Tales from 1001 Nights/Cassettes (Classics on Cassette)

Rating:
Summary: Superb translat. of the stories, read by entrancing readers
Review: Not all translations of 1001 Nights are alike; this translation by NJ Dawood is fresh, funny, and true to the medieval Islamic culture. What's more, the stories are as enchanting to children (8 and up) as they are to adults. Jinns, sorcerers, caliphs, and crafty mothers are in this translation as they are in others, but here they are firmly tied to everyday life -- they might be your neighbors, if your neighbors lived in an enchanted ring or lamp. Realistic and bawdy, serious and fantastic, this is the version I like best.

This audiocassette publication, read by Souad Faress and Raad Rawi, is one of the best books on tape I own. The rythms of the Middle East compliment the stories in a way no library reader has ever done before. Even though the base translation is abridged, the six hours of stories will keep you entranced. My son and I did a 200-mile each way trip with this book as our entertainment, and were sorry when the last tape finally ended.

Rating:
Summary: Story-telling at its finest
Review: One of the best books I have ever read. In addition to its simple and concise translation into real English, the art of storytelling in this volume is clearly at the top of its craft.

Rating:
Summary: Timeless stories for all!
Review: The stories in the Thousand and One Nights never seem to grow old and captivate readers, both young and old. Dawood's translations are faithfull to the original stories while giving a firm footing in the present. This is one of the most enjoyable books I've read in quite a while. If you think you know the stories of Aladdin, Sinbad the Sailor, or Ali Baba from movies then think again. These tales in their original form are timeless!

Rating:
Summary: Fantastic Tales
Review: This book is a selection of the choicest tales from the Thousand and One Nights. The translator, N.J. Dawood, also translated the Koran for the Penguin Classics series. Dawood explains in the introduction that the first of these tales appeared in a written form around 850 C.E., in a book called, "A Thousand Legends." More tales, of lesser quality, were added over the years until an anonymous editor in Cairo finally codified them in the 18th century. A French version of some of the stories appeared in the 17th century, and was followed by several English versions in the 19th century; the best known adaptation came from Sir Richard Burton, in 10 volumes. The stories are a mix of Arabic, Persian, and Indian tales and appear to have been written in response to classical Arabic literature. The Arabs do not consider them part of the classic canon, and after reading these stories, I can see why. They are aggressive and highly sexualized, and are loaded with sorcery, fantasy, and criticism of authority figures.

Whatever their origins and means of transmission, these are excellent and entertaining stories. I cannot think of one tale in this selection that I did not like. Included in the book is the instantly recognizable Aladdin story, as well as the Sinbad voyages. Other tales are just as interesting: "The Tale of the Hunchback," "The Tale of Judar and his Brothers," "The Porter and the Three Girls of Baghdad," and many others. Many of these stories are cycles; they have stories within stories, as characters in one story tell their own stories. At the end of the cycle, the story is cleverly wrapped up, usually with a happy ending. I do not think I need to go into detail about Aladdin or Sinbad, except to say that I was surprised to see Aladdin described as Chinese. Providing details to these stories would be useless anyway because they are so detailed as to be impervious to summary.

There is no doubt that many of these stories started as oral stories, and retained that shape into the written versions. The best example is the Sinbad cycle. All of the stories in this cycle are framed in the same way. This repetition made it easier to memorize the stories, or at least the basic outline. A good storyteller could take the frame and fill in the blanks with whatever his heart desired. You often see this kind of writing in the Bible.

Social roles and class play a large part in these stories. Women are presented as wily and dangerous, but not always. Several stories show men trying to pull fast ones on the ladies, with the results much to the detriment of the men. Many stories show how the high and mighty come crashing down, or how the lowly are elevated to great status. These movements are attributed to the grace or condemnation of Allah, and the characters all act out their movements with Allah close by.

You will not go wrong with this book. These are immensely entertaining stories for both children and adults, although you might want to find a toned down version for the kiddies. Why? I am thinking about the tale where a man and some women play "name that body part." My only criticism of this version is that the tale of "Ali Baba and the Forty Thieves" is absent. I have no idea why it is missing, but the book loses one star for this grave omission.

Rating:
Summary: Enjoyable easy reading to take you away to fantasy land.
Review: This book is translated by a person named N.J. Darwood. It's simply wonderful. The tales involved are tales of the Persian Gulf, of Bagdhad, Arabia, and tales that we as adults should revisit for some enjoyable light reading that will make us smile and wonder at the old folklore of the Arabian Peninsula. Sinbad the Sailor is in there, as is Aladdin in it's original form, and the story begins of a king who is so upset by his wife's unfaithfulness that he will now only accept virgins for one night and then have them killed. A smart virgin begins her night with the infamous king by telling him stories, and she so fascinates him and enthralls him with her tales that the tales turn into folklore for readers of the ages. I won't tell you what happens in the end to the virgin princess, but you will find humor, enchantment, wisdom and fantasy for those times when stress becomes a factor in your life. I highly recommend the tale of "The Historic Fart" as a both funny and inspiring tale of human nature. Please buy this book and remember to become a nine -12 year old again as you read with curiosity and wonder at the fabulous enchanting, lively stories. I was beginning to wish my children were a bit younger so I could read these to them. Any child would enjoy these stories, and any adult will find them simply relaxing and a reflection of medieval Islam.