Rating:  Summary: harlequin for highbrows Review: this applies to all of austen's books. by the time you get to 'persuasion' you get pretty tired of it. same story lines, same themes, same devices. i read this book at the same time as dickens' 'dombey and son'. and after 200 pages of 'dombey', i never picked up 'persuasion' again. i got about half way through before i dumped dainty jane. there's just no comparison when you put them side by side. austen is really not so much a true novelist so much as she is some kind of prose playwright. her novels are really plays embellished by narrative descriptions of what people think and feel. they lack the full recreation of a physical world outside the minds of her characters. one is never even told something as basic as what her characters look like, much less how they dress, act or move. and one gets only the sketchiest descriptions of places and things, much as you'd find in a play. compare this to the rich and vivid imagery of dickens or flaubert or proust and it becomes obvious how far short of novels austen's books really fall. read any play and the resemblances to austen's books become all too apparent. still, austen is a good writer. she just isn't in the same class as the aforementioned great writers.
Rating:  Summary: Great eBook! Horrible story. Review: Okay, I'll admit it. I don't enjoy reading Jane Austen. I hate it. I read it when I can't sleep at night, and wow, do I wake up refreshed. The eBook was put together very well, supports all the devices I tried it with. If you're in to Jane Austen and enjoy seeing the messed up english culture, don't miss this book. If you're not, try another author.
Rating:  Summary: Beautifully written Review: This book is one of my favorites of all time. Many people dislike it or don't like it as much when compared to Pride and Prejudice or Emma, but there are many reasons why Persuasion should not be compared to Austen's other novels. This novel was the last one that Austen wrote before she died. It is a more mature novel, dealing with many issues not found in Austen's previous novels. One reason why people find faults with the book is that Anne Elliot, the heroine, is not as spunky or witty as an Elizabeth Bennett or an Emma Woodhouse. There is not so much wit flowing in the dialogue between characters, or even dialogue in general. But these differences between the novels make this one so unique. It is a novel of second chances. Anne Elliot, no longer in the bloom of youth, is a grown woman of 27 or 28 years. Eight years ago she had been happily in love with a handsome man named Frederick Wentworth. But, unfortunately, due to his financial status, and Anne under the influence of her family and close friend, was forced to reject his marriage proposal and they parted ways. But now, he is within her closest circle once again. Circumstances led to Anne staying with her married sister, Mrs. Muskgrove, while her own house was being let to Wentworth's sister and husband. Wentworth visits his sister and on calling on the Muskgroves finds Anne among them. Anne finds Wentworth, not only looking as good as he ever did, but is now Captain Wentworth, who has made his fortune. Wentworth, still angry with Anne over being rejected, causes him to treat Anne very cooly. But over many weeks of contact here and there, you catch on that Captain Wentworth isn't all that oblivious to Anne anymore, because of all the little 'glimpses' he throws at Anne. The tension between the two is amazing. You can sense a connection between the two, even though they are on opposite ends of the room. In Bath, the tension builds and builds until it culminates into one of the most moving and romantic reunions ever. The letter that Wentworth writes to Anne declaring his love is bound to bring a tear to your eye and a pang in your heart. Happily, all ends well, but throughout the novel you can easily sympathize with Anne. No longer youthful and no longer as pretty as she used to be, she is full of self-consciousness and confusion. She still loves him after all those years, but she cannot act upon her desires. Austen, yet again, excels in portraying her characters. Anne and Captain Wentworth are full and delightful characters that one must love. Her descriptions of Anne's vain father and snobbish older sister, Elizabeth, hit the mark on satirizing the members of society during that time. She wittingly describes how everyone tolerates Mrs. Muskgrove's hypochondriatic self and how everyone deals with her in their own way. There is not so much dialogue between characters in this book, compared to Austen's other novels. Most of the book is in observation of Anne's character and feelings, which makes it so much easier to relate to everything that Anne feels and you understand her situation all the more. This is a wonderful novel, with many qualities, differing from those of Austen's previous novels, to enjoy and admire.
Rating:  Summary: Great novel Review: This is one of the best Jane Austen novels, next to Pride and Prejudice. I recommend it to everyone.
Rating:  Summary: A fun classic novel Review: I rate this book three stars. This is the first book from Jane Austen I have read and am not accustomed to her style of writing. I liked this book very much, don't get me wrong, but at times it dragged on, going over tons of social class and position stuff. The end is expected, but suprising at the same time. There is romance in the book, but not enough for my satisfaction. But overall this books is a good one! I would definetly buy it regardless of my personal tastes.
Rating:  Summary: truly the best of jane austen Review: i've read this book twice, and it has highly recommended itself both the times. its a more mature work of jane austen perhaps it being her last book. anne elliot, the heroine is reserved, elegant and reflective ..she had fallen in love with a very desirable young man, wentworth, but his connections and moreso his position in society made it not all desirable for anne's beloved friend, lady l to allow her to continue her relationship. now 7 years later they meet again to renew their love and affection; he being a captain now and possessing a large enough fortune. though at first he receives the attentions of louisa musgrove and anne the attentions of her cousin, mr. elliot, the heir to her father, they soon come to realise that what felt from the heart is the truest meaning of love. with the help of her many friends anne soon returns the affections she once held for captain wentworth.
Rating:  Summary: Jane Austen is brilliant Review: This a beautiful story. If you've ever read Bridget Jone's diary- the edge of reason- it's a knock of of this classic. Read it yourself and find out why Jane Austen is so inspiring
Rating:  Summary: persuade and persuadability Review: 8 years has passed since the break up of Anne Elliot and Frederick Wentworth. Because of Frederick's lack of fortune and connections at the time, Anne was persuaded to reject his proposal. Now, he's back into town, with a fortune amassed at sea and still single. The feelings that were never quenched on Anne's side, are burning stronger than ever. And it has been turned upside down with (now) Captain Wentworth's renewed presence. Sure, she still wants him. But she's not sure if he does! Especially with the Musgrove sisters now in the picture. Not that she's lacking for suitors, but they just pale in comparison with Capt. W! What a classic. Jane Austen, 200 years ago had the romance and chemistry right. Even for an ordinary girl like Anne who had let love pass by her once! Oh the suspense. You didn't know which Musgrove sisters Captain W was going to choose... let alone be sure if he even harbored any feelings for Anne! Or was Anne going to fall for the smooth and suave Mr. Elliot, her cousin? But all the waiting was worth it. Oh, the letter that he writes to Anne at the end is so worth it! I think the romance between Anne and Capt. Wentworth rivals any of the contemporary romance stories.
Rating:  Summary: A Mature, Subtle, Less Constrained Austen Review: There is no doubt how I doat upon Jane Austen's novels. Add "Persuasion" to the list. Her last finished novel, published after Austen's death, "Persuasion" is a mature novel in more senses than one. Our heroine, Anne Elliot, is in her late twenties, by far older than say, an Elizabeth Bennet ("Pride and Prejudice") or an Emma Woodhouse ("Emma"). In addition, Anne seems to have more freedom to move socially and personally than most of Austen's earlier heroines. Within the restrictive pecking order that governs Austen's ficitional world, this is saying something, since Anne is often presented as limited by family and 'connexions'. "Persuasion" is a subtle work, as Anne's actions generally take place outside of, and even in spite of, the fashionable circles her family frequents. All of this combines to form a novel of understated depth and skill. "Persuasion" begins in 1814 - turmoil unsettles the Elliot family of Kellynch-hall - Sir Walter Elliot and his eldest daughter, Elizabeth, live beyond their means upholding family and social pride, and are feeling pressure from creditors and friends to reconstitute their lifestyle. Reluctantly renting their estate to an Admiral and Mrs. Croft, Sir Walter and his darling Elizabeth retreat to a smaller situation at the ultra-fashionable resort town of Bath. Sir Walter's middle daughter, Anne, stays behind with an honored family acquaintance, Lady Russell, intending to join the rest of the family shortly. In retirement thus at Uppercross, Anne is shortly confronted by a change of society - including the return of two men of consequence in her past, a cousin and former heir to her father's estate, William Elliot, and Captain Frederick Wentworth, with whom she broke a long engagement eight years before. Throughout the novel, Anne finds herself forced to negotiate her way through the flippant vanity of her father and sisters, the reserved judiciousness of her adviser Lady Russell, and her unfortunate friend, Mrs. Smith, while contemplating the possibilities of reestablishing her family's estate with Mr. Elliot or rekindling her affections for Captain Wentworth. Having recently read "The Romance of the New World" by Joan Pong Linton, I found myself drawn in "Persuasion" to the overarching theme of middle class industry and social advancement versus the supposed inherent virtues of landed nobility. With the exception of William Elliot, who only anticipates an inheritance, none of the novel's various suitors, Wentworth, Captain Benwick, Charles Hayter, etc., are directly linked to landed money. Especially in the cases of Wentworth and Benwick, service in the Royal Navy is most often and most convincingly presented as an avenue for monetary, and increasingly, social advancement. A brief scene in which the Dowager Viscountess Dalrymple notices Captain Wentworth in a crowd is enough to show us the virtues and attractiveness of a self-made man in Austen's largely aristocratic (if minor aristocracy) fictional universe. There is in "Persuasion," as in most of Austen, a good deal of time afforded to character development, especially in the context of what I like to call background-checks. In "Persuasion" however, moreso than usual, Anne Elliot is largely left to herself to decide how to proceed in her own most sensitive matters. That she operates outside of her family's regard, and that of her own trusted friend Lady Russell, makes her unique, strong, and more assertive and self-sufficient than many Austen heroines. "Persuasion" is an excellent, intimate novel, with many exquisitely crafted moments of pain, pleasure, and humor. It is one I cannot wait to read again.
Rating:  Summary: Pride and Prejudice gets a female villain Review: The subject of unlikely love is one we will never grow tired of, and as long as that is true, Jane Austen is an author we will always treasure. She always gives us such enthralling glimpses into live in nineteenth century England that we can little help but wish ourselves back to a time when love was courtly and appearances were everything. Somehow, she knew that love went beyond her society's rules. She knew that rank and name were not enough to silence love. In PERSUASION, she gives us all that she gave us in Pride and Prejudice. We shake our heads at the embarrassing families, yearn for the hero and heroine to admit their feelings to each other, and long for the man who causes trouble between the heroes to just go away. But, this time, not only do we have the suitor who keeps the man of our heroine's dreams at a distance, we have a malicious sister. We see Anne struggle with internal and external pressures while she deals with the seemingly outright malice of her sister, Elizabeth. Elizabeth is mean! She is not indifferent or aloof, but downright nasty and greedy. Her sister's happiness is something she would rather not see until her own is firmly in place, and she seems like the type to use sabatoge to succeed. I, for one, will never tire of reading of the ups and downs of a forbidden or unlikely love, and always feel a sense of exultation when the dashing man and striking young woman finally feel free enough to admit their feelings to one another, despite the dirty looks their pairing may draw.
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