Turn of the Century

Rating:
Summary: A Postmodern Trollope
Review: This is one of those books that buzzes in your head for weeks after you've read it. "Turn of the Century" is loaded with dazzling riffs and observations about contemporary life, of course, but the people in it are equally memorable and sharply drawn. You really start to see folks you know in light of characters from Andersen's novel. ("Oh, he's a sort of Timothy Featherstone type," I found myself saying of an acquaintance.) The satire -- of the worlds of media and entertainment -- is unsparing, and yet the book has surprising warmth. Andersen has pulled off something remarkable here: a 21st-century version of Trollope's "The Way We Live Now." It's really true: the novel is stippled with present-day counterparts of Augustus Melmotte, Sir Felix Carbury, and the rest of Trollope's immortal cast. As with Trollope, Andersen's essential humanity infuses the book with a sense of worldly compassion. (Tom Wolfe seems tinny and shrill by comparison.) "Turn of the Century" is a novel that will make you laugh out loud, without feeling bad about it later. I can't remember when I've had a better time with a novel, or learned so much along the way.

Rating:
Summary: A meditation and satire on America's media culture
Review: I picked up Andersen's long novel with hesitation but found it all but impossible to put down. His plotting is intricate but impeccable in terms of plausibility and every thread was quite satisfyingly resolved. His characters, down to the marginal bit players, are nailed in three dimensions. Finally, as a contemporary morality tale it will stand the test of time.

Rating:
Summary: Is it art imitating life, or the other way around?
Review: This book has marvelously drawn characters and a deft plot. But what lingers in my mind are the constant, droll little absurdities that abound in the characters' world, understated seeming little asides which charactertize postmodern American urban and media life. And give Andersen credit that he was actually prescient, in that things we accept as unremarkable are getting more postmodern and more absurd all the time. Every time I see or read about something like the Secretary of the Treasury touring the Third World with Bono, I think to myself, "this is just like something out of 'Turn of the Century.'"