The Hound of Death

Rating:
Summary: The Hound of Death
Review: The short stories are mostly fantasy rather than mystery. I bit disappointed if you are expecting the classic Agatha Christic fictions.

And the stories are too short and fragmented.

Rating:
Summary: Agatha Christie failed to inspire
Review: Trying her hand at writing into occultism and supernatural subjects, Agatha Christie failed to provoke new insights nor deliver any entertainment value.

Several stories were outrightly occultic, such as the Hound of Death. These have got nothing to do with crimes.

A couple of other stories such as the Blue Jar have some crime involved, and could be considered readable.

What mystery and crime readers would normally expect from Agatha Christie was a thorough investigation of the paranormal, sifting the clues and evidence, and exhaust all possibilities before leaving it as ... unexplainable by known facts. Had Agatha Christie done that, the stories would have been much much more readable.

Rating:
Summary: Mostly fantasy, not mystery
Review: Where I know the original magazine publication dates, I have given them. Each story has also appeared in either _The Witness for the Prosecution and Other Stories_ or _The Golden Ball and Other Stories_.

"The Red Signal" (June 1924) Dermot and his uncle Sir Alington West (the famous psychologist) become involved in a discussion of premonitions at the Trents' dinner party. Dermot has had a few in his life - a 'red signal' for danger - while Sir Alington attributes them to subconscious observation. But tonight Dermot feels it again - although the only danger he can see is his love for Claire Trent, his best friend's wife.

"The Fourth Man" (December 1925) An Anglican canon, a psychologist, and a lawyer - all very distinguished representatives of the Church, Medicine, and the Law - fall to talking on a night train journey, ignoring the (apparently sleeping) man who also shares their compartment. While the viewpoint of the man in the street may have some merit, surely their own collective wisdom is good enough for the celebrated multiple personality case they're discussing...

"S.O.S." (February 1926) The Dinsmead family - pompous father, worn-down mother, and their 3 grown children - moved to a lonely country home rather abruptly upon Mr. Dinsmead's retirement from the building trade. Johnnie is suffering a series of running battles with his father, since he prefers chemistry to building, while his sisters are unhappy at being isolated in a house they think is haunted. Then a stranger (parapsychologist Mortimer Cleveland), stranded for the night by a flat tire, finds a mysterious message written in the dust beside his bed...

"Wireless", a.k.a. "Where There's a Will" (1926) Mary Harter's physician was careful to warn both his patient and her nephew, Charles Ridgeway, about her heart condition - that any shock could be fatal, but with care nothing would go wrong. When she then had a lift installed, thoughtful Charles persuaded her to get a radio as well. She enjoyed it at first, until it started giving messages from Beyond...

"The Call of Wings" - Silas Hamer was rich and content, a self-made man who had wanted wealth for material comfort rather than power, who believed in nothing that he couldn't see and touch. Then the music of panpipes, played by a strange, legless beggar with a beautiful face, catches his imagination, and he feels a call of immense freedom and wildness - but his money has turned to chains and shackles.

"The Gipsy" - Macfarlane (a Celt with a touch of second sight) and his best friend Dickie Carpenter were engaged to two sisters, until Esther dumped Carpenter without warning. But when Carpenter, an inarticulate, unsubtle Navy man, unburdens himself to his friend, he keeps getting off track, talking about his fear of gypsies, and how several times in his life he's literally had a gypsy's warning and disregarded it, only to have disaster strike - as in the case of his breakup, in fact.

"The Hound of Death" - Really a science fiction story. Sister Marie Angelique once saved her convent from the Germans by calling down lightning on them, but it wasn't prayer; she has visions of another life, whether future or past, where such powers were understood and disciplined. Alas, Dr. Rose at the sanitarium where she now lives in England not only takes her seriously, but with an eye to turning such powers to his own use...

"The Lamp" - When Mr. Winburn, his widowed daughter Mrs. Lancaster, and his little grandson Geoff take #19 for a ridiculously low rent, she doesn't believe it's haunted, although a little boy starved there 30 years ago (having been ordered never to go out) after his father's arrest in another city. But her father hears the boy crying, and Geoff can see him and wants to help him. The title comes from Widburn's quotation of a poem, since he's convinced Geoff may indeed be able to help: "'What Lamp has Destiny to guide/Her little Children stumbling in the Dark?'/'A blind understanding,' Heaven replied."

"The Last Seance", a.k.a. "The Stolen Ghost" - Raoul Daubreuil takes it for granted that his fiancee Simone will give up her work as a medium after they're married - for one thing, it's destroying her health. But will the work - and her clients - allow her to retire gracefully? Clients like Madame Exe, who is determined to make contact with her lost little girl at any price...

"The Mystery of the Blue Jar" - Jack Hartington lives to reduce his golf handicap. Unfortunately, he's only 24 and far from retired, so he gets up at six every morning for an hour's practice before work. Then he starts hearing cries for help every morning near a small cottage near the course - cries nobody else seems to hear.

"The Strange Case of Sir Arthur Carmichael" - Sometimes titled 'Andrew' rather than 'Arthur' - one heck of a printer's error. The old baronet had 2 sons, and the pleasant Sir Arthur has been content to allow his middle-aged stepmother and little half-brother to go on living with him. She, for her part, is devoted to her own son, and has an uncanny air about her. Then, a month before young Sir Arthur's marriage, he's stricken with an extraordinary form of amnesia, and the narrator (a distinguished psychologist) is called in. Hmm. His stepmother certainly has a motive to see that he has no heir other than her son, but how could she have arranged *this*?

"The Witness for the Prosecution" - See _The Witness for the Prosecution and Other Stories_.