Oscar Wilde's Salome

Rating:
Summary: seductive Salome has a deadly dance
Review: I found this book to a very quick and interesting read. Salome is both loved and feared by men. She uses her deadly seductive power to get anything she wants, almost.
The price of the book is so cheap how can you resist not buying it.

Rating:
Summary: It could be a perfect opera
Review: Oscar Wilde touches here a fundamental subject in Christian lore : Salome and John the Baptist, and through them Jesus and the prophesy that he is the Messiah. It would be a perfect subject for an opera because the events are contained in too short a time and the feelings and motivations are too simple and intensely concentrated for a dramaruc play. Salome asks for John's head out of spite because she could not possess him, because he refused to acknowledge her, and also because she knows this will mean the downfall of her step-father, the killer of her own father, and the incestuous husband of her mother. So vengeance is her second motivation. Those motivations are too simple to build up the tragical force of a play, but they are so intense that they could have inspired the most dramatic and powerful music. Oscar Wilde's language is beautiful in many ways but this beauty does not give any complexity to the simpleness of the emotions and motivations. This beautiful language could have become the carrier of a beautiful music. Actually we can hear the music of a Scarlatti, or of a Purcell behind the words, maybe even a Haendel. But as a play it is a little bit flat and without enough depth to build a beautiful performance. As a matter of fact the centrepiece of the play, the dance of the seven veils, is not a dramatic event but a visual and musical event. And we cannot in anyway escape the recollection of the fantastic little black and white film by Clive Barker on the subject. Salome is worth more than just a dramatic play. She can only find her full strength when music and dancing come into the picture, when it is fully visual and musical.

Dr Jacques COULARDEAU, University of Perpignan

Rating:
Summary: It is good to listen to a Lord of the language.
Review: Wilde was the Irish Lord of the Language (English or French, it is the same). I concede that Michael Flatley is the Lord of the Dance... In any case, Wilde's words are worth being listened to. Salome possesses a rich texture of fine images and figures of speech that come to life through the voices of the actors.

This performance of "Salome" is a radio recording from a Canadian station broadcasted in the late sixties. It is too bad that radio theater be a rather defunct art. It has many values of its own. This abridged performance is based in the Alfred Douglas's translation of the original French play (Wilde wrote it directly in Frech, and it was the cause of his breaking up with Pierre Louys and serious trouble with Doulgas). I refrain from rating it with 4 stars because it is edited and abridged -slightly-.

Every interpretation is correct and some outstanding. It has even a fit original score. Wilde fans wouldn't be disapointed.