For Your Eyes Only

Rating:
Summary: Five exciting thrillers about James Bond 007!
Review: For Your Eyes Only features five exciting short stories of James Bond 007. While fans noted that they were not as good as his full-length novels, they still are wonderful thrillers to read.
The first is From A View To A Kill. This short strory tells of the organization SHAPE, (Supreme Headquarters Allied Powers Europe)and their motorcycle dispatch riders that are being murdered on a certain highway. Unknown soviet agents are setting up ambushes for the men, killing them and stealing the important documents. Bond is sent with the help of Mary Ann Russell to investigate. He finds the area where the Soviets have established a base on the forest in the highway. Bond dresses like one of the riders to lure out the Soviets, he attacks them and kills the rest. An okay Bond story, but nothing special.
For Your Eyes Only comes next and is much more promising. It begins in Jamaica with a retring Nazi criminal called Von Hammerstein. He spots a nice house and set of property that is owned by the Havelocks. He sends out his man Gonzales to arrange a buying to be made. The Havelocks refuse to sell so Gonzales kills them. The Havelocks were friends of M, so Bond is sent to investigate. He travels to Vermont, the temporary stay of Von Hammerstein and meets Judy Havelock, the vengeful daughter of the Havelocks. She kills Hammerstein with a bow an arrow against Bond's advice. Gonzales is killed by Bond and he leaves with Judy.
Quantum Of Solace is the oddest Bond story to date. Bond is meeting with the governor of Bermuda. The governor tells Bond the story of a girl that was married to a young man, but wanted to marry someone else. The governor then tells Bond that the man the girl eventually marries is a guest at the dinner table at that very moment. It's a deceptive and tricky story.
The next story is Risico. Bond is on assignment in Rome to stop a drugs smuggler. Bond meest with contact Kristatos who tells him that the smuggler is Enrico Columbo, and that Bond should kill him. Bond then later meets up with the mistress of Columbo, Lisl Baum in Venice. He is then captured by Columbo, who tells him that Kristatos is the real enemy and smuggler. Bond is shown Kristatos smuggling warehouse by Columbo, they raid the building and kill Kristatos. Risico is a fast-paced and adventerous action story filled with exciting scenes.
The last story is The Hilderbrand Rarity. This story is placed in the Seychelles Islands, where Bond is on board the ship of millionaire Milton Krest. Krest is on an expedition to find the ultra rare fish species called the Hildbrand Rarity. Bond meets up with Liz Krest, who is beaten by her husband. Bond immediately learns to dislike Krest and his methods of killing marine life to catch the rare fish. Krest does eventually catch the fish and puts it aboard the ship. Later that night, Bond discovers Krest dead- he his choked by having the fish stuffed down his throat. Bond is unsure of who killed him. Liz Krest, who was tired of the drunken ways of her husband, or Fidele Barbey who was often insulted by Krest?
Five short stories, which do I consider the best? Risico, the Hildebrand Rarity and For Your Eyes Only. But they are all very good. The short stories are a nice change of pace with Fleming and provide some change.

Rating:
Summary: Bond works better in novels than short stories
Review: For Your Eyes Only

For Your Eyes Only, a compiliation of James Bond short stories, doesn't work. It is best read by Bond fans who either want to read all the books in chronological order (however, there is no continuity between this book and the others, so that hardly matters), or Bond fans who want to say they read every Bond story Fleming published. But it is not very good. The book includes the following short stories:

"From a View to a Kill"
"From a View to a Kill" is possibly the shortest of all James Bond stories. As such it is hardly developed and doesn't leave much impact. It is hardly worth considering as a story, but rather as Ian Fleming's scratch pad. Considered in this way the story is interesting for some of its elements.

Fleming is at his best when describing Bond's meals and drinks. "From a View to a Kill" contains an obligatory meal scene that works especially well. Fleming not only describes food and drink in exacting detail, but manages to turn these descriptions into commentaries on the culture and society of the meals' location. This time Anglo-centric unleashes his opinions on has-been post-war Paris. In the process he manages to reveal some interesting background points about Bond's early life. But all this quickly evaporates into more of an action/detective in which Bond investigates a murder.

Fleming's stories usually include a point during which a plot or a scheme is revealed to be bigger than it first appeared. Bond discovers what he suspected to be the case, that the murder was an assassination by unearthing a hidden underground base of sorts. The logic of this thing's existence and purpose are hardly believable, but the gadgetry of the place is interesting because it is a step beyond what had been typical for Fleming up to this point. Indeed, the rose-periscope and bush-door seem more like something out of the Roger Moore Bond movies, still years away. It is worth noting that "From a View to a Kill" has nothing at all in common with the Roger Moore movie, A VIEW TO A KILL, other than the name and the setting in France.

"From a View to a Kill" is too short to skip, but it ultimately isn't very satisfying.

"For Your Eyes Only"
After re-reading the second short story in FOR YOUR EYES ONLY (also titled, "For Your Eyes Only," I reached the conclusion that James Bond works much better in novels than in short stories. This is in part because this short story, much as the last one, left me wonder why I was reading it. While the story had action, it lacked the type of suspense, plot development, and surprise endings that move the Bond novels along. Also, that I had completely forgotten most of this story from my first reading of it many years ago was telling. "For Your Eyes Only" is more of a story than From A View to a Kill," but it is still a scratch pad of sorts, interesting more for ancillary reasons than for the story itself.

Still, these ancillary reasons are worth mentioning. Bond's job is never more illicit than in this story. He is sent to commit an assassination more or less as a personal favor for his boss, not as an official governmental act. He struggles with this a bit, and a different type of writer could have made more out of that struggle than Fleming does. But he trudges along to carry out his assignment. This story, perhaps more than any of the novels, establishes Bond as a "cold blooded killer."

One of the features of Bond stories that I enjoy is their 1950's setting. Fleming wrote from the 50's, obviously without any knowledge of how the future would unfold or how his time and thought process would be viewed years after he committed them to paper. The alieness of all of this is stark in "For Your Eyes Only." The target of Bond's assassination attempt is a former Nazi, who had recently been inn the employ of Cuba's dictator, Battista. Battista was still in power when Fleming was writing, and Castro is mentioned not only sympathetically, but as an admirable quasi-ally. He certainly isn't one of the Communists under just about every bush Bond looks under in most of the novels.

Neither the Nazi origins of the villain, Von Hammerstein, or even the villain's name, ever make it into any of the Bond films. But much of this short story does. For such a weak story, I was interested that most of it made it into the movie version of FOR YOUR EYES ONLY. The movie was bigger, and the short story really comprised about a quarter of the film, but I was reminded once again that some of the Bond films improved upon the stories rather than just borrowing the names.

"Quantum of Solace"
"Quantum of Solace" is only superficially a James Bond story. Oddly, then, it is the most interesting and compelling at least of the first three stories in FOR YOUR EYES ONLY. Bond is in Jamaica on assignment, but the story is not about the assignment. In this one, Bond mostly listens to a story within the story, told by the colonial governor of Jamaica, with whom he had just had dinner. This story within the story is the thrust of "Quantum of Solace." It has nothing to do with espionage, action, or adventure. Rather, it is a brief tale about a failed relationship. That's it. Somehow Fleming manages to make it interesting. I was wondering where the story was going and was caught off guard by its mild, but unexpected surprise ending. In this regard, Fleming achieves on a small level some of what he otherwise better captures through novels than short stories. While "Quantum" has little to do with Bond (or, more accurately, Bond has little to do in Quantum), it is the most enjoyable story so far in this collection.

"Risco"
A good portion of the plot of the movie, For Your Eyes Only, is taken from this short story. After reading this and the short story version of FYEO, I came to a greater appreciation of the movie-maker's desire to blend the two stories together into a coherent one that remains as faithful as could be hoped to a couple of short stories.

"Risco" plays out the Kristatos-Columbo rivalry around which the plot of the movie turns. Of all the short stories in this book it is the one that most resembles the previous Bond novels. It involves a mission to a foreign land, colorful characters, a devious villain with vague ties to Russia, and in Columbo, an ally somewhat reminiscent of Karim Bey in From Russia with Love. Nevertheless, "Risco" is not as good as any of the previous books, probably in part because it is not developed like a full novel. Also, not for the first time, while reading it I felt that the moviemakers did this story better. I was actually somewhat bored reading it.

There are no great surprises in "Risco," perhaps because we all know Kristatos, not Columbo, is the real villain. Nothing special is revealed about Bond's past or his predilections. As with most of the rest of the short stories in this compellation, "Risco" seems more like the outline of a story than a complete work.

"The Hildebrand Rarity"
After being worked over by the somewhat boring "Risco," "The Hildebrand Rarity" delivers the knockout punch. For Your Eyes Only saves the worst for last. It is significant to note that very little of this short story made its way into any Bond movie to day. "Milton Krest," the character that passes for a villain in this one, and his boat, The Wavekrest, appear in the movie, License to Kill, but only in name. The story of "The Hildebrand Rarity" is lost in the final pages of this book.

"The Hildebrand Rarity" contains one of the worst elements of Bond stories: Bond is basically an observer of events here. How and why he ends up in the situation of the story, which has nothing to do with spying or even government work, is murky at best. The story is basically a reverse mystery, a Murder on the Orient Express set on a ship, with an all-too-easy search for a rare fish thrown in, and one twist. Fleming's twists are usually the capstones to his Bond novels, but here the twist is that the mystery is never solved. Indeed, the build up to the crime is too long, and the aftermath is wholly inadequate. It is almost as if Fleming got tired of this story and just put it down. I did too.

Rating:
Summary: Bond works better in novels than short stories
Review: For Your Eyes Only

For Your Eyes Only, a compiliation of James Bond short stories, doesn't work. It is best read by Bond fans who either want to read all the books in chronological order (however, there is no continuity between this book and the others, so that hardly matters), or Bond fans who want to say they read every Bond story Fleming published. But it is not very good. The book includes the following short stories:

"From a View to a Kill"
"From a View to a Kill" is possibly the shortest of all James Bond stories. As such it is hardly developed and doesn't leave much impact. It is hardly worth considering as a story, but rather as Ian Fleming's scratch pad. Considered in this way the story is interesting for some of its elements.

Fleming is at his best when describing Bond's meals and drinks. "From a View to a Kill" contains an obligatory meal scene that works especially well. Fleming not only describes food and drink in exacting detail, but manages to turn these descriptions into commentaries on the culture and society of the meals' location. This time Anglo-centric unleashes his opinions on has-been post-war Paris. In the process he manages to reveal some interesting background points about Bond's early life. But all this quickly evaporates into more of an action/detective in which Bond investigates a murder.

Fleming's stories usually include a point during which a plot or a scheme is revealed to be bigger than it first appeared. Bond discovers what he suspected to be the case, that the murder was an assassination by unearthing a hidden underground base of sorts. The logic of this thing's existence and purpose are hardly believable, but the gadgetry of the place is interesting because it is a step beyond what had been typical for Fleming up to this point. Indeed, the rose-periscope and bush-door seem more like something out of the Roger Moore Bond movies, still years away. It is worth noting that "From a View to a Kill" has nothing at all in common with the Roger Moore movie, A VIEW TO A KILL, other than the name and the setting in France.

"From a View to a Kill" is too short to skip, but it ultimately isn't very satisfying.

"For Your Eyes Only"
After re-reading the second short story in FOR YOUR EYES ONLY (also titled, "For Your Eyes Only," I reached the conclusion that James Bond works much better in novels than in short stories. This is in part because this short story, much as the last one, left me wonder why I was reading it. While the story had action, it lacked the type of suspense, plot development, and surprise endings that move the Bond novels along. Also, that I had completely forgotten most of this story from my first reading of it many years ago was telling. "For Your Eyes Only" is more of a story than From A View to a Kill," but it is still a scratch pad of sorts, interesting more for ancillary reasons than for the story itself.

Still, these ancillary reasons are worth mentioning. Bond's job is never more illicit than in this story. He is sent to commit an assassination more or less as a personal favor for his boss, not as an official governmental act. He struggles with this a bit, and a different type of writer could have made more out of that struggle than Fleming does. But he trudges along to carry out his assignment. This story, perhaps more than any of the novels, establishes Bond as a "cold blooded killer."

One of the features of Bond stories that I enjoy is their 1950's setting. Fleming wrote from the 50's, obviously without any knowledge of how the future would unfold or how his time and thought process would be viewed years after he committed them to paper. The alieness of all of this is stark in "For Your Eyes Only." The target of Bond's assassination attempt is a former Nazi, who had recently been inn the employ of Cuba's dictator, Battista. Battista was still in power when Fleming was writing, and Castro is mentioned not only sympathetically, but as an admirable quasi-ally. He certainly isn't one of the Communists under just about every bush Bond looks under in most of the novels.

Neither the Nazi origins of the villain, Von Hammerstein, or even the villain's name, ever make it into any of the Bond films. But much of this short story does. For such a weak story, I was interested that most of it made it into the movie version of FOR YOUR EYES ONLY. The movie was bigger, and the short story really comprised about a quarter of the film, but I was reminded once again that some of the Bond films improved upon the stories rather than just borrowing the names.

"Quantum of Solace"
"Quantum of Solace" is only superficially a James Bond story. Oddly, then, it is the most interesting and compelling at least of the first three stories in FOR YOUR EYES ONLY. Bond is in Jamaica on assignment, but the story is not about the assignment. In this one, Bond mostly listens to a story within the story, told by the colonial governor of Jamaica, with whom he had just had dinner. This story within the story is the thrust of "Quantum of Solace." It has nothing to do with espionage, action, or adventure. Rather, it is a brief tale about a failed relationship. That's it. Somehow Fleming manages to make it interesting. I was wondering where the story was going and was caught off guard by its mild, but unexpected surprise ending. In this regard, Fleming achieves on a small level some of what he otherwise better captures through novels than short stories. While "Quantum" has little to do with Bond (or, more accurately, Bond has little to do in Quantum), it is the most enjoyable story so far in this collection.

"Risco"
A good portion of the plot of the movie, For Your Eyes Only, is taken from this short story. After reading this and the short story version of FYEO, I came to a greater appreciation of the movie-maker's desire to blend the two stories together into a coherent one that remains as faithful as could be hoped to a couple of short stories.

"Risco" plays out the Kristatos-Columbo rivalry around which the plot of the movie turns. Of all the short stories in this book it is the one that most resembles the previous Bond novels. It involves a mission to a foreign land, colorful characters, a devious villain with vague ties to Russia, and in Columbo, an ally somewhat reminiscent of Karim Bey in From Russia with Love. Nevertheless, "Risco" is not as good as any of the previous books, probably in part because it is not developed like a full novel. Also, not for the first time, while reading it I felt that the moviemakers did this story better. I was actually somewhat bored reading it.

There are no great surprises in "Risco," perhaps because we all know Kristatos, not Columbo, is the real villain. Nothing special is revealed about Bond's past or his predilections. As with most of the rest of the short stories in this compellation, "Risco" seems more like the outline of a story than a complete work.

"The Hildebrand Rarity"
After being worked over by the somewhat boring "Risco," "The Hildebrand Rarity" delivers the knockout punch. For Your Eyes Only saves the worst for last. It is significant to note that very little of this short story made its way into any Bond movie to day. "Milton Krest," the character that passes for a villain in this one, and his boat, The Wavekrest, appear in the movie, License to Kill, but only in name. The story of "The Hildebrand Rarity" is lost in the final pages of this book.

"The Hildebrand Rarity" contains one of the worst elements of Bond stories: Bond is basically an observer of events here. How and why he ends up in the situation of the story, which has nothing to do with spying or even government work, is murky at best. The story is basically a reverse mystery, a Murder on the Orient Express set on a ship, with an all-too-easy search for a rare fish thrown in, and one twist. Fleming's twists are usually the capstones to his Bond novels, but here the twist is that the mystery is never solved. Indeed, the build up to the crime is too long, and the aftermath is wholly inadequate. It is almost as if Fleming got tired of this story and just put it down. I did too.

Rating:
Summary: a great book of short stories
Review: I have always loved writing short stories better than a full length novel, but don't often enjoy reading them as much. Perhaps because I'm so familiar with Fleming's Bond, I really enjoyed some of these stories and didn't need all the filler.

Anyone who has enjoyed a Bond novel should like at least a couple of the stories in this collection. I especially like the moral dilemma Bond finds himself in while being a predator near the end of The Hildebrand Rarity.

Rating:
Summary: a great book of short stories
Review: I have always loved writing short stories better than a full length novel, but don't often enjoy reading them as much. Perhaps because I'm so familiar with Fleming's Bond, I really enjoyed some of these stories and didn't need all the filler.

Anyone who has enjoyed a Bond novel should like at least a couple of the stories in this collection. I especially like the moral dilemma Bond finds himself in while being a predator near the end of The Hildebrand Rarity.

Rating:
Summary: For Your Eyes Only!
Review: If you like poetry, you will love this book! It contains journal entries from a girl, Lucy, who is in Mr. Moffat's sixth grade class.In this book you will find out how Lucy deals with her divorced mother, Andy,her secret crush and her best friend who might not be such a great friend after all.Every week Mr. Moffat puts a poem on the board and Lucy struggles to write her own great poem. See what she comes up with!

Rating:
Summary: FYEO Review
Review: Let's hear it for Ian Fleming! This wonderful collection of short stories shows just how diverse and good he can get. I recommend this book to any Bond fan.

Rating:
Summary: Five stories, only three of which are really about 007
Review: The eighth book published in the 007 series is not a self-contained novel, but rather a collection of five short stories-two of which are kind of shoehorned in and aren't really typical Bond pieces. The first story, "From A View To A Kill", is a pretty decent little Cold War espionage piece. In a well-crafted set piece introduction, a dispatch rider from Supreme Headquarters Allied Powers-Europe headquarters is ambushed and his documents stolen by Soviet spies. As a result of bureaucratic infighting (highly realistic, and doubtless drawn from Fleming's own intelligence experience), M sends Bond to try and figure out the security breakdown. It's a good tale, with an ingenious set of foes, probably the best story of the lot.

In "For Your Eyes Only", Bond enters highly murky waters by taking a more or less personal assignment from M to track down the killers of an old friend. It's a highly topical late '50s piece, involving a former Nazi as mastermind, and henchmen drawn from the ranks of Cuban dictator Battista. Interestingly (in hindsight), Bond expresses real sympathy with the rebel Castro's struggle! To act as M's executioner, Bond must travel to Canada and then sneak across the US border to operate in Vermont, which is kind of interesting. Things take a turn for the ridiculous when he stumbles across another revenge seeker, wielding a bow and arrow. The middle story, "Quantum of Solace" isn't a Bond story at all. Rather, it's a story of disaffected marriage told to Bond by his host after a rather boring dinner party. It's actually quite good, but has nothing to do with Bond.

"Risico" takes Bond back to action, and places him in Rome, where he is assigned to disrupt the flow of heroin into England. Fleming creates a rather prescient version of "The War on Drugs" by directing Bond to act against the insidious enemy of drugs. It's a classic Bond story in that Bond is easily duped, meets a pretty woman, meets an unlikely ally, and engages in near fatal gunplay. (And of course, at the end, the drug pipeline to England is all a nasty Soviet plot.) The final story, "The Hildebrand Rarity", is again, barely a Bond story-reducing him to observer status. He's not really on the job, but instead inexplicably agrees to hire himself out as a fishing expert in the Seychelles. Basically, he's just there as an audience for another marriage-gone-sour story. There is a villain, there is a murder, but Bond's not really a central character in it. The only real purpose to the story seems to be to allow Fleming to work out his own issues vis-à-vis American millionaires.

On the whole, these stories don't add much to the Bond canon. It would have been more interesting had Fleming chose to give us a taste of Bond's action in the Ardennes in WWII, or of the two assignments that led to his 00 designation (both of which are mentioned in Casino Royale). Still, the first story is worth a quick read, and "For Your Eyes Only" and "Risico" will be of interest to those who love the film versions.

Rating:
Summary: Where License to Kill had it's origins....
Review: There are worse ways to while away a few hours than reading Ian Fleming's short stories featuring his bulletproof spy, James Bond. The trademark Fleming attention to detail is present, as is usual, and Bond, of course, occasionally hits the Caribbean, as he seems to do in EVERY novel at least once. It pains me that the title story in this collection of shorts wasn't put up on the big screen intact...it would have made a heck of a SPY movie, rather than the lame, hard to follow adventure it became with old Rogie the Usurper in the lead role.

The story, "The Hildebrand Rarity" is the basis for the Timothy Dalton film "License To Kill", where, though Franz Sanchez, Agent Bouvier and Felix Leiter from the movie aren't present, one of Sanchez's cronies, Krest, IS!

As with just about every OTHER Bond book-to-film transfer, the plots and supporting characters are fiddled around with extensively, but a sharp eye would be able to discern the similarities.

I would have liked it if this book had been in better condition when I got it, but it was one of the original Signet paperbacks, which makes it more than 35 years old. I guess it could have looked a LOT worse! (g) However, as far as reading is concerned....not bad at all!

Rating:
Summary: Sampler of Bonded Fleming.
Review: This collection of five James Bond stories is a slight effort. For fans of Ian Fleming, this is an interlude in the major novels. For the uninitiated, this is an opportunity to sample Fleming's fiction in its pristine state, before tampering by over-the-top filmmakers. The typical traits of the Bond/Fleming cycle are present. The James Bond created by Ian Fleming is an iron fist in a velvet glove. A no-nonsense guy who is good to have on your side. Fleming blends the hard-boiled edginess of Dashiell Hammett with the sophistication of Dorothy Sayers. Snobbery is evident. Bond is a lone wolf, and prefers it that way. The writing assumes a working knowledge of French and Italian. This can confuse some readers, especially Americans, in descriptions of food, liquor, etc. Three of the five stories are straightforward Cold War era espionage stories of murder, revenge, and betrayal. This includes "A View to a Kill," "For Your Eyes Only," and "Risico." The irascible M is present, most especially in the title tale. Bonds comes off best in these three stories. "Quantum of Solace" is an odd piece that could have been written by John O'Hara. It shows Ian Fleming flexing his literary muscles. "The Hildebrand Rarity" is a story of vengeance and murder, but it has nothing to do with Cold War spies. These stories originally appeared in such varied publications as "Playboy" and "Cosmopolitan." Read and enjoy. Good down time reading. ;-)