Artificial Kingdom, The : A Treasury of the Kitsch Experience

Rating:
Summary: Excessive Rodney
Review: At times silly in the worst academico-critical way (the Nautilius in Vernes' Leagues is 'uterine'), and rather derivative of Walter Benjamin. However, charming, good fun, but check out Svetlana Boym's (lopsided) 'The Future of Nostalgia' along with it, if you get a chance.

Rating:
Summary: Mesmerizing
Review: I don't find this book derivative of Benjamin so much as openly drawing on him. Olalquiaga doesn't ape his work on kitsch - she applies it intelligently to her own research. Artificial Kingdom struck a deep chord with me. I concede that it is not the most rigorous examination of the kitsch experience possible, and some chapters are separated by intermissions of glazed ruminations that haunt the analysis and reverberate beneath it with personal conviction. But this is what I appreciate most about the book. You could do worse than recall in your reader Bachelard's reveries on the poetics of space. Olalquiaga's passage describing Rodney's marine home crystallizing around him into a glassy temporal suspension is as beautiful as anything by the sources from which she appears to draw her models.

Rating:
Summary: The Artificial Kingdom: A Treasury of the Kitsch Experience
Review: This is the most original work of non-fiction I have ever read. The author is able to write at great length about very unpromising subjects--such as snow-globes or the emotional significance of dust--with a sort of piercing intelligence that allows her to uncover beauty and meaning where others might see only bad art. Although frequently humorous, the book never ridicules kitsch; rather it discusses deep-seated human needs, and then shows how kitsch is an attempt to satisfy them. I read this book over a year ago, and I still find it to be a source of inspiration.