Madonna (Nova Audio Books)

Rating:
Summary: Interesting approach; average execution
Review: Andrew Morton's approach to describing the Madonna phenomenon is interesting in that he attempts to uncover what are the motivations that drive Madonna. I think he succeeds in that -- talking about her drive and insecurity. The book is an interesting read, however it falls short of puting Madonna in a broader perspective -- as a fascinating creation of American culture, as an entrepreneur and one of the notable pop music stars of the late 20th century. Other than her earnings and desire for control, Morton spends little time on the business aspects of Madona's success, which is no less fascinating than her musical accomplishments.

Rating:
Summary: Andrew Morton can even make Madonna's life seem boring
Review: I am a huge fan of Madonna and was looking forward to an entertaining read...the keyword here is entertaining. Like others have said, Morton's writing is terrible. I know that he is a respected writer of biographies... but this was terrible! I don't know how he did it but he even made Madonna seem boring. The writing didn't flow. Details of later events were thrown in previous chapters and then completed ignored later when they should apply. I felt it was poorly organized and poorly written. Even huge fans will be disappointed. Hopefully Madonna will write her own one day.

Rating:
Summary: Even-handed and relatively informative
Review: Morton writes in a pretty straightforward journalistic style about Madonna's life from childhood through to her marriage to Guy Ritchie. As a fan but not an expert on Madonna, I found the book to be very informative, particularly about her early years in NYC. I enjoyed reading about her relationships with people like the Gilroy brothers, and up until reading this book did not realize the extent of her days in NY, for example, that she had played gigs at Max's Kansas City. The info comes off as being very fair to Madonna in terms of her drive and her progress. She is often portrayed as a heartless climber, but Morton paints the picture of a bright personality who is extremely energetic, motivated, and also loving and caring, even if she does crave the spotlight and need to be the center of attention. The book is more telling about her than the typical Madonna mythology we so often hear. He details her generosity with certain friends, and with AIDS charities, her struggle to make her first marriage work, while also citing incidents of cheapness and bitchiness. Also interesting are the descriptions of her various business ventures, and her non-stop work ethic which spills over into every aspect of her life, from songwriting to running six miles and then working out with weights for an hour. My criticism is that, around the 3/4 point, Morton jumps back and forth a bit erratically in time after his initial description of the birth of Lourdes and the making of Evita. Up until that point, the format was chronological. The content of the book, including Morton's analysis of Madonna's personality, makes for a good bio despite the minor flaws of format.