Rating: 
Summary: Capitalism a Century Ago
Review: Another famous classic by Joseph Conrad, "Nostromo" was written a century ago and is still interesting today as a comment about Latin America and foreign involvement. Conrad's tale is set in the harbor town of Sulaco in Costaguana, an imagined place in an imagined country somewhere in South America, plagued by revolutions and greed. Alongside the larger group of natives and other people of color or lower class there is a small core group of Europeans, among those the Goulds. In spite of being third generation South American Charles Gould still goes to England to find a wife. Later when he decides to develop the silver mine he inherits from his father he goes to the United States to find a rich investor. The silver mine becomes a huge success, only to become the target of political revolutionaries, and the story really begins when there is an attempted coup and takeover of the silver mine. Much attention is given to inner conflicts and tough moral choices that individuals are forced to. Detailed descriptions of both characters and settings makes this novel quite a dense reading experience, particularly the first section which contains very little dialogue and reads like a documentary. Only the final section of the novel seemed deserving of the title Nostromo, part one is about Costaguana, part two the Revolution and only in part three does the reader finally become fully acquainted with Gian' Battista, or Nostromo as he is named by the upper class of Sulaco.
Rating:
Summary: haunting allegory
Review: Another thick complex Conrad adventure has a great vivid setting and his usual playful narrative style that exposes the same story at different times through several different points of view, all which clash over the big silver mine in the center of everything, which seems to control every action in the plot. The most riveting aspects of the tale (outside the revolution and the tortured bonds between the characters) happen but briefly on the water. Comparisons to Lord Jim and Heart of Darkness are inevitable though this one stands out on its own, provided the over detailed writing doesn't off put the casual reader. Once again, as with every Conrad piece, you have to read carefully, and be on the look out for abrupt changes in time, place and thought, which he purposely intertwines to expose a larger picture: a rather effective way to unleash the English language, considering that it wasn't Conrad's original native tongue. Title character Nostromo stands out as the key tormented romantic "hero" but the rest of the abundant cast each have their dramatic moments near and around, and before and after him as well. JC weaves all their lives into the same colorful pattern. The silver mine by the time all is finished has power over each of them, a very hypnotic and manipulative symbol of greed and loss. Don Martin Decoud, next to Nostromo himself, makes an impression as the story's most heartbreaking character. He becomes the most tragic person in the book.
Rating:
Summary: I was loving this book...
Review: Below this review there is a short review by someone named 'cmerrel', who very generously gives the ending away and answers the critical question of what happens to Nostromo. After reading 100 pages of this book, to read this was a great annoyance. Please stay away from that particular review.
Rating:
Summary: masterwork from a master writer
Review: Conrad is my favorite 20th century author, so I am biased. The reviewer who compared him to Tolstoy was on the money. Both lived lives that gave them fodder for their fiction; Tolstoy as a soldier in the Crimean war, an aristocrat facing the turbulence of the political and social upheavals of fin-de-siecle Russia, and Conrad as a mariner and a Polish transplant who carved out a language and a career for himself in England. Nostromo contains some of the most vividly realized characterization, plot, and sensory detail of any novel ever written in the English language, period. Do not pay any attention to a customer whose review is based on listening to the audio tape version. It doesn't do the book justice and is indeed labored to the extreme. I would also hope that readers do not form their opinions from the BBC film. It is infinitely shallow by comparison to this rich work. While the "eponymous" character remains purposefully enigmatic, the other inhabitants of Costaguena are stereoscopically fleshed out. We are on intimate terms with the Goulds. We know Decoud's innermost thoughts. It's true that Decoud is the central character of this novel. His isolation and mental defragmentation is Conrad's arguement for and refuation of existentialism. We are all islands, yet no man is in island. Take your pick. This is a very large piece of fiction. Do not approch it as you would some best seller. It's not going to entertain you on every page. What it will do is reward you in riches that can never come cheaply. Yet it is not like Finnegan's Wake, where you have to have your Boedekker's guide to see you along your journey. It's also a great adventure story, with a larger than life hero. If I could suggest one book to represent the most finely crafted novel of its era, this would be it.
Rating:
Summary: Surprisingly modern-- politics, greed, and darkness.
Review: In his apt introduction, Martin Seymour-Smith opines that Nostromo is the best Latin American novel written in the English language. While these sorts of contentions are always difficult to evaluate in terms of accuracy, it would be safe to say that if one were to make such a ranking then Nostromo would have to be considered.
For a reader who has followed the history of European commerce and presence in Latin America, it will be surprising to hear that Nostromo was written in 1904. The complexity of the situation in Costaguana will be all too familiar-- as will the loveliness and resources of that troubled region. The characters in Nostromo cling to the hope of rescue from the more developed countries. At the same time, it is increasingly apparent that the values from the old world have no real place in the new. The frustration and hopelessness of ever sucessfully affecting change put paid to even the best motivations. There is a bitterness here that feels very modern, denying any golden age of European contact.
Nostromo is moving and complex. The mix of personal and global stories blend mostly seamlessly. It realizes the promise in less-developed Conrad novels (Victory, for example) and is the fullest of all Conrad reading experiences. It is not, however, a hopeful book and any optimism it exhibits is well-guarded. Readers are advised to spend some patience allowing Conrad to build the picture of Costaguana in the intial part of the book. The patience will pay off later on, and there will be more than enough character driven action later to compensate for the history lesson.
In addition to the introduction by Seymour-Smith, the Penguin edition comes with explanatory notes and a handy glossary of terms.
Rating:
Summary: A story of the silver coast
Review: Joseph Conrad is one of the most effortlessly cosmopolitan writers in the English language, and "Nostromo" finds him in a fictitious South American country called Costaguana whose mountains are a bountiful resource of silver. And Conrad is probably the only writer who can transform his novel's hero from an all-around tough guy to a heroic savior to a sneaky thief to a tragic victim of mistaken identity through plausible twists of fate without ever letting the story fall into disarray. The main action of the novel takes place towards the end of the nineteenth century in a town called Sulaco, which is the base of operations for the San Tome silver mine up in the nearby mountains. The administrator of the mine is an Englishman named Charles Gould, whose primary challenge is to find American and European speculators to invest money to keep the mine in business. The other problem he faces is a civil war between the present government and a faction of rebels led by a general named Montero. Gould's wife Emilia is a prominent figure in town, an elegant matron with a philanthropic attitude towards the downtrodden native mine workers and townspeople. The hero, Nostromo, is an Italian sailor who settled in Costaguana for more lucrative work and is now in charge of keeping the dockworkers -- the "cargadores" -- in line. When Montero's troops invade Sulaco, Nostromo and Martin Decoud, an aristocratic Frenchman who runs Sulaco's newspaper, escape on a boat with the town's silver treasury to protect it from the marauders. Their boat is sideswiped and damaged by a ship commanded by a rebel colonel named Sotillo, and they are forced to moor on a nearby island and bury the treasure there. This island is the future site of a lighthouse to be maintained by the Violas, an Italian family whose patriarch, Giorgio, once supported Garibaldi and still reveres the man like a deity. There is obviously much more to the plot, too much to reveal in this review, and there are many additional important characters, but these are best left for the potential reader to discover. Narratively, Conrad keeps the story moving with plenty of action and suspense combined with the typical excellence of his prose. Structurally, though, is how Conrad's novel intrigues its reader: He frequently shifts viewpoints, in both place and time, to give the effect of different perspectives of both the immediate events and the long-term history of Sulaco. Contemporary reviewers of the novel apparently saw this technique as an artistic flaw; in retrospect, it seems well ahead of its time. Thematically, the novel presents a debate about the benefits and problems of imperialism and colonization, using Costaguano as a model colony and the Gould Concession as model imperialists. When Sotillo accuses foreigners of robbing his country of its wealth, Gould suggests to him that a country's resources (i.e., Costaguana's silver) can be used as an asset only from the cooperation of the native workers and the capital and technical knowledge of the colonists. Such a concept seems relevant to global economic development throughout the twentieth century.
Rating:
Summary: A story of the silver coast
Review: Joseph Conrad is one of the most effortlessly cosmopolitan writers in the English language, and "Nostromo" finds him in a fictitious South American country called Costaguana whose mountains are a bountiful resource of silver. And Conrad is probably the only writer who can transform his novel's hero from an all-around tough guy to a heroic savior to a sneaky thief to a tragic victim of mistaken identity through plausible twists of fate without ever letting the story fall into disarray. The main action of the novel takes place towards the end of the nineteenth century in a town called Sulaco, which is the base of operations for the San Tome silver mine up in the nearby mountains. The administrator of the mine is an Englishman named Charles Gould, whose primary challenge is to find American and European speculators to invest money to keep the mine in business. The other problem he faces is a civil war between the present government and a faction of rebels led by a general named Montero. Gould's wife Emilia is a prominent figure in town, an elegant matron with a philanthropic attitude towards the downtrodden native mine workers and townspeople. The hero, Nostromo, is an Italian sailor who settled in Costaguana for more lucrative work and is now in charge of keeping the dockworkers -- the "cargadores" -- in line. When Montero's troops invade Sulaco, Nostromo and Martin Decoud, an aristocratic Frenchman who runs Sulaco's newspaper, escape on a boat with the town's silver treasury to protect it from the marauders. Their boat is sideswiped and damaged by a ship commanded by a rebel colonel named Sotillo, and they are forced to moor on a nearby island and bury the treasure there. This island is the future site of a lighthouse to be maintained by the Violas, an Italian family whose patriarch, Giorgio, once supported Garibaldi and still reveres the man like a deity. There is obviously much more to the plot, too much to reveal in this review, and there are many additional important characters, but these are best left for the potential reader to discover. Narratively, Conrad keeps the story moving with plenty of action and suspense combined with the typical excellence of his prose. Structurally, though, is how Conrad's novel intrigues its reader: He frequently shifts viewpoints, in both place and time, to give the effect of different perspectives of both the immediate events and the long-term history of Sulaco. Contemporary reviewers of the novel apparently saw this technique as an artistic flaw; in retrospect, it seems well ahead of its time. Thematically, the novel presents a debate about the benefits and problems of imperialism and colonization, using Costaguano as a model colony and the Gould Concession as model imperialists. When Sotillo accuses foreigners of robbing his country of its wealth, Gould suggests to him that a country's resources (i.e., Costaguana's silver) can be used as an asset only from the cooperation of the native workers and the capital and technical knowledge of the colonists. Such a concept seems relevant to global economic development throughout the twentieth century.
Rating:
Summary: Nostromo
Review: Like all of Conrad's works, Nostromo contains a well structured plot, strong well defined characters and a message. No question that Conrad can be as verbose as Henry James but, unlike James, Conrad has something intersting to say. Nostromo is a man of the people who is used by the European aristocracy that rule a South American 'banana republic' to do their dirty work. Nostromo eventually is corrupted by the demands and is eventually undone by it. Most critics beleive that Nostromo is Conrad's best work.
Rating: 
Summary: A little more Nostomo, a little less Costaguana
Review: Nostromo is one of Conrad's best characters, a man with a dangerous singleness of intention and of dashing good looks. Unfortunately, he does not appear regulraly in the story line until the last 120 pages. Much time is given to explaining the politics of Costaguana, a fictional South American country. I understand that revolution and corruption is essential to the plot of this novel, but I think Joseph went a little overboard. He has such a talent for characterization, and he focuses so much in this novel on history and confusing minor figures. That said, when Nostromo does appear in the book, he steals the show. As one character puts it, he has "a particular talent for being on the spot whenever there is something picturesque to be done." A dying woman says to him, "(You are) always thinking of yourself and taking your pay out in fine words from those who care nothing for you." Indeed, Nostromo's main purpose in life is to have a reputation as a hero, to be well-thought of and well-known. Other characters shine in this book as well, such as Decoud, a "man with no faith in anything except his own sensations," and the doctor, with his "misanthropic mistrust of humanity." Charles Gould is an intriguing figure who confuses his materialism with idealism. His wife is uncorruptible. Outstanding, compelling characters who are engaged in a plan to protect silver from revolutionary thugs. This has all the great ideas Conrad explores in other novels, such as the corruption of ideals, moral ambiguity, intellectual farce, the fleeting nature of purpose and order, and the absurdity of blind faith. He is contemplating the "immense indifference of things," the imperfection of men's motives. It's worth the effort to get to the heart of this story, especially if you are a Conrad fan. If you're unfamilar with his work, I'd recommend starting out with something else.
Rating:
Summary: "Costaguana will always be run by butchers and tyrants."
Review: Often regarded as Conrad's masterwork, Nostromo is also Conrad's darkest novel, filled with betrayals at all levels and offering little hope for man's redemption. A novel of huge scope and political intrigue, it is also a novel in which no character actually wins. All must accept the ironies which fate has dealt them. Setting the novel in the imaginary South American country of Costaguana, the story centers around a silver mine in the mountains outside of the capital, Sulaco, vividly depicting its allure and the price each character pays for its success. When Charles Gould, returns from England to claim and reopen the rich silver mine he has inherited from his father, he has good intentions-- to provide jobs for the peasants and contribute to the economy of the town at the same time that he also profits. Soon, however, he becomes obsessed with wealth and power, and as the political climate gets hotter, he must pay off government officials, bandits, the church, and various armed revolutionaries to be able to work. Each of these groups is vividly depicted as working for its own ends and not for the good of the people, and with their goals focused on the real world, these characters have no self-awareness, nor do they develop it during the novel. In contrast to these "unrealized" humans, Conrad presents several characters who develop some self-awareness through their experiences. Nostromo, a local legend, is a man of principle who has always kept his word. Martin Decoud, a newspaper man, is a nihilist who has editorialized against the revolution, though he has yet to test himself. Dr. Monygham, captured during a past revolution, broke under torture, and is now seeking absolution by fighting against this revolution. And the good and long-suffering wife of Charles Gould, Dona Emilia, who has lost her husband to his silver mine, now devotes her life to helping others. When Nostromo agrees to protect a load of silver from revolutionaries by taking it out to sea, he takes Decoud with him, leaving him on an island with the silver when they almost sink. Decoud's reaction to his isolation, and Nostromo's reaction to the treasure that is suddenly "his," provide a dark commentary on idealism and human nature. In the conclusion, which includes a love story that feels tacked on, Conrad's darkest self is revealed, offering little hope of change and even less hope for man's redemption. Rich in atmosphere, vibrant in description, filled with characters representing all walks of life and philosophy, and set in a country where revolution is a way of life, the novel is full of dark portents and bleak political outcomes. Mary Whipple
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