Rating: 
Summary: Not really all that ready
Review: A slightly off kilter book about how the media is the message. Our hero Greg Bender is impossible to like as is all the characters. Their vulgarity has become so integrated in their personalities, that they think they are normal. Sometimes Blinn goes off on his own surveillance mission, trying to define what is real, and if it stays real and truthful after it's processed through the media, and its transmission devices. This occurs every ten pages or so. Of course, in reality, nothing really changes unless the humans who handle the media and its devices intentionally distort the story, creating lies to sell copy. Contrary to Blinn's view it is not the machines that are the culprit, but as always, man. I also find it difficult to believe that an enlisted person, with only a high school education waxing so philosophical, reaching out to Baudrillard, Sartre or Chomsky; trying to "find meaning in the chaos of life," that's just too much. There are a few funny musings, that give you a "ha!." The book was purchased from the extreme discount area of the bookstore.
Rating: 
Summary: Modern catch 22 (but no-where near as good)
Review: An intense madness follows throughout this book without the huomour of catch 22.
Rating:
Summary: A Pale Echo of CATCH 22
Review: I suppose a comparison to Joseph Heller's CATCH 22 isn't a completely fair one. CATCH 22 is one of the great novels of the century, a startlingly funny and original story that captures both the insanity of war, and the humanity of people stuck in the middle of it. It is a novel that is as true and relevant now as when it was written. It hasn't aged a day.That's one of the problems with THE AARDVARK IS READY FOR WAR. It attempts to do for the Gulf War what CATCH 22 did for World War II, and to some extent, it does succeed. AARDVARK does capture the language of warfare in today's age, and it contrasts nicely against the overall shallowness of modern society. The Gulf War was a war fought via MTV and Nintendo, a war that never felt like one, a war with no personal impact for the majority of the North American population. From this angle, AARDVARK succeeds. Its unnamed protagonist is a true product of the times, a video voyeur who views life as a more personal and intimate experience when experienced through a camera lens. But this is not a new idea. It is already a cliche' that society's version of intimacy has devolved into a detatched cynicism. Through the overwhelming media intrusion into our lives, we have become numb to the shocks that the world still has in store for us. By adopting this outlook, AARDVARK unfortunately falls prey to the very trap it condemns. AARDVARK, like its hero, is shallow, only fooling itself into thinking it's deep and meaningful. Unlike CATCH 22, which AARDVARK mirrors in many ways (including major plot points), AARDVARK simply doesn't have anything new to say. It carpets its unoriginality in a new form, and does it well enough. But, similar to the Gulf War itself, once it ends, it's forgotten as soon as you change the channel.
Rating:
Summary: A Pale Echo of CATCH 22
Review: I suppose a comparison to Joseph Heller's CATCH 22 isn't a completely fair one. CATCH 22 is one of the great novels of the century, a startlingly funny and original story that captures both the insanity of war, and the humanity of people stuck in the middle of it. It is a novel that is as true and relevant now as when it was written. It hasn't aged a day. That's one of the problems with THE AARDVARK IS READY FOR WAR. It attempts to do for the Gulf War what CATCH 22 did for World War II, and to some extent, it does succeed. AARDVARK does capture the language of warfare in today's age, and it contrasts nicely against the overall shallowness of modern society. The Gulf War was a war fought via MTV and Nintendo, a war that never felt like one, a war with no personal impact for the majority of the North American population. From this angle, AARDVARK succeeds. Its unnamed protagonist is a true product of the times, a video voyeur who views life as a more personal and intimate experience when experienced through a camera lens. But this is not a new idea. It is already a cliche' that society's version of intimacy has devolved into a detatched cynicism. Through the overwhelming media intrusion into our lives, we have become numb to the shocks that the world still has in store for us. By adopting this outlook, AARDVARK unfortunately falls prey to the very trap it condemns. AARDVARK, like its hero, is shallow, only fooling itself into thinking it's deep and meaningful. Unlike CATCH 22, which AARDVARK mirrors in many ways (including major plot points), AARDVARK simply doesn't have anything new to say. It carpets its unoriginality in a new form, and does it well enough. But, similar to the Gulf War itself, once it ends, it's forgotten as soon as you change the channel.
Rating: 
Summary: It's Not about war, it's about Amerika. . . .
Review: If you want a war book read Tom Clancy. This book is about everything crackpot Amerikan as difracted through the prism of the Gulf War. The publisher compares it to Joseph heller but really it's more Don Delillo meets Kurt Vonnegut through a wormhole on the backside of the looking glass. Toss in some Celine and the bastard son of William Burroughs and Jean Baudrillard. Stir well and take in one gulp. The funniest, most sarcastic parody I've read since 'Infinite Jest'. The first fun ontological novel. Must be read to be believed. AND, {added benefit) reading it will make you smarter. Pray for a movie. That's all I say, just pray for a movie.
Rating:
Summary: entertaining and original
Review: Linn has read a bit too much Jean Baudrillard (who he quotes up front) but that's okay, this book is ambitious as hell. At a time when most writers are retreating to small town fables or "historical" fiction, Linn wrestles with late 20th century weirdness and succeeds with a highly entertaining and original book. Don't pray for the movie--this book is way too internal to make it to the screen. It's too bad that Little and Brown didn't put a bit more marketing muscle behind this book. Maybe someone will get smart and put it out in paperback, but I'd act now and get yourself a nice, new first edition before they all run out.
Rating: 
Summary: Some pre-publication comments:
Review: Some pre-publication comments:
"Imagine Irvine Welsh, with an American accent, in the Gulf War. Blinn's shipmates are J.D. Salinger and Joseph Heller. "The Aardvark Is Ready For War" is a novel of men behaving so badly you have to read it twice to believe it." --Tibor Fischer, author of "The Thought Gang"
"Thanks for sending "The Aardvark Is Ready For War". It's a wonderful book. . . . One of the things that makes this book such a joy to read is the beauty of the writing. It is direct, simple and always appropriate to the situation, the people involved, and the vision of the writer. Every war has its books and this certainly is one that will outlive the memory of the Persian Gulf fiasco." -- Hubert Selby Jr., author, "Last Exit To Brooklyn"
"A mad dark comedy of war and the American Penchant for self-absorption. Comparisons to "Catch-22" will be commonplace--and earned--but Aardvark's raw strange trip into the Persian Gulf is closer in spirit to Stephen Wright's "Meditations In Green" and the DeLillo of "End Zone", possibly even Robert O'Connor's brilliant "Buffalo Soldiers". This is a funny, raunchy novel, written in the secret language of electronic warfare and media overload that, at that moment, seemed to rule this country." --Stewart O'Nan, author, "Snow Angels"
"Absolutely authentic." Robert Stone, author, "Outerbridge Reach"
Rating:
Summary: A thinking mans view of the war
Review: This book captures the twisted and often ridiculous views and actions from our little adventure in the gulf. Read this if you really want to know what the military is like from a logical perspective......excellent.
Rating:
Summary: A thinking mans view of the war
Review: This book, set on a US aircraft carrier and its various ports of call en route to the Persian Gulf on the verge of the outbreak of the recent shooting war there, delicately describes the spiraling breakdown of- well, of everything. Narrated by a gas-masked (i.e. aardvarked) naval officer, alternately seen through his eyes and through the lens of the video camera he always carries with him, it delineates the descent into barbarism of his fellow-soldiers, contrasting the decay of human and humane relationships with the vast technological edifices which they live in and control (or pretend to control). This is nothing particularly new, but Blinn provides an unusually complex narrator, torn between detachment and compassion, and does an especially good job of motivating the world he shows- decay is not accidental, but is rather a necessary, even vital force. Layers of representation and ambiguity- be they sexual, racial, or, even more fundamentally, of simple identity- ! build throughout the book, showing the reader a world which is eminently entertaining in its absurdity and compellingly disturbing in its instant recognizability as our own.
Rating: 
Summary: An updated Catch-22
Review: This book, set on a US aircraft carrier and its various ports of call en route to the Persian Gulf on the verge of the outbreak of the recent shooting war there, delicately describes the spiraling breakdown of- well, of everything. Narrated by a gas-masked (i.e. aardvarked) naval officer, alternately seen through his eyes and through the lens of the video camera he always carries with him, it delineates the descent into barbarism of his fellow-soldiers, contrasting the decay of human and humane relationships with the vast technological edifices which they live in and control (or pretend to control). This is nothing particularly new, but Blinn provides an unusually complex narrator, torn between detachment and compassion, and does an especially good job of motivating the world he shows- decay is not accidental, but is rather a necessary, even vital force. Layers of representation and ambiguity- be they sexual, racial, or, even more fundamentally, of simple identity- ! build throughout the book, showing the reader a world which is eminently entertaining in its absurdity and compellingly disturbing in its instant recognizability as our own.
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