Rating: ![3 stars](http://www.reviewfocus.com/images/stars-3-0.gif) Summary: Murder most literary Review: "Strong Poison" is a Lord Peter Wimsey mystery, the first of four that feature his relationship with Harriet Vane, so if you are new to Sayers, this is a good one with which to start. Sayers was one of the authors of mystery's "Golden Age", following the pioneers - Poe, Wilkie Collins and Conan Doyle - and preceding the hardboiled school of Hammett and Chandler. She was thus a contemporary of Agatha Christie and Ellery Queen.Her style is perhaps the most literary and polished of any mystery writer. (For further evidence of her skills, read her superb translation of "The Song of Roland"). She handles dialogue and human interaction extremely well and convincingly portrays a wide range of character types. Also notable is the occasional flash of ironic, rather dark, humor. I have to say however, that her penchant for bizarre names can be rather off-putting. We meet two jounalists called Salcombe Hardy and Waffles Newton, a lawyer called Sir Impey Biggs and an actress called - would you believe? - Cremorna Garden. The plot is not as strong as the poison; it is too linear, with no twists and turns, although the central idea is quite good. It is more interesting as a literary portrait of 1930 English society than as a crime puzzle. But a good read, nonetheless.
Rating: ![5 stars](http://www.reviewfocus.com/images/stars-5-0.gif) Summary: Strong Poison makes Strong Readers Review: A cracking read! The people are more important than the puzzle - therefore Lord Peter Wimsey and Harriet Vane are two of the most intriguing, glamourous people ever.
Rating: ![4 stars](http://www.reviewfocus.com/images/stars-4-0.gif) Summary: the start of a saga Review: Dorothy L. Sayers remains the finest of the early 20th century mystery writers: unusually erudite, she earned one of the first english degrees awarded to a woman at Oxford University. Eclectic enough to have written a definitive translation of Dante's Divina Comedia, her detective novels are shot through with quotations from a who's who of english literature. Sayers loved language and her characters display this love with brilliance. In this novel, her favorite sleuth, the curiously human Lord Peter Wimsey, engages himself for the first time with Harriet Vane, whom he discovers on trial for her life for murdering her lover. Convinced at once of her innocence, he sets out to prove it. A hung jury gives him the opportunity, and Sayer's great skill in plotting brings Miss Vane out of prison, but unfortunately for Wimsey not (yet) into his arms. He has, of course, become hopelessly besotted with her. Some reviewers describe Harriet Vane as unlikable -- there's little douibt that Sayers put much of her own sometimes awkward personality into Harriet. However, she is a genuinely interesting and surprisingly real character, and without question an early feminist. The book is entirely satisfying in its own right, with particularly telling passages about spiritualism (an obsession of the time). Sayers' Miss Climpson, another fascinating character, a spinster who aids Wimsey in his detective work and philanthropy, uses spiritualism to elicit the motive for the murder and ultimately the responsible party. It is also noteworthy for introducing the series of novels about Wimsey and Harriet Vane that includes Have His Carcase (the least satisfying), Gaudy Night (the first great feminist novel of the 20th century) and Busman's Honeymoon. Jill Paton Walsh, no mean novelist herself, completed a Sayers manuscript much more recently for Thrones and Dominations, a competent additional chapter in Peter and Harriet's lives. Sayers was an extraordinary woman and an extraordinary writer -- in Wimsey and Harriet Vane, she connected her ideal man (Wimsey) with her alter ego, (Harriet). Strong Poison is the start of a sequence of highly intelligent, beautifully written novels that happen to be mysteries.
Rating: ![5 stars](http://www.reviewfocus.com/images/stars-5-0.gif) Summary: Miss Sayers administers the dose. Review: Few would argue with the contention that no better writer has ever tried her hand at writing detective fiction than Dorothy L Sayers. I happen to like good writing, and I don't mind if it features more strongly than the puzzle component in a mystery novel. "Strong Poison" abounds in wit, charm, characterization, and literary excellence. This is the one that begins with two whole chapters of a judge's summing up. On trial is Harriet Vane, accused of killing her lover by administering arsenic. All believe she is guilty except one jury member, Miss Murchison, who prevents the jury from bringing in a "guilty" verdict, and someone attending the trial, Lord Peter Wimsey, who determines to prove Harriet's innocence and make her his wife. Dorothy L Sayers then makes little pretence at hiding the identity of the killer. Instead she unfolds a fascinating investigation into how the crime was committed and how Lord Peter and one or two helpers collected the evidence to convict. Neither as long nor as long-winded as some of Miss Sayers' later detective fiction, this one offers rich and pure pleasure all the way. The additional luxury of hearing it read by Ian Carmichael in audio book form is well worth investigating.
Rating: ![5 stars](http://www.reviewfocus.com/images/stars-5-0.gif) Summary: Miss Sayers administers the dose. Review: Few would argue with the contention that no better writer has ever tried her hand at writing detective fiction than Dorothy L Sayers. I happen to like good writing, and I don't mind if it features more strongly than the puzzle component in a mystery novel. "Strong Poison" abounds in wit, charm, characterization, and literary excellence. This is the one that begins with two whole chapters of a judge's summing up. On trial is Harriet Vane, accused of killing her lover by administering arsenic. All believe she is guilty except one jury member, Miss Murchison, who prevents the jury from bringing in a "guilty" verdict, and someone attending the trial, Lord Peter Wimsey, who determines to prove Harriet's innocence and make her his wife. Dorothy L Sayers then makes little pretence at hiding the identity of the killer. Instead she unfolds a fascinating investigation into how the crime was committed and how Lord Peter and one or two helpers collected the evidence to convict. Neither as long nor as long-winded as some of Miss Sayers' later detective fiction, this one offers rich and pure pleasure all the way. The additional luxury of hearing it read by Ian Carmichael in audio book form is well worth investigating.
Rating: ![4 stars](http://www.reviewfocus.com/images/stars-4-0.gif) Summary: Love At First Sight In The Dock Review: In public life, Dorothy L. Sayers was a scholar, writer, and woman of impeccable morals. In private life, however, she had a torrid love affair and bore a child out of wedlock. In her literature, Sayers expressed the schism between these aspects of her personality via the character of Harriet Vane, who makes her first appearance in the Lord Peter series in STRONG POISON as a fallen woman on trial for her life. Published in 1930, the novel opens with Harriet Vane in the dock, listening as the judge presiding over trial sums up against her. She is a writer of mildly popular mysteries who has had a liaison with Philip Boyes, a rather pretentious author better know to critics than to the public. Their acrimonious separation is quickly followed by Boyes' death from arsenic--and it seems that Harriet, and Harriet only, had both motive and opportunity. But the judge reckons without juror Miss Climpson, employee of the celebrated Lord Peter Wimsey, who derails what would seem an open and shut case--and gives Lord Peter the opportunity to unravel the crime. And, not incidentally, to fall in love with the accused. With an infamous actress of the Victorian age lurking in the background and a sizable inheritance on the line, Wimsey rushes to sort out the mystery and save the woman he loves before the case can be retried. STRONG POISON is not really among Sayer's greatest novels, which combine a unique literary style, memorable characters, and complex plots to remarkable effect. The opening description of the trial, with its detailed account of the judge's comments, feels excessive; the solution to the crime is tricksy and relies heavily on coincidence; and Harriet Vane stands out less effectively than such supporting characters as Miss Climpson. Nonetheless, it has its charms, most particularly in Sayers' witty and highly literate style and the continued evolution of the characters she had previously created. Most particularly, STRONG POISON sets the stage for two novels in which Harriet Vane will become one of the most memorable characters in the golden age of the English mystery: GAUDY NIGHT and BUSMAN'S HONEYMOON, both of which are regarded as high-water marks in the genre. Sayers wrote several memorable novels in which Harriet Vane does not appear at all, most notably the famous MURDER MUST ADVERTISE, but her development of the character is a remarkable process to behold, and fans will enjoy watching the process. Enjoyable, but recommended more to established Sayers readers than first time visitors. GFT, Amazon Reviewer
Rating: ![4 stars](http://www.reviewfocus.com/images/stars-4-0.gif) Summary: Love At First Sight In The Dock Review: In public life, Dorothy L. Sayers was a scholar, writer, and woman of impeccable morals. In private life, however, she had a torrid love affair and bore a child out of wedlock. In her literature, Sayers expressed the schism between these aspects of her personality via the character of Harriet Vane, who makes her first appearance in the Lord Peter series in STRONG POISON as a fallen woman on trial for her life. Published in 1930, the novel opens with Harriet Vane in the dock, listening as the judge presiding over trial sums up against her. She is a writer of mildly popular mysteries who has had a liaison with Philip Boyes, a rather pretentious author better know to critics than to the public. Their acrimonious separation is quickly followed by Boyes' death from arsenic--and it seems that Harriet, and Harriet only, had both motive and opportunity. But the judge reckons without juror Miss Climpson, employee of the celebrated Lord Peter Wimsey, who derails what would seem an open and shut case--and gives Lord Peter the opportunity to unravel the crime. And, not incidentally, to fall in love with the accused. With an infamous actress of the Victorian age lurking in the background and a sizable inheritance on the line, Wimsey rushes to sort out the mystery and save the woman he loves before the case can be retried. STRONG POISON is not really among Sayer's greatest novels, which combine a unique literary style, memorable characters, and complex plots to remarkable effect. The opening description of the trial, with its detailed account of the judge's comments, feels excessive; the solution to the crime is tricksy and relies heavily on coincidence; and Harriet Vane stands out less effectively than such supporting characters as Miss Climpson. Nonetheless, it has its charms, most particularly in Sayers' witty and highly literate style and the continued evolution of the characters she had previously created. Most particularly, STRONG POISON sets the stage for two novels in which Harriet Vane will become one of the most memorable characters in the golden age of the English mystery: GAUDY NIGHT and BUSMAN'S HONEYMOON, both of which are regarded as high-water marks in the genre. Sayers wrote several memorable novels in which Harriet Vane does not appear at all, most notably the famous MURDER MUST ADVERTISE, but her development of the character is a remarkable process to behold, and fans will enjoy watching the process. Enjoyable, but recommended more to established Sayers readers than first time visitors. GFT, Amazon Reviewer
Rating: ![4 stars](http://www.reviewfocus.com/images/stars-4-0.gif) Summary: More minor errors (spoiler alert) Review: The arsenic-eating peasants live in Styria, not Syria, and investigating spiritualists go in for psychical, not physical, research.
Rating: ![5 stars](http://www.reviewfocus.com/images/stars-5-0.gif) Summary: The reader makes the tape Review: This is an abridged tape of the story. If you have read the story you can tell many missing parts. However Edward Petherbridge does such an excellent job of reading and of the different voices that it is worth listening to even as an addition to the book. As you know he plays Lord Peter on the BBC version that is available on DVD. So when he makes the different voices and nuances they sound like the BBC version. Petherbridge also was in the play "Busman's Honeymoon". This is the first of a fourth book series. The story is complete and can be used as a stand-alone story. The notorious Harriet Vane is on trial for poisoning her previous live in lover. Naturally Lord Peter Wimsey falling in love with her, is determined that she is innocent and will prove this. To save her from the gallows he must fined the real culprit (if there is one), because if Harriet gets off on a technicality, she will always be under suspicion.
Rating: ![5 stars](http://www.reviewfocus.com/images/stars-5-0.gif) Summary: You cannot make an omelette without breaking eggs Review: This is still a masterpiece of the genre. Doroty Sayers was very aware of the issue of the writer as outsider. Her writing is sprightly. We begin promisingly, right in the midst of a trial. Nothing could be more action oriented. There is a wonderful jury instruction given on the burden of proof. Harriet Vane is charged with murder by arsenic and she is writing a mystery story about murder by arsenic. It is so very curious to write books about crime and to be accused of crime. There is a hung jury. With a month to erect a new defense if available, Lord Peter Wimsey undertakes to visit the father of the victim. Since both Harriet Vane , the alleged perpetrator, and the victim are writers, their books are selling enormously well. Wimsey seeks to insert his man, Bunter, into the household of the cousin with whom the victim resided and a lady confidential clerk into the cousin's law chambers. Lord Peter notes he collects books. Crime is not very decorative. Lord Peter's interference in bringing about his sister Mary's marriage is just dear. The plotting is excellent. The book does not age, although some of the renderings of the accents of the servants and the various classes of British society are heavy going.
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