Rating: 
Summary: Something eerie is happening to a group of elderly friends.
Review: And the message is that they must remember that each of them is going to die. Their responses to this are interesting. Fear. Denial. Acceptance. Strange, and yet moving. And what would our response be if someone called and told us, "Remember you must die"?
Rating:
Summary: Something eerie is happening to a group of elderly friends.
Review: And the message is that they must remember that each of them is going to die. Their responses to this are interesting. Fear. Denial. Acceptance. Strange, and yet moving. And what would our response be if someone called and told us, "Remember you must die"?
Rating: 
Summary: Excellent Spark novel
Review: I highly recommend Memento Mori. First of all, the elderly -- and we are talking about the advanced in age, sixty-eight year olds are consider the "young" -- rarely receive fictional treatment. As a thirtysomething reader, I found Spark's take on the topic interesting and the ending (as well as the mystery of the phone calls) oh so effective. Spark takes pains to show how the wisdom that is supposed to accrete over the years has not worked and her characters display the same vices and virtues that they have their whole lives. The ending is sudden and heartbreaking because the absence of direction the characters show never abates. Another stronger effort by one of Britain's literary doyennes.
Rating:
Summary: Excellent Spark novel
Review: I highly recommend Memento Mori. First of all, the elderly -- and we are talking about the advanced in age, sixty-eight year olds are consider the "young" -- rarely receive fictional treatment. As a thirtysomething reader, I found Spark's take on the topic interesting and the ending (as well as the mystery of the phone calls) oh so effective. Spark takes pains to show how the wisdom that is supposed to accrete over the years has not worked and her characters display the same vices and virtues that they have their whole lives. The ending is sudden and heartbreaking because the absence of direction the characters show never abates. Another stronger effort by one of Britain's literary doyennes.
Rating: 
Summary: Remember, you must die
Review: Loved this book. It was witty, insightful, and very well-crafted. The subject of old age is treated not only without the usual sappiness and maudlin sentimentality, but with irreverence. Though the book is entertaining, it touches upon a number of important ideas- the meaning (or lack thereof) of life, how modern society regards death, and the treatment of the elderly in today's society. Though the book was written in the mid to late 1950's, it is just as relevant today as it was when originally published.
Rating:
Summary: Remember, you must die
Review: Loved this book. It was witty, insightful, and very well-crafted. The subject of old age is treated not only without the usual sappiness and maudlin sentimentality, but with irreverence. Though the book is entertaining, it touches upon a number of important ideas- the meaning (or lack thereof) of life, how modern society regards death, and the treatment of the elderly in today's society. Though the book was written in the mid to late 1950's, it is just as relevant today as it was when originally published.
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Summary: An Acute, Funny and Humane Look at Old Age and Death
Review: Memento Mori--"Remember you must die"--is the persistent message that intrudes itself into the characters here, a collection of very elderly Englishmen and women of the mid-1950's. Don't be put off by the message, although most of the characters are. This is not a gruesome book. It is a humane, gently hilarious and deadly accurate depiction of what happens to people as they reach and live in old age. The message is a foil for the author's revelation of the individual natures of her characters. I was amazed that I laughed out loud at several points, so acute are Ms. Spark's observations. If you have known very old people or are one yourself, at least one who has a sense of humor and irony, you can appreciate the universality of these people and their attitudes. The individual characters are bound to their own times and situations, youth in the high Victorian Empire and the years thereafter into the twilight of the post war traumas of diminished England. But I am certain that wherever you are, if you have known old people, and observed them interacting with each other, you will recognize Spark's cast of characters and their adventures. The loves and hates, successes and failures that marked their youth are all carried forward and nursed. People bide their time to avenge, in mundane and petty ways, the petty slights and bullying of their spouses and friends accumulated over a lifetime. It all comes together memorably in a very readable way.
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Summary: Psycho thriller with a message
Review: Muriel Spark is a prolific writer. Her most famous and widely read book is probably "The Prime of Miss Jean Brodie". But I wanted to savour something different of Spark's and decided on the highly recommmended "Momemto Mori", which is about a bunch of octegenarians being tormented by an anonymous caller. What reads like a typical detective story (Agatha Christie style) turns out to be a psycho thriller with a twist. A dead body does turn up eventually but not before we are nearly three-quarter way through and even then, the murderer's motive and identity are both inconsequential and summarily dismissed. By then, you get the distinct feeling that you have been led up the garden path and that the threatening anonymous caller is a mere (though brilliant) technical devise used by the author to draw to the open the secrets of past indiscretions committed by the book's senior citizen cast. The thought of these oldies fornicating like minxes in their youth is simply hilarious. As it turns out, the caller assumes a different voice for each victim of the hoax. It is this "voice of Death" that triggers off memories of past sins and indeed action on the part of the characters which moves this psycho thriller briskly along. Spark, writing with her usual charm and wit, deftly avoids the danger of the book becoming a "talkie" and for that, we are grateful. I finished the book in two days. It was a delight !
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Summary: The Four Last Things
Review: Muriel Spark is, as always, deliciously sharp, witty, entertaining, and terrifying. Here a mysterious voice (God? Death? the author?) admonishes a set of alternately charming and despicable souls: "Remember, you must die." Spark is a better novelist than Evelyn Waugh because, while Waugh is often more riotously funny than the ever-subtle Spark, Waugh focuses more on the foibles of the moment--some of his characters will be (though still entertaining) "dated" by the middle of the next century, one suspects. Spark, however, through her tiny intrustions into fictional reality (the voices here, the typewriter in THE COMFORTERS, etc.) enlarges her scope--so long as people die and don't want to think about that fact, MOMENTO MORI will be on target. It is curious that it is the women--Flannery O'Connor and Muriel Spark--who are strong enough to emphasize in the theology of their fiction the "terrible swiftness of mercy," the sheer audacity of the Holy Spirit, as it were. Spark is not only one of the best novelists of our century--she is very likely the most economical. MOMENTO MORI is one of her best. Spark says more in a little over 200 pages than many novelists manage to say in a lifetime of long novels.
Rating:
Summary: The Four Last Things
Review: Muriel Spark is, as always, deliciously sharp, witty, entertaining, and terrifying. Here a mysterious voice (God? Death? the author?) admonishes a set of alternately charming and despicable souls: "Remember, you must die." Spark is a better novelist than Evelyn Waugh because, while Waugh is often more riotously funny than the ever-subtle Spark, Waugh focuses more on the foibles of the moment--some of his characters will be (though still entertaining) "dated" by the middle of the next century, one suspects. Spark, however, through her tiny intrustions into fictional reality (the voices here, the typewriter in THE COMFORTERS, etc.) enlarges her scope--so long as people die and don't want to think about that fact, MOMENTO MORI will be on target. It is curious that it is the women--Flannery O'Connor and Muriel Spark--who are strong enough to emphasize in the theology of their fiction the "terrible swiftness of mercy," the sheer audacity of the Holy Spirit, as it were. Spark is not only one of the best novelists of our century--she is very likely the most economical. MOMENTO MORI is one of her best. Spark says more in a little over 200 pages than many novelists manage to say in a lifetime of long novels.
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