Rating: 
Summary: Third "Rabbit" novel is a triumph.
Review: It's 1979, and Harry "Rabbit" Angstrom is now part-owner and chief salesman of his deceased father-in-law's Toyota dealership; smaller Japanese imports promise greater fuel efficiency in these times of gas shortage and skyrocketing inflation. With their finances finally solvent and their marriage somewhat stable, Rabbit and his wife Janice have joined a country club for the affluent middle class and have a new circle of friends. In true lecherous Rabbit style, he fantasizes about the wife of one of his friends, in one of the novel's three major plot threads. On a group vacation to a Carribean island, he barely misses out on realizing his fantasy in a spouse-swapping episode described in rich, erotic detail, an Updike forte. The second plot thread concerns Rabbit's son Nelson, who has been dawdling away his college years and comes home with a surprise: He has gotten a girl named Pru (short for "prudish") pregnant and intends to drop out of college and marry her. Rabbit reluctantly agrees to give Nelson a sales job at the dealership to appease Janice and her mother. While Rabbit has accumulated some wisdom and levelheadedness in his middle age, Nelson, in his young adulthood, has taken on some of Rabbit's judgmental and censorious attitude toward people, and his impulsive business decisions hurt the dealership's profits. Like his father long ago, Nelson has a tendency to run away when encroached upon by life's pressures. The third plot thread concerns a girl who innocently visits the dealership one day. She reminds Rabbit of somebody...He realizes she could be the illegitimate daughter he fathered twenty years ago in his fling with a woman named Ruth. He needs to confront Ruth to achieve closure over this missing piece in his life's puzzle but is unable to work up the nerve. "Rabbit Is Rich" is not as turbulent as its predecessor, "Rabbit Redux," but that could be because 1979 was not as interesting as 1969. I see these novels as chronicles of the American zeitgeist, starring an Everyman to whom everybody can relate in some way or another, like him or not. Updike is one of our great contemporary wordsmiths, turning everyday sights and sounds into majestic literary canvases. His ability to describe the most mundane things in life -- a plane taking off, a crumpled car fender, a head of hair, the actions of a dog, the forced solemnity of a wedding ceremony -- with incredible perceptivity and poeticality makes you look at things you normally take for granted in a completely different light.
Rating:
Summary: Third "Rabbit" novel is a triumph.
Review: It's 1979, and Harry "Rabbit" Angstrom is now part-owner and chief salesman of his deceased father-in-law's Toyota dealership; smaller Japanese imports promise greater fuel efficiency in these times of gas shortage and skyrocketing inflation. With their finances finally solvent and their marriage somewhat stable, Rabbit and his wife Janice have joined a country club for the affluent middle class and have a new circle of friends. In true lecherous Rabbit style, he fantasizes about the wife of one of his friends, in one of the novel's three major plot threads. On a group vacation to a Carribean island, he barely misses out on realizing his fantasy in a spouse-swapping episode described in rich, erotic detail, an Updike forte. The second plot thread concerns Rabbit's son Nelson, who has been dawdling away his college years and comes home with a surprise: He has gotten a girl named Pru (short for "prudish") pregnant and intends to drop out of college and marry her. Rabbit reluctantly agrees to give Nelson a sales job at the dealership to appease Janice and her mother. While Rabbit has accumulated some wisdom and levelheadedness in his middle age, Nelson, in his young adulthood, has taken on some of Rabbit's judgmental and censorious attitude toward people, and his impulsive business decisions hurt the dealership's profits. Like his father long ago, Nelson has a tendency to run away when encroached upon by life's pressures. The third plot thread concerns a girl who innocently visits the dealership one day. She reminds Rabbit of somebody...He realizes she could be the illegitimate daughter he fathered twenty years ago in his fling with a woman named Ruth. He needs to confront Ruth to achieve closure over this missing piece in his life's puzzle but is unable to work up the nerve. "Rabbit Is Rich" is not as turbulent as its predecessor, "Rabbit Redux," but that could be because 1979 was not as interesting as 1969. I see these novels as chronicles of the American zeitgeist, starring an Everyman to whom everybody can relate in some way or another, like him or not. Updike is one of our great contemporary wordsmiths, turning everyday sights and sounds into majestic literary canvases. His ability to describe the most mundane things in life -- a plane taking off, a crumpled car fender, a head of hair, the actions of a dog, the forced solemnity of a wedding ceremony -- with incredible perceptivity and poeticality makes you look at things you normally take for granted in a completely different light.
Rating:
Summary: A nifty book
Review: John Updike certainly brings home the flavor and texture of the late 1970's (course when he wrote the book, the late '70's were current events). The book is nicely crafted and takes the reader back to the days of the gas shortages and double-digit inflation. Yet through it all, Updike shows that the issues and concerns confronting the characters are fairly timeless and universal. Of course, in the days of low unemployment and single-digit inflation, readers will probably laugh at some of the things that are passed off as "expert opinion." Nonetheless, a lot of fun to read.
Rating: 
Summary: Wonderful writing that'll make you squirm
Review: No question about it: Updike knows how to do middle-aged, middle-American angst as well or better than any other writer. His Rabbit Angstrom grieves for his lost youth and tries to hold on to it while he settles into middle age as into a hot bath. Rabbit is so self-centered, so unable to act appropriately despite his best intentions, so obsessed with sex, so crass that we have no trouble distancing ourselves from him, but in our heart of hearts we know we are not much different -- and that's Updike's genius. His characters are at the same time archetypal and familiar. If you have entered middle age, you'll shudder in recognition; if you haven't yet, here's a taste of Things To Come. (And if you like this novel, try Joseph Heller's Something Happened for a different, similarly brilliant, take on this phase of life.)
Rating:
Summary: the rabbit series continues to get better
Review: Rabbit has made it to middle age. His son is grown, his middle has expanded, his marriage has solidified and through his work as a car salesman, Rabbit has settled into small town affluence. Yet his mistakes from the past continue to haunt him, through the appearance of a daughter he had through an affair twenty years back, and the actions of his son Nelson, which frustrate Rabbit to no end, yet are reminiscent of who Rabbit was a generation earlier. As Rabbit matures and is accepted into a community, his son continues the legacy of abdicating responsibility and struggling to find oneself.
In this book, the third of a four-book series, Updike's writing continues to improve. Despite some excessive detail and conversations that could have been deleted without effecting the story, Updike demonstrates his substantial gift at carrying the reader along through the story, of showing us the tiny details that make up our world, from the shape of one's eyebrows to toe prints on the poolside. His writing, especially about sex and thoughts about mortality, is blunt and honest, a fusion of humor and seriousness, a representation of all that goes into one life.
Rating:
Summary: And the future one day comes
Review: Sad is the day when a man realizes that he is getting old --this is the day when he also realizes that what he used to call future is his actual present. This is when some people think that you don't live one day more --but you have one day less. This is sad and depressive, but this is the tone that John Updike, one of the best American writers ever, chooses to conclude the third installment in his Rabbit quartet. Keeping up the same level of the two previous Rabbit novels, "Rabbit is Rich" was deservedly awarded with Pulitzer Prize, American Book Award and National Book Critics Circle Award. Not bad for a novel about man who has a sort of Peter Pan syndrome and he's afraid of growing up --although this is not this clear stated in any novel. In the very beginning the narrative meditates on the fear of death, and from page one on, we can realize that there is no place to go but down. Rabbit, his family, friends and enemies are back more or less ten years after the events depicted in the previous book. Not only is he older, but also he is wiser and bitter. He's living with his mother in law, and running the car lot that his father in law left. His son Nelson is at college, but sooner will be back --and so will problems. In this novel, Nelson has a major role too. He is becoming sort of a Rabbit Jr. --his fears, mistakes, anxieties are more or less the same his father had. Generation after generation, people are still the same --we're the same kind of 'animals' after all. And Harry Rabbit Angstrom can't do much to change his son --that hates him because of Jill's death. Incapable of any kind of communication, the two can only drift apart, hoping that time can heal the pain. Updike keeps the detailed examination of the sexual moral of the middle class. After a close look at the 50's and 60's sexual conduct, the author turns his magnifying glass to couples in the late 70's. This was when marriages were suffering the consequences of the sexual revolution, and an enormous boredom is replacing the joy of the discovery of a new sexuality in the previous decade. These were also the time of high consumerism. Rabbit is obsessed with a magazine called "Consumer Reports". It seems that the whole country is in a time of prosperity and people can spend as much as they want --but it will have consequences in the end. It is not a fluke that Updike writes great prose. His text is full of wit and imagination --but what I like best is how accurate he can portray that society that is falling apart. His sharp dialogues are pitch perfect, and the cynicism is only a plus in the narrative. Like Charlie --Rabbit's coworker and friend, and his wife's ex-lover-- once said: "That was the good old days. These are the bad new days". And Rabbit doesn't seem to have a bright future ahead of him and his family --which, by the way, is a promise to another great novel, called "Rabbit at Rest". As, it turns out the future one day always comes.
Rating:
Summary: The Quiet Interlude
Review: The most active, violent even, Rabbit novel (Redux) is followed by the quietest, much like the Second Movement of Beethoven's Ninth Symphony is followed by the Third Movement. Rabbit faces middle age with a sureness of hand that many would admire, but he cannot stop the stupidity and self-destruction of those around him whom he loves. Rather than succumb to the impotence of his inability to save the world (HIS world) by becoming bitter and withdrawn, he continues at least to be supremely true to himself. The rewards follow. It's just that they are not the expected rewards. For Rabbit, they are never the expected rewards.
Rating:
Summary: Mind-breaking, sublime degradation
Review: The mystery of this work is in a kind of angelism: how can this great poetic narrative consciousnesss, capable of such lyric representation, be anchored in this work to Harry Angstrom, a persistently mundane, grubbing individual, who has against all odds fallen into at least a bourgeois affluence? How does Updike sell this all so well, so that we expect this little protagonist to awe us on every page and are rarely disappointed?
Rating:
Summary: Updike, too, sings America.
Review: Twenty pages into, I realized that John Updike is not a typical Pulitzer Prize author and Rabbit Is Rich is not a typical Pulitzer Prize book. There was no fish symbolizing man's fight against nature, nor a Chinese family through revolutionary generations, nor a nation torn apart by war. Instead, there was Rabbit. Burly, mundane, middle-aged, average-joe Rabbit. Rabbit who, after years of effort, has achieved the American dream: He's rich.
Rabbit used to be something, or stand for something; unfortunately, he can't remember. He's getting old. The seasons pass him by. Global events flow through his television and then through his mouth, turning into gossip and breeze. As Updike's portrayal of Rabbit is superlative, the last couple sentences were easy to write. Updike's descriptions are vivid and colorful, yet reflect Rabbit usually gray, wearing a black suit, a dour face, and frowning. Like Kurt Vonnegut Jr., Updike has the wonderful ability to use unexpected, odd metaphors at the right times to reinforce a description or make a point. Gold is like submarines and planes are like mangoes and cars are like farms and all are valid comparisons. The lively characters are also a testament to Updike's skills as a great descriptor and novelist. Rabbit might as well be a neighbor or friend, because, to the reader, he doesn't feel far from either.
Rabbit Is Rich hits on several crucial themes: Children, middle age, and spiritual and physical "wealth." Rabbit is rich, but is he rich spiritually? Rabbit is growing old, but is it in a fulfilling way? Rabbit's bum of a son, Nelson, where is he going? All three are questions that could keep any reader philosophizing.
Literary themes can be explored in many ways, I know, but I never thought they could be achieved like Updike could. Had this book been a movie, there is no doubt in my mind it would have been rated "X." Graphic sexual scenes, f-heavy language, and derogatory racial slurs all make up Updike's-or Rabbit's-common language. The book has a gritty realism to it, the type one would expect in a pool hall but never in "serious" literature. Updike, of course, doesn't take his character too seriously. This isn't literature; it's a book about a middle-aged man, and Updike gives the reader Rabbit's insight, sparing no detail-no matter how inappropriate-in the process. He gives the book a bitter flavor, inviting the reader into the cozy, yet troubled house of the Angstroms, letting him meet their bum of a son, Nelson, and enveloping him completely in the bittersweet, somewhat loveless marriage of Rabbit to his wife Janice.
"Should Rabbit Is Rich have won a Pulitzer Prize?" was a question that probably pestered many book critics in the early 80s. They saw it like I did, I'm sure: The book as a great one, a spellbinding one, and one that defines and explores the suburban style of life, something badly needed. Thankfully, John Updike is no Willa Cather writing about the fields of Nebraska, nor is he Richard Wright writing about the trappings of the urban jungle and racism; rather, he is the average American, the one who lives in a medium sized town, in a nice house overlooking a nice neighborhood next to a nice school. He has money, he has power, but he has no direction. And he's growing old.
For his incredible portrayal of a man who doesn't ponder fate vs. free will, but rather enjoys a nice Sunday watching football, for his portrayal of the American who sees the world only through thin lens, and for his portrayal of the American who hates losing, Updike deserves more than one Pulitzer Prize, he deserves two. And, yes, he got em'.
Rating:
Summary: Rabbit Review
Review: Updike often writes like an overgrown, angry adolescent. There is a lot of bitterness in regards to some of the basic facts of life (as when Rabbit compares bringing a child into the world to pushing someone you know into a furnace) and he has a wonderful ability to see throught the boring nonsense of the world that others by into. That's why even though Updike's characters and preoccupations are truly immersed in the world there is always the sense that nothing in this world ever satisfies, not sex, money or human relations- they are all a let down. The dead are a continual presence in Rabbit's mind and at points in the narrative he feels eerily close to them, right beneath his feet, right above the stars. Death-obsessed, self-absorbed writers are often the most powerful, for unlike others they tend to stare the bitter fact of death in the face without a stoical copout of acceptance. No, instead of being calm and placid about death, Rabbit is all anger; not only will he die, but life in the meantime will often be a dissapointment. No wonder I can rarely read more than 2 Updike novels in a row - he's so miserable!!! Cheer up John!!! It goes without saying that as the name Updike is on the cover of the book, you can depend on the writing being cleanly beautiful. Nabokov pointed out that the imagery of Dickens is spaced perfectly between the more necessary information of the plot, and I think the same applies to Updike - he exhibits perfect control over his lyricism and his poetics can achieve a higher pitch against the backdrop of seemingly mundane details. The Rabbit series becomes deeper and richer as you go on, for every detail and interaction continues to mean more and more as the memory of past events strengthens the vividness of present events.
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