Rating: 
Summary: Better waltz right past this dance!
Review: Elmore Leonard has been called "the greatest crime writer of our time, perhaps ever" and "a contemporary Dashiell Hammett." The author of more than three dozen books, including Tishomingo Blues, Pronto, Riding the Rap, Out of Sight, Rum Punch, and Get Shorty, Leonard is a Grand Master Award winner of the Mystery Writers of America. He lives in Bloomfield Hills, Mich.,. a suburb of Detroit. When the Women Come Out to Dance, Leonard's second collection of short stories (the first was The Tonto Woman & Other Western Stories), features nine cut-to-the-chase adventures populated by one-dimensional characters. The British philosopher Bertrand Russell, in a reductionist mood, suggested that only one thing is necessary for a person to be happy: "How can you fail to enjoy life so long as the glands are in good working order? That is the only secret."
The characters in When the Women Come Out to Dance should be quite happy, for they are obsessed with glands (instant sex on demand) and guns (whether six-shooters or shotguns). Reeking with sex and violence, the stories deal with hot-blooded characters eager to "make love" and "make war." Two of the best stories are also the longest: "Fire in the Hole" (56 pages) describes a cell of racist skinheads in Harlan County, Kentucky, and "Tenkiller" (60 pages) describes a family of white-trash squatters In Okmulgee, Oklahoma. The remaining seven tales average 16 pages each. Here's a sample paragraph from "Fire in the Hole": "Gator teeth, spiked hair dyed blond and a tattoo on his chest, part of it showing the way his shirt hung open. He stood there looking Raylan over before saying, 'Who in the hell are you, the undertaker?'" Leonard, whose no-nonsense style of writing reminds one of Hemingway, believes that authors should go easy on the adverbs (never use an adverb to modify the verb "said"); keep their exclamation points under control; never use the words "suddenly" or "all hell broke loose"; never use a verb other than "said" to carry dialogue; use regional dialect, patois, sparingly; avoid detailed descriptions of characters; and don't go into great detail describing places and things. All of this is well and good, if one wants to make short shrift of psychological development and philosophical depth. While Leonard's stuff is tailor-made for guts-gonads-and glory films, his characters are one-dimensional and without soul. Reading this book is a lot like eating cotton candy: tasty but without substance. If action fluff is your cup of tea (or confection), by all means read and enjoy. But if you're looking for quality literature that is enduring rather than ephemeral, better skip this one.
Rating: 
Summary: Leonard's leftovers
Review: Elmore Leonard's tough, cool heroes and dialogue don't compensate for how one-dimensional his characters are, or how his plots limp to unsatisfying conclusions. Because his showdowns are always between brave, smart heroes and stupid, feckless villains, all suspense is drained from the stories.
This collection feels tired and recycled, as though Leonard was trying to create a meal out of three-day-old leftovers. He drags in characters from his novels, but doesn't give them anything fresh to do.
In two of the longer stories, the hero comes back to his home town, reconnects with the formerly-married woman whom he longed for but never slept with in high school, and winds up in the woman's kitchen facing down the leader of a group of moronic, white-trash criminals. Sure, one villain is eating fried chicken, and the other just wants a cup of coffee, but that difference hardly makes the plots distinct.
In two other stories a woman commits a crime and is then blackmailed by a person who knows about it. Yep, that's supposed to be the clever denouement.
For far more inventive plots, try "Twisted," Jeffrey Deaver's fun collection of crime/suspense stories. Deaver really knows how to surprise you.
Rating: 
Summary: Great collection of short stories
Review: I am always biased towards short story collections, the buffet of literature. You'll almost always find something you like, and if you don't like it you're not stuck with it for long. I enjoyed all these stories and highly recommend this book. Leonard spans a good range of subjects, settings, and people all while continuing with his strength of character development and gritty plot lines. My only criticisms are that many of these stories read like script treatments for TV and movies. I think that if you take the time to read a book it should offer more than TV in convenient book form. Also, I think Leonard at times takes the easy way out in describing his characters. Instead of spending time describing, he just tells you that he/she looks like movie star X. It's concise but lazy; it does get the job done.
Rating: 
Summary: Quality Entertainment
Review: I should qualify this review with the warning that this is my first experience reading Elmore Leonard. I cannot tell fans of his other 39 books and assorted screenplays how this compares with his general body of work. I can tell you how it stands on its own. This is an interesting, varied collection of nine short stories. While all share a world where alcohol is a constant undercurrent and the characters have all seen better days, they are quite distinct from one another. There is a has-been baseball player working against himself for a chance at a decent job, two cancer patients connecting in a Florida retirement community, a former stripper trying to "lose" an abusive husband, an African American veteran of the Civil and Spanish American Wars facing racism, a cattle rustler trying to help a woman he finds abandoned on a remote outpost, a lawman returning to his hometown to rout someone he had known in his youth who is now leading a neo Nazi militia, and a Hollywood stuntman returning to his Oklahoma roots to reclaim the family ranch from thugs and exorcise the family curse at the same time. There is a Karen Sisco episode, too, featuring the US marshall character currently the subject of a television series. Some of the stories read like sketches or treatments for screenplays. The Sisco story stands on its own, though it could easily have been a subplot from a novel or the television show. I thought the western stories were the most fully realized. All of the fictions turn on whether the good guy gets what he/she wants. The storytelling is of the cinematic variety, hinging on action riddled with reversals. Leonard uses words economically and every single one is well chosen, strong, vivid. In an era when typos and editing slips mar too many books, this edition (hardcover at least) is free of them and is also assembled with an attractive lay-out design.
Rating:
Summary: Quality Entertainment
Review: I should qualify this review with the warning that this is my first experience reading Elmore Leonard. I cannot tell fans of his other 39 books and assorted screenplays how this compares with his general body of work. I can tell you how it stands on its own. This is an interesting, varied collection of nine short stories. While all share a world where alcohol is a constant undercurrent and the characters have all seen better days, they are quite distinct from one another. There is a has-been baseball player working against himself for a chance at a decent job, two cancer patients connecting in a Florida retirement community, a former stripper trying to "lose" an abusive husband, an African American veteran of the Civil and Spanish American Wars facing racism, a cattle rustler trying to help a woman he finds abandoned on a remote outpost, a lawman returning to his hometown to rout someone he had known in his youth who is now leading a neo Nazi militia, and a Hollywood stuntman returning to his Oklahoma roots to reclaim the family ranch from thugs and exorcise the family curse at the same time. There is a Karen Sisco episode, too, featuring the US marshall character currently the subject of a television series. Some of the stories read like sketches or treatments for screenplays. The Sisco story stands on its own, though it could easily have been a subplot from a novel or the television show. I thought the western stories were the most fully realized. All of the fictions turn on whether the good guy gets what he/she wants. The storytelling is of the cinematic variety, hinging on action riddled with reversals. Leonard uses words economically and every single one is well chosen, strong, vivid. In an era when typos and editing slips mar too many books, this edition (hardcover at least) is free of them and is also assembled with an attractive lay-out design.
Rating:
Summary: Candyman
Review: Imagine nine pieces of the best candy you've ever eaten. You try to take your time, but find you eat them much too quickly. They are gone too soon. You wish there were more. And marvel at the skill of the candymaker.
Rating:
Summary: Terrific
Review: Others have already sung the praises of most of the stories in this collection. I want to correct an oversight. A fourteen- page story, The Tonto Woman, may be one of the very few perfect short stories. My reaction on reading it was that only one short story (whose title escapes me) by Hemingway could equal it in terms of creating another world with completely believable characters, setting and Leonard's impeccable dialogue. If reading can be transporting, then this slim fourteen pages has taken me further than I've been before in a book.
Rating:
Summary: World's Finest
Review: Reading this book is a little like being in the Marvel Universe. Here we find characters from other Leonard novels. Karen Sisco from Out of Sight and the TV show is here. We find a preamble to Tishomingo Blues. Carl Webster, whom Leonard fans may recognize, is here as well. I go back to Leonard whenever I wish to be reminded how to craft a good story. For anyone unfamiliar with Leonard's work, this is a good introduction. We get a good display of his range here. There is a western story, a story set in a retirement home, and oh yes, stories about criminals. Nobody writes stupid characters better than Elmore Leonard. These stories are funny, brutal, and quite enjoyable.
Rating:
Summary: World's Finest
Review: Reading this book is a little like being in the Marvel Universe. Here we find characters from other Leonard novels. Karen Sisco from Out of Sight and the TV show is here. We find a preamble to Tishomingo Blues. Carl Webster, whom Leonard fans may recognize, is here as well. I go back to Leonard whenever I wish to be reminded how to craft a good story. For anyone unfamiliar with Leonard's work, this is a good introduction. We get a good display of his range here. There is a western story, a story set in a retirement home, and oh yes, stories about criminals. Nobody writes stupid characters better than Elmore Leonard. These stories are funny, brutal, and quite enjoyable.
Rating:
Summary: Solid Leonard Sampler
Review: This generally digestible and entertaining Leonard sampler collects two novellas and a seven short stories written over the last decade. For those who've never read any of his many many many books, it's a pretty representative introduction to his range and style. For those who are intimately familiar with his work, there are new sides of a few familiar faces. For those like me, who've read seven or eight of his novels, and found them diverting, this is more of the same, page-turning, if not particularly memorable, genre fiction. The stories can all be readily grouped into pairs.
Both the title story and the opening story are a shade under 20 pages and feature attractive rich women who are running some kind of scam. In "When the Women Come Out to Dance", we meet an exotic dancer who married a wealthy Pakistani doctor. A year later, sitting in the lap of luxury, she professes to be worried that she will meet the gruesome fate of other wives no longer desired by their traditional Pakistani husbands-being burned to death. Her new Colomian maid might be the solution to her problem... In "Sparks", the widow of a famous record producer is grilled by an insurance company adjuster following the suspicious destruction of her house during a California brush fire. The two stories chug along through small intrigues and banter, arriving at satisfying, yet predictable conclusions.
Two of the stories are twenty-page vignettes in the lives of characters who are features in full novels. "Chickasaw Charlie Hoke" is a humorous and colorful story about how the title character lands a job as celebrity greeter for a Vegas casino. What happens after this is detailed in Leonard's 2002 book, Tishomingo Blues, whose main protagonist Dennis Lenahan is also introduced off-stage in this story. "Karen Makes Out" is throwaway story about U.S. Marshall Karen Sisco, and a brief fling she has with a man who may or may not be a bank robber. Her character is featured in Leonard's 1996 novel Out of Sight, and the 1998 film of the same name, where Jennifer Lopez played her.
Two more stories weighing in at slightly less than twenty pages showcase Leonard's abilities in the Western genre (in which he excelled before moving on to crime). "The Tonto Woman" is about a woman who had been kidnapped by Indians and tattooed on her face. Many years later, she makes it back home only to be shunned by her husband-until a crafty and honorable Mexican cattle rustler comes along. "Hurrah for Captain Early" shows the side of Leonard that believes in using his stories to tell a little history. It's about a black U.S. Army veteran of the Spanish-American war, and in it, Leonard pokes holes in the myth of the Rough Riders.
The two novellas are around sixty pages and benefit from the extra space. Set in hardscrabble turf of Harlan County, Kentucky, "Fire in the Hole" is about a group of white supremacists, led by an ex-coal miner turned preacher, turned tax protestor, plotting a little domestic terrorism. Hot on their trail is U.S. Marshall Raylen Givens (the star of Leonard's 1993 book Pronto and its 1995 sequel Riding the Rap), who grew up with the leader of the gang. In "Tenkiller", a rodeo star turned Hollywood stuntman is returning to his tiny hometown in Oklahoma following the death of his wife. When he finds a family of nasty white trash thugs have conned their way onto his land and into his house, he doesn't waste any time running them off. The novellas proceed in fairly familiar fashion, with the expected violence and conventional ending. Reading them in close succesion, however, reveals a high level of similarity. The protagonists are cut of the same cloth, in the their late 30s, early 40s, with rugged, well-worn good looks. Each is returning home, where they must rid the place of an evil white-trash man of their own age, with younger and dumber sidekicks. Each will encounter a woman from high school who has been pining for him for twenty years. This is not to say the stories aren't entertaining, but it does reveal how Leonard is able to use the same template over and over.
The one story that doesn't really fit in anywhere is "Hanging Out at the Buena Vista", a throwaway fifteen pages about a pair of cancer patients in a hospice. In the final anlysis, if you're a Leonard fan, you'll like the stories, if you've never read him, this is a good way to dip into him to see if you do.
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