches. Kunzru pokes fun at contemporary British and American culture, taking many stereotypes and running with them. Arjun, a young Indian man, comes to California with dreams of making it big in the computer industry, but reality doesn't make it near his dreams. He ultimately lands a job and things work out for him for a while, but eventually his situation leads him to make a desperate act that changes everything. Arjun's story is funny and entertaining, but also a bit sad. Kunzru thankfully never takes anything too seriously and has apparently quite a bit of fun poking fun at contemporary society. The novel sails along, flashing occasional comic brilliance every couple of pages. Transmission is an entertaing novel, fun to ready, funny to contemplate. Enjoy.

Rating:
Summary: Hilarious
Review: I liked The Impressionist, Kunzru's debut novel, but I loved Transmission. Unfortunately, if you are not familiar with Bollywood and Indian culture this book will not be quite as funny. Worth reading either way--a real page turner.

Rating:
Summary: Beware Compu Geeks
Review: I missed out the read of Hari Kunzru's debut 'The Impressionist' but managed to catch up the TV Interview of Hari and grabbed the copy of 'Transmission' - a weave into cyberyarn with combination of reality and virtuality. Transmission manages to charm the reader with its lucid wit of words, which is a vivid tale of the twin forces mutating the 21st century world of globalization and information technology. Kunzru, a perfect story teller's 'Transmission' is a story about men and women tossed around by global forces that are beyond their or for that matter, anyone's control or even understanding. The impulse of the new generation is sometimes money, sometimes sex or sometimes epidemic - the story narrates the journey of a computer engineer Arjun Mehta, who has been body-shopped to the US to be a cheap cyber-coolie, lost in an alien culture and finally sacked from software security firm. Quite a real life experience of many computer engineers, indeed. As the characters lead for disaster, salvation and transformation, Hari shows their lives as it is and his empathy is quite obvious. This reveals a deep observant Hari, a former wired correspondent, with lucent writing as he involves the reader with a 384 pages read and up in Top Ten Charts, just with a second release. A must read for day dreaming Indian Computer Geeks who aspires to create wealth in silicon valley, in the most advanced dominant culture. A good 'Free time' read at leisure.

* If this is a repeat review, please excuse!

Rating:
Summary: 'Beware' Indian Compu Geeks!
Review: I missed out the read of Hari Kunzru's debut `The Impressionist' but managed to catch up the TV Interview of Hari and grabbed the copy of `Transmission' - a weave into cyberyarn with combination of reality and virtuality. Transmission manages to charm the reader with its lucid wit of words, which is a vivid tale of the twin forces mutating the 21st century world of globalization and information technology. Kunzru, a perfect story teller's `Transmission' is a story about men and women tossed around by global forces that are beyond their or for that matter, anyone's control or even understanding. The impulse of the new generation is sometimes money, sometimes sex or sometimes epidemic - the story narrates the journey of a computer engineer Arjun Mehta, who has been body-shopped to the US to be a cheap cyber-coolie, lost in an alien culture and finally sacked from software security firm. Quite a real life experience of many computer engineers, indeed. As the characters lead for disaster, salvation and transformation, Hari shows their lives as it is and his empathy is quite obvious. This reveals a deep observant Hari, a former wired correspondent, with lucent writing as he involves the reader with a 384 pages read and up in Top Ten Charts, just with a second release. A must read for day dreaming Indian Computer Geeks who aspires to create wealth in silicon valley, in the most advanced dominant culture. A good 'Free time' read at leisure.

Rating:
Summary: rabelasian odyssey
Review: Indo-Brit lit has generated quite a pedigree in the past few decades, and Kunzru's book can sustain comparison to the other stalwarts of the genre like Rushdie, Seth, and Sulari. Like Rushdie and Seth, Kunzru's novel performs a rabelasian celebration of language as part of its exploration of a world of cultural elisions that presents a world that isn't quite multicultural or hybridized in a symplistic way.

Although the novel powers its way through three or four foci in diverse parts of "The West", few of the characters interact. In other words, he straddles the line between rushing through or underwriting his work and rendering satisfying or completely rounded figures. To his credit, I left the novel admiring both his skill in concision and, paradoxically, the richness of his imagination. Moreover, his work is powered by the apt description that cleverly crystalizes his subjects both visually and temperamentally. The book is playful, true to our times, and sniffing after more than merely the contemporary.



Rating:
Summary: Brilliant
Review: One of the best books I have read in some time, Hari Kunzru's newest novel combines the best of Michael Crichton, Neal Stephenson, and Jhumpa Lahiri all into 278 tautly written pages. His sympathetic protagonist Arjun Mehta is recognizable to anyone with Asian roots; his satirical portrayal of our shrinking, interlinked world recognizable to all. I was sucked in by the stylistic prose and the deftly paced, rollicking narrative. The only negative? It was much too short.

Rating:
Summary: Art of Distraction, a Slice of Life in the Modern Global Vil
Review: The Art of Distraction, a Slice of Life in the Modern Global Village

Transmission by Hari Kunzru p. 276

Transmission is writing which is painfully reflective of our times. With characters more interesting than the plot, there is the marked desperation of some characters and brazen entitlement of others. This fast paced action plays out in front of a backdrop of busy-ness, beauty and pop culture. In his second novel, Mr. Kunzru writes, as a modern techno artist would paint, using crass pink, day-glo orange and then gliding into, and a deep ocean blue. Get ready for a fun ride and a little cheeky humor.

Reminiscent of The Ground Beneath Her Feet, by Salman Rushdie, Transmission is more palatable, more readable, more likely finish-able. The capricious female lead has nowhere near the power of Vina, in The Ground Beneath Her Feet. She's neither as aggravating nor enigmatic. She's not a harbinger of the modern age, not a leader among women... she's not that interesting. Kunzru takes fewer risks with his female characters, avoiding this unknown. He appears at his best skimming the surface. in this novel, with a burnt-out, partied out female American technie, followed by a blond, haute-culture, victim-somebody-save-me, beauty on the Euro front, backed up with the jewel of our male techie's eye, a Bollywood lovely. Our film star, Leela, is vacuous and she is victimized by her power hunger mother, while she is idolized by legions of Desi.

Male characters are Mr. Kunzru's strength. He gives them a lost, boyish almost feminine quality which "works". The lead male is a techie Desi. The story revolves around him and his mistakes. This self deluded lad, the doted upon only son thinks he hits it big after landing a job in American. It's a hard fall, which results in his hitting the bottom of the technology-pool barrel in the Silicon Valley. As luck would have it he's temp-ed out to Seattle. There he is introduced to the bold, bad and burnt out world of techies-on-the-prowl, after work. Herein follows slice after slice of modern life, sandwiched by spicy characters, holds the readers interest. It's a juicy bite.

With repeated references to the Global village, we are taken back and forth across oceans. The pretty, intelligent Indian sister is learning an Aussie accent so that she can work at a call center outside Delhi. The dot.com English guy flies around a lot and eventually crashes and burns. The fair blond maiden with a history of drug problems, issues with men and abandonment tries to strike it out on her own, taking a work assignment covering a Bollywood film set in northern Scotland. She forsakes her dot.com beau and is lured away by a Bollywood bad boy, for the night at least. This continues on until the very last page. The last sentence hold as the story is wrapping it up while leaving it open for a sequel, and room for further imaginations and distractions.

While I read Transmission I felt this book was based on some cultural mythological character, I just didn't know which one. Our techie is bound for a bad kind of greatness, a bumbling-idiot-son-kind of greatness. He has a huge, impact upon the world, and then life goes on.
Mr. Kudzu previously appeared to have had one foot in England and another in India. Now he has grown another extremity, which he extends into American. Thereby deepening his vein of diasporic writing, astute cultural depiction and entertaining storytelling of human delusion and suffering. It's fast, it's furious and it's worth reading.