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Rating: Summary: The book for which Lewis won the Nobel Prize. Review: "Babbitt," published in 1922, was the second straight publishing phenomenon for Sinclair Lewis, who had become a household name in 1920 with "Main Street." By 1930, Lewis had published three more notable novels ("Arrowsmith," "Elmer Gantry," and "Dodsworth"), declined the Pulitzer Prize in a fit of pique, and finally became the first American to win the Nobel Prize for Literature. The 1920s were his prime years, and none of his novels was more renowned than "Babbitt," which merited special recognition from the Swedish Academy when Lewis won the Nobel Prize.So what is one to make of this novel now? It can be dreadfully dull, and could (indeed should) have been cut in half. It wanders around in search of a plot, and though many of its insights can be funny, overall one has to marvel at how genteel the literature of 1920s was in order to make this book a national sensation. Basically, it is the story of George F. Babbitt, a solidly Republican, supremely self-satisfied, deeply stupid real estate man, who has a sort of midlife crisis in the course of the novel before returning desperately to his earlier state of censorious complacency by the last chapters. Lewis designed him to be an exemplar of his class, and many thought he was. The term "Babbitt" became a popular way of referring to chubby, materialistic businessmen. And then, by the 1940s, the novel had largely faded into oblivion, except in college classes or high school reading lists. Why? Quite simply, because it's not a particularly good novel. It is a reasonably well-written slice of satirical social commentary, and little more. Today, it is merely a cultural relic from the twenties, kind of like the abominably bad "Great Gatsby," which dilettantes rave over as if it were actually a good novel. It isn't, and neither is "Babbitt." But for those interested in how America saw itself just before the Great Depression, books like these might be informative.
Rating: Summary: A Nice Taste of the Roaring Twenties Review: Recently I read two good non-fiction books about 1920s America: The Uncertainty of Everyday Life (Harvey Green), and Only Yesterday (Frederick L. Allen). Both of these books mentioned Sinclair Lewis' novel Babbitt, so I thought I'd check it out. After the introduction to this period I got from the above-mentioned histories, I found Babbitt to be a nice companion piece and a good continuation of my study of Roaring 20s America. Written in 1922 and set in 1920, this novel gives what I think is a good picture of USA in that time. True, Lewis' own prejudices against the upper middle class businessman of his era shine through. But I think the cultural insights we see in the novel are quite accurate. We can take the Babbitt's and their friends as typical representatives of their time and social class --- we see their "typical" day, their "typical" vacations, pasttimes, and activities. Even the colloquialisms are interesting; I can see how they can become annoying after a while, but they do add a reality to the story. I recommend Babbitt, the other two books I mentioned, and perhaps Edward Behr's book Prohibition as a package for the ambitious amateur historian who seeks to understand what life in our grand parents' and great grand parents' America was like. I think if you get through all four you'll have a pretty good idea of what things were like in that time period.
Rating: Summary: Peppy All-American Booster Weathers Mid-Life Crisis Review: Sinclair Lewis and Thomas Hart Benton, the artist, were about the same age, they both focussed on the American Heartland, and as I read Lewis, I see that they both had something else in common. They both had a tendency to draw cartoonish characters. George F. Babbitt is the main character of a satire by the same name; you might even laugh aloud in some places. Lewis is skillful, but at times, heavy-handed. He has portrayed an average Joe of 1920, the pep- and vim-obsessed go-getting businessman who was the bedrock of our industrial age, hypocritical, materialist, crooked, conformist, even proto-fascist. Babbitt is a real estate agent, a family man surrounded by the wealth of material goods provided by thriving industrial capitalism. He belongs enthusiastically and unquestioningly to any organization dedicated to preserving his and his family's ready access to those goods---professional group (realtors association), Boosters, church, and set social circle. He spouts meaningless platitudes on every subject, knows nothing except the price of real estate and methods of collusion, and ignores his feelings, his family, and the rest of the world, all the while believing that his city, state, and country are the best in the world. The first 90-odd pages of BABBITT are pure genius; one of the best character portraits you are likely to find in American literature---but it is a caricature after all. Lewis' choice of names underlines his cartoonish glee in writing this brilliant novel---Vergil Gunch, Professor Pumphrey, Chet Laylock, Matt Penniman, Muriel Frink, Opal Mudge, Carrie Nork, and Miss McGoun---names that could have been annexed years later by MAD magazine ! "Babbitt" has long been a word in American English, signifying a conforming materialist citizen without a mind of his own. Perhaps this is not entirely fair. George goes through a mid-life crisis, rebels against his static, materialistic life with its know-nothing attitudes, its moral certitudes, and its boring routines. His closest friend (aren't there certain unspoken overtones of homosexual love ?) commits a dastardly deed, breaking George's heart. "On the rebound", he meets the fantastically-named Tanis Judique, femme fatale à la Midwest. Certain consequences arise, Lewis brings in his ever-present fear of American fascist tendencies, and there's a rather hopeful ending, also in the American tradition. If you are looking for a place to begin reading Sinclair Lewis, BABBITT is an excellent choice. If you already know other Lewis novels, don't miss this one. I would say that with "Main Street", "Elmer Gantry" and "Dodsworth", BABBITT is at the solid gold core of Sinclair Lewis' work. He certainly did deserve that Nobel Prize.
Rating: Summary: Trying to Get Ahead in Middle America Review: Sinclair Lewis is generally relegated to second-rate status by the academics - despite the fact that he was America's first Nobel Prize winner for Literature. As Robertson Davies, among others, asserted, Lewis is vastly under-rated and under-read among American novelists. He deserves far more attention - because of his literary gifts as well as his ability to mirror and illuminate the American character. Sinclair Lewis understood very well the forces at work in America in the early to mid part of the 20th century - not all of it positive. Perhaps Lewis' unpopularity in America is in part due to his caricatures of Americans in an unflattering light. No one should consider Lewis in the pantheon of literary immortals - but surely he fits somewhere in the curriculum. Lewis is highly readable, his satire is highly amusing, his prose is intelligent and his observations on the pitfalls and hypocrisy of pursuit of happiness in America are brilliant. His portrayal of Babbitt as the Lost Soul, knowing that he is lost but without the willingness or moral courage to find meaning in his existence, is a moving commentary on middle class America "getting ahead" that continues to be contemporary to subsequent generations.
Rating: Summary: Highly Entertaining Review: Sinclair Lewis wrote a series of satires that exposed the hypocrisy of early 20th century America. “Babbitt” is a snapshot of the life of George F. Babbitt, a somewhat prosperous middle class businessman who lives in Zenith, Ohio. Zenith has a population of 300,000+, and has an active business community. This community has its own rituals and ironclad rules. These rules consist of being one of the gang, being a member of all the right clubs and organizations, and never deviating from the ideals of business and money. These rules cause enormous difficulties for Babbitt when he goes through a midlife crisis at the end of the book and begins spouting liberal ideas and associating with the “wrong” crowd. This is my first encounter with Sinclair Lewis. I really don’t know why I chose to read “Babbitt” first, as I also have copies of “Main Street” and “Arrowsmith”. I think it was the unusual cover of the Penguin edition, which is a picture of a painting called “Booster” by Grant Wood. To me, that picture IS Babbitt, and I’ll always be able to see Babbitt in my head whenever I’m reminded of this book.There really isn’t a lot of symbolism here (and the symbolism that is here is pretty easy to decipher) and the prose is much closer to our present day writing and speech. This is brilliant satire, and you’ll laugh out loud at many of the situations Babbitt gets himself into. An especially hilarious incident occurs when one of the local millionaire businessmen finally accepts an invitation to dine with Babbitt. The evening goes badly because Babbitt is in a lower social class. Lewis then shows Babbitt going to a dinner at an old friends house who is in a lower class then him. It’s hilarious to see the similarities between the two events, and it brings home how class is strictly enforced in Zenith, and by extension, America. Babbitt is a person that I found myself both hating and liking, often within the space of one page. He’s ignorant, in that he is a major conformist who often repeats slogans and phrases merely because others in his circle say the same things. He’s a namedropper who refers to people he doesn’t even know as though they were his best friends. He’s also high volume. Babbitt is one of those people we all know who is always boisterous and noisy so they can hide their own insecurities or ignorance. Just when you think you can’t stand Babbitt for another second, Lewis tosses in a situation that makes you feel for the man. Babbitt is the boss at a real estate company, and he worries about his employees liking him. When a confrontation arises with one of his salesmen, Babbitt frets and doesn’t want to fire the guy, although the rules of business eventually force him to do exactly that. He wants all of his employees to like him. He also feels bad about cheating on his wife while she is away and worries about what his children will think of him when he comes in drunk after a night of carousing. Ultimately, although Babbitt can be a major heel, the reader is almost forced to sympathize with him. This is true especially at the end of the book, when Babbitt renounces his liberal ways and rejoins his old colleagues. His return to the pack is not quite complete, however. Babbitt is changed by his transgression, and has learned a few lessons that he imparts to his son on the last page of the book, thus ending the tale on an upbeat note. I would like to have seen a better section of explanatory notes in this Penguin edition. While some of the more obscure references are defined, many are not. Also, some of the language in the book is very 1920’s slang, and for a 21st century ear, it can be difficult to pick up on some of them. This book is both funny and sad, but well worth reading. Sinclair Lewis eventually won Pulitzer and Nobel prizes for his literary endeavors. It’s not hard to see why. Recommended.
Rating: Summary: Hapless salesman in prepostmodern world Review: Sinclair Lewis wrote many novels about flawed, non-heroic, Americans living in the midwestern heartland of the 1920s. This one is about George Babbit, a real estate broker living in the up-and-coming city of Zenith. Babbit is a community booster, civic club member, and proud family man. He has an electric cigar lighter in his car and a fashionable sleeping porch on his house. Just the sort of citizen beloved by the Chamber of Commerce. After describing the details of George's happy, respectable, and utterly unexamined existence, Lewis throws wrenches into the works. An old friend goes off-kilter. Bored by evenings at home with his rather bland wife, George starts hanging out with a fast and loose crowd. He tries out "liberal ideas" in the way that he might try out a new suit, and flirts with the idea of dumping his suburban existence and living in the woods. George comes off as a hapless boob, vaguely aware that things are terribly wrong with his life and society but unable to effectively deal with them. Some of the issues Lewis addresses are a bit dated, but _Babbit_ remains an interesting look at American society. Of note is the cringe-inducing lot of married women, and the lost world of railway travel.
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