The Temptation: Edgar Tolson and the Genesis of Twentieth Century Folk Art

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Summary: A granddaugther from Guam who loved Edgar Tolson & the book.
Review: Ms. Julia S. Ardey has put together an extraordinary work -- filled with stories and pictures of a poor Kentucky man who whittled stuff to which other folks took a liking. My grandfather Edgar Tolson will always remain an elusive character both in life and in death hard to explain and to understand. As all great artists he was not one dimensional. Ms. Ardey did a fine job of grasping enough bits and pieces of his life, through the eyes and hearts of those who knew him, to give a reasonable representation of who Edgar Tolson was and why he whittled. Ms. Ardey interviewed scores of people and personalities who all have their own opinion of Edgar Tolson the Man and Edgar Tolson the Woodcarver and the times in which he lived. Ms. Ardey managed a remarkable feat in compling those interviews into an a very good work. She included many pictures that give insight into an artisan and his art. Many pictures capture Edgar's soul in his eyes -- others show a family life of just real folks who just have a Daddy that whittles in the living room and lets the shavings fall to floor. As a granddaugther of Edgar Tolson, beloved Kentucky woodcarver, I am very pleased with the work Julia S. Ardery managed to put together on his life and extraordinary talent. With a family as large as he had I am sure that this book will be debated into generations, however, it is a real good starting point at which to kick off the debate of fact or fiction. The papaw I knew was a wonderful minister; he loved his God, knew his bible and had a passion for sharing the Biblical Truths of his God with others through his work. He managed to reach the very far corners of the earth with his renditions of Adam & Eve in Garden of Eden, Their Fall, and Noah's Ark among a few--how many ministers can stake that claim. He carved what was upon his heart to carve. He was discovered by others who marketed it to a world who craved his carvings and what they represented to them. I am so pleased that Ms. Ardery managed to compile so much ! of his life and work into this book. It makes for really good reading and gives the reader the opportunity to linger with story and photo's of Edgar Tolson and his artwork long enough to gain an understanding of why so many are so drawn to it, him and living upon this earth. Thank you Ms. Ardery for a job well done.

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Summary: Essential Book for the Folk Art Library
Review: Whether you are a fan of Edgar Tolson's work or of woodcarving in general, this is an essential book to have if you are interested in folk art of the 20th century. The thorough research done on Edgar Tolson is fascinating and through his art and career the world of 20th century folk art is examined. From key folk art collectors to various museums and institutions, the 20th century folk art movement was created and sold to the buying public. By the time the "important" artists were established all of the "important" early work was already in the hands of a few collectors and the museums. It's no accident that Tolson's work ended up in a prestigious Whitney Biennial and his artwork sky-rocketed in price. The same with Howard Finster. By the time his work was presented as being important to the general public, a narrow group of collectors and critics had already hoarded the first few thousand of his numbered pieces which the critics then deemed as the most important of his career. And the story continues to this day with collectors / critics buying early key works, then recommending them to the general folk art buyers. This book is perhaps the best analysis of why and how a folk artist becomes "important" in the 20th century. It may or may not sour your view on 20th century folk art but is a great read either way. As with all art or decorative objects, if you just buy what you like and ignore the critics, you'll be happy. Who's to say 10, 20 or 50 years from now if anyone will even care about "20th century folk art."