Nevermore

Rating:
Summary: I Liked It
Review: Houdini and Conan Doyle are two of my favorite people from history. This story was fun and enjoyable. It reminded me of "The Alienist" quite a bit, too. It is fun stuff--spritualism, magic, illusion, detective work...all
happening during a great time in history.

Rating:
Summary: Slow
Review: The story went very slow at first and it's really for us busy readers to hold on as it's really hard to get the story line at first. That's why the first half of the story is so boring. But then if you go on reading it, the first half isn't wasted at all and they are all well-planned. Well, but it goes so slow..

Rating:
Summary: Busy and not very flattering for Houdini
Review: William Hjortsberg's "Nevermore" brings together Harry Houdini, Sir Arthur Conan Doyle, a serial killer emulating Edgar Allan Poe's stories, and a host of real characters from the 1920s. Sherlock Holmes's creator is in the United States delivering a series of lectures on spiritism, and Houdini is playing his usual role as a skeptic. The two inevitably run into each other time and time again, and they form a friendship, one that is tried to some degree by their different philosophies. While they are going about their businesses, a killer is dispatching victims in ways that are taken from Poe tales. And at the same time, a woman calling herself Isis is performing supernatural feats that Houdini cannot explain away.

If the story sounds busy, that's because it is. The various threads seem to coexist without mingling for quite some time. In fact, the serial killer all but disappears for a substantial portion of the second half of the novel. With the standard suspense aspect thusly diminished, the novel becomes more of a combination of a period piece and an exploration into the two men's obsession with supernatural phenomena. The historical aspect of the mystery often works well, though Hjortsberg does seem to revel a bit much in the minutiae of the period, from cigarette brands to characters. The supernatural aspect does not work, as Houdini is clearly the loser; there is never really any doubt but that spirits exist and influence the world. Also, it should be noted that Houdini's character, while heroic, is also decidedly unflattering, especially in his dealings with Isis.

"Nevermore" begins with a great deal of promise but ultimately fails to fulfill that promise as the threads never mesh entirely satisfactorily. While Hjortsberg writes well for the most part, he never truly unites the several threads, and a few of them are left dangling.