Where Masks Still Dance: New Guinea

Rating:
Summary: masterpiece
Review: A stunning exhibiton of humankind. A masterpiece that's worth, without any doubt, spending $40.

Carlos Costa

Rating:
Summary: Rainier's images are transcendental.
Review: I was first exposed to Rainer's work in Smithsonian Magazine (Oct. 97). I strongly urge anyone who has a desire to evolve toward embracing and celebrating the essential oneness of all humanity--from urban jungles to remote small-scale societies--to buy this book. As a documentary filmmaker researching shamanic rituals around the planet, I would hire him in a heartbeat to capture the beauty of the world's cultures with his otherworldly gifts of lighting, detail and penetrating the souls of the subject and the viewer. Mr. Rainer, do you shoot 16mm film? If you (or any of your representitives) read this, please contact me at [e-mail]. Many thanks.

Rating:
Summary: Visually stunning
Review: This book brought back vivid and fond memories of the time I lived in Papua New Guinea in 1960 -1962. The use of black and white photography was especially effective in capturing the essense of simplicity that represents the people. If you truly wish to see human spirit at it's best, visit New Guinea. If you can't - buy this book!

Rating:
Summary: Stunning!
Review: This book surpassed my expectations! It could be seen as a documentary but transcends being pigeonholed in that way. It is, among other things, a breathtaking work of Art. The images have a crisp presence; at the same time there is a dreamlike undercurrent. The reproduction quality of the images is superb; they can hardly be distinguished from original silver prints! I also like the humble attitude of the Artist towards the people he portrays. Indeed, a masterpiece!

Rating:
Summary: One of the great photographic journals of our time
Review: This remarkable book first caught my attention at the Australian Museum in Sydney one hot summer day. I was preparing my own expedition to Papua New Guinea in order to write a book on the rarely visited island provinces. I would be doing my own photography. As I leafed through these breathtaking portraits I experienced that shiver at the base of the neck that invariably indicates one is in the presence of great art. Only later came the gut-wrenching realisation that I would never be able to achieve such consummate skill myself (even with my old Nikon F2 and all the best old lenses).
Rainier has a passionate eye for composition, atmosphere and the eloquent possibilities of black and white texture. As you read the detailed and often poetic text accompanying the photographs, you will also find that Chris overcame incredible disasters in conquering this inhospitable environment to bring us these images. In the massive heat and humidity of Papua New Guinea, photographic equipment performs all sorts of horrible tricks at vital moments. Everything seems wet and clammy all the time. His canoe overturned and he lost all his valuable equipment and somehow replaced it to continue his expedition. To even get yourself into the remote areas where some were taken is an achievement in itself and then to emerge from the jungle with high art.......what can one say?
These photographs cross that difficult invisible line that separates art and photography.....very few have the genuis.....Brassai, Cartier Bresson, Eugene Atget and Salgado.....yes, these are Chris Rainier's peers. The images have the immortal immobility of an ancient and inaccessible past recaptured. The quality and sheer size of the prints is superb. All this lead me to convince my publishers to put one of his pictures on the jacket of my own Papua New Guinea book and one of my own more decorative photographs on the back.......a suitable place for this photographic Salieri. Sales are better than expected.
Buy his book as a tribute to a great photographic artist and in the process truly enrich your own cultural horizons.