Rating: 
Summary: Still a lovely spy book
Review: Another dissent from the "1" rating below; Len Deighton's first four books (this one, Funeral in Berlin, The Billion Dollar Brain, An Expensive Place to Die) are all very enjoyable. It's true that Deighton appears to draw about equally from Raymond Chandler and Graham Greene, but those are great places to steal from. (Unfortunately, I think Deighton went steeply downhill after these books.)
Rating: 
Summary: An excelent spy & social commentary novel
Review: Anyone with intelligence and patience will find a lot to admire here. Where Fleming saw spies as glamorous adventurers and Le Carre as sinistre geniuses, Deighton envisages ordinary people obsessed with their expense accounts. A complex yet accesible classic from the peak of the Cold War.
Rating:
Summary: An alternative look at cold war thrillers
Review: Anyone with intelligence and patience will find a lot to admire here. Where Fleming saw spies as glamorous adventurers and Le Carre as sinistre geniuses, Deighton envisages ordinary people obsessed with their expense accounts. A complex yet accesible classic from the peak of the Cold War.
Rating:
Summary: The poet of the Spy story.
Review: As "The Sunday Times" first branded Len Deighton when this book came out, he is indeed the poet of the spy story. This was the first of the so-called "Harry Palmer" books which was the name given to his fictional hero when the movies came out. Although this isn't the best Len Deighton book (I reserve that praise for "Funeral in Berlin") it is still a splendid piece of work. Deighton's use of language although slightly tiring sometimes is still a pleasure to read. His witty comments about the characters in the book is a real treat. He is probably the funniest writer in spy fiction and definetely one of the funniest writers around. When Mr. Deighton wrote this book, the James Bond craze was going on, but people began to appreciate "Harry Palmer" and to them was an alternative to James Bond. "Palmer" is not smooth, suave, rich(he often spends half of his day pouring over his bills), or particularly handsome. But what he is not, he more than makes up for in his talent, ability and cunning. The tale is one of disappearing scientists, going over(or is being kidnapped and thrown over) the other side of the Berlin Wall. An unnamed middle-class spy("Palmer") having been transferred to a department called WOOC(P) is put on the case along with his colleagues from WOOC(P) who are small in number. The disappearances are linked with a man code-named Jay. "Palmer"'s adventure starts of very excitingly but you may think that it loses steam mid-way. It does not. I reccomend this only to readers with patience and a good memory. You may feel bored mid-way through the book and might decide to give it up. Don't. There is more coming up. Don't lose faith or hope. Have faith in Deighton and let him guide you through it. You will not be disapponted. At the end of the book, to understand what has happened you must recall a few of what you may feel are minor incidents and this is where good memory steps into the equation. "Palmer" may seem very ordinary and boring but you will only see his intelligence and remarkable talent later on. It may feel as if the book is just going down a deep bottomless pit, in that you may find it a very large bore and will want to give it up. Don't. This is simply Deighton letting the book mature. And then all of a sudden BANG! there is a big supermassive explosion and you find yourself hooked and compelled to go onto the next page. I highly rate this book. Read it with full attention right 'til the end and you will not regret. What seems to be inconsequential may be a turning point, so pay attention! 10 stars!
Rating: 
Summary: The Ipcress File
Review: As "The Sunday Times" first branded Len Deighton when this book came out, he is indeed the poet of the spy story. This was the first of the so-called "Harry Palmer" books which was the name given to his fictional hero when the movies came out. Although this isn't the best Len Deighton book (I reserve that praise for "Funeral in Berlin") it is still a splendid piece of work. Deighton's use of language although slightly tiring sometimes is still a pleasure to read. His witty comments about the characters in the book is a real treat. He is probably the funniest writer in spy fiction and definetely one of the funniest writers around. When Mr. Deighton wrote this book, the James Bond craze was going on, but people began to appreciate "Harry Palmer" and to them was an alternative to James Bond. "Palmer" is not smooth, suave, rich(he often spends half of his day pouring over his bills), or particularly handsome. But what he is not, he more than makes up for in his talent, ability and cunning. The tale is one of disappearing scientists, going over(or is being kidnapped and thrown over) the other side of the Berlin Wall. An unnamed middle-class spy("Palmer") having been transferred to a department called WOOC(P) is put on the case along with his colleagues from WOOC(P) who are small in number. The disappearances are linked with a man code-named Jay. "Palmer"'s adventure starts of very excitingly but you may think that it loses steam mid-way. It does not. I reccomend this only to readers with patience and a good memory. You may feel bored mid-way through the book and might decide to give it up. Don't. There is more coming up. Don't lose faith or hope. Have faith in Deighton and let him guide you through it. You will not be disapponted. At the end of the book, to understand what has happened you must recall a few of what you may feel are minor incidents and this is where good memory steps into the equation. "Palmer" may seem very ordinary and boring but you will only see his intelligence and remarkable talent later on. It may feel as if the book is just going down a deep bottomless pit, in that you may find it a very large bore and will want to give it up. Don't. This is simply Deighton letting the book mature. And then all of a sudden BANG! there is a big supermassive explosion and you find yourself hooked and compelled to go onto the next page. I highly rate this book. Read it with full attention right 'til the end and you will not regret. What seems to be inconsequential may be a turning point, so pay attention! 10 stars!
Rating:
Summary: The poet of the Spy story.
Review: As "The Sunday Times" first branded Len Deighton when this book came out, he is indeed the poet of the spy story. This was the first of the so-called "Harry Palmer" books which was the name given to his fictional hero when the movies came out. Although this isn't the best Len Deighton book (I reserve that praise for "Funeral in Berlin") it is still a splendid piece of work. Deighton's use of language although slightly tiring sometimes is still a pleasure to read. His witty comments about the characters in the book is a real treat. He is probably the funniest writer in spy fiction and definetely one of the funniest writers around. When Mr. Deighton wrote this book, the James Bond craze was going on, but people began to appreciate "Harry Palmer" and to them was an alternative to James Bond. "Palmer" is not smooth, suave, rich(he often spends half of his day pouring over his bills), or particularly handsome. But what he is not, he more than makes up for in his talent, ability and cunning. The tale is one of disappearing scientists, going over(or is being kidnapped and thrown over) the other side of the Berlin Wall. An unnamed middle-class spy("Palmer") having been transferred to a department called WOOC(P) is put on the case along with his colleagues from WOOC(P) who are small in number. The disappearances are linked with a man code-named Jay. "Palmer"'s adventure starts of very excitingly but you may think that it loses steam mid-way. It does not. I reccomend this only to readers with patience and a good memory. You may feel bored mid-way through the book and might decide to give it up. Don't. There is more coming up. Don't lose faith or hope. Have faith in Deighton and let him guide you through it. You will not be disapponted. At the end of the book, to understand what has happened you must recall a few of what you may feel are minor incidents and this is where good memory steps into the equation. "Palmer" may seem very ordinary and boring but you will only see his intelligence and remarkable talent later on. It may feel as if the book is just going down a deep bottomless pit, in that you may find it a very large bore and will want to give it up. Don't. This is simply Deighton letting the book mature. And then all of a sudden BANG! there is a big supermassive explosion and you find yourself hooked and compelled to go onto the next page. I highly rate this book. Read it with full attention right 'til the end and you will not regret. What seems to be inconsequential may be a turning point, so pay attention! 10 stars!
Rating:
Summary: An excellent Cold War espionage novel.
Review: I couldn't disagree more with the review here that states that this is a terrible book. Len Deighton is quite rightly considered one of the masters of the espionage novel. This is the first of his first series of books, which also included 'Funeral in Berlin', 'Billion Dollar Brain', 'Horse Under Water', and 'An Expensive Place to Die'. Deighton's mastery of dialogue is apparent, along with his ability to make the reader feel a part of the story and era. Deighton's research into contemporary Cold War espionage practices and bureaucracy is superb, as in all his books. Very believable, crisp, and gripping. Highly recommended (if you can find a copy!
Rating:
Summary: Bits and Pieces, Odds and Ends
Review: I first read this book as a teenager in the 1960s, graduating from James Bond. After Fleming's action-based thrillers, Deighton was bound to come across as a little elliptical, and my response then was a mixture of bafflement and admiration. I had to read the three subsequent books in the series before I realized that it's a waste of time looking for logical plots in Deighton's work. Perfect plotters are authors who are never diverted by inconsequential things. But Deighton's writing is fuelled by the inconsequential and the peculiar. George Orwell once noted that Dickens's books are always packed with purposeless detail. Cheeses can't be just "cheeses": they have to be "Gloucester cheeses". His fictional world is very particular, very specific. In the same way, when you get to know Deighton, you are not surprised when his hero stops off at a delicatessen to buy a pound of - no, not just "butter", but "Normandy butter" - and when it goes soft in his pocket before he makes it home, we realize that this hero is a million miles from James Bond. Departing from the usual profile, Deighton's novels are character-based rather than action-based, and that's both a strength and a weakness. There are any number of slick, factory-produced thrillers around, but a Len Deighton thriller is a hand-made product. The edges are not quite straight, it wobbles when you try to stand it upright, and the doors don't quite fit. Those who look for a perfect solution to a clearly-stated puzzle should look elsewhere. What we get from Len Deighton is the kind of character-drawing that is traditionally the weakest element in popular thrillers. His descriptions are always arresting and invariably witty. Colonel Ross is described as having "the complexion of a Hovis loaf", and those who have seen a Hovis loaf will recognize the aptness of the image: that of a florid military type who is a little too fond of the bottle. He is also described as a gentleman - which Deighton defines as someone who never drinks gin before 7.30 p.m. and wouldn't hit a lady without first taking his hat off. If you like that sort of thing, you'll like Len Deighton. He is the Charles Dickens of thriller writers, with the same faults and the same virtues. And The Ipcress File is replete with both. Deighton's shaky and approximate plotting is more than offset by his observant eye for the endless varieties of human strangeness. Just one thing, though. Deighton is someone who doesn't just write, he re-writes. The care with which he crafts his prose is somehow evident on the page in the look of the sentences and paragraphs. He is a writer, and you should be a reader. So, my advice: forget the cassette. Go for the book.
Rating:
Summary: The Ipcress File
Review: The Ipcress File is an uneven, although occasionally fascinating adventure concerning nuclear weapons and thought reform. The book's strong points-- its humorous style and interesting subject matter-- are sometimes lost in a meandering plot. The story's conclusion is anti-climactic and reminiscent of American adaptations of foreign films, in which everything is explained to the viewer down to the last little detail. Unfortunately, what's unnecessary in American movies is all too necessary in Deighton's book. His decision to leave numerous threads untied until late in the book make it a somewhat confusing read. The discussion of thought reform near the end is interesting and for me, indicates a direction the book could have taken which would have made it more interesting and less like a film treatment.
Rating:
Summary: The IPCRESS file
Review: The story appears at first to be fragmented; it becomes hard for the reader to fully grasp the plot. However, I think this is one of the finest aspects of this novel: the fact that at the end, much of the information that appears in the early chapters of the book become so relevant towards the end and the story's conclusion. This novel resists becoming too unrealistic as the reader is taken all over the world and the first person narrative adds to the effect the book has. As well as this, the book is written with astonishing attention to detail, which makes it all the more convincing. First class!
| 
