Rating: 
Summary: A stellar work!
Review: A classy arrangement of fashion and famous, in the flesh. Top quality paper and dense inks ensure faithful and luscious reproductions without MTV-in-your-face-image-overcrowding. I bought this book as a gift for my husband; I probably should have bought 2 -- one for pin-ups and one for the coffee table!
Rating:
Summary: Class & Quality for Grown Ups
Review: A classy arrangement of fashion and famous, in the flesh. Top quality paper and dense inks ensure faithful and luscious reproductions without MTV-in-your-face-image-overcrowding. I bought this book as a gift for my husband; I probably should have bought 2 -- one for pin-ups and one for the coffee table!
Rating: 
Summary: Did D'Orazio shoot blanks?
Review: Arena Editions sends us a handful of photos that were not already printed in "Sante D'Orazio A Private View" from Penguin Studio. Along with the new few, we get lots of repeats. But to make up for offering not much new, Arena provides 3 color images, a few duotones, and lots of lifeless black and white reproductions, with all the interesting commentary from Private View stripped away. If you want commentary, though, perhaps you can write it yourself on the dozens of incomprehensibly blank pages. This layout suggests the publishers forgot to make printing plates for a third of the images, then said, "Ah, the heck with it," when they discovered the error. "A Private View" is fun, high-energy beauty. This ain't.
Rating:
Summary: Did D'Orazio shoot blanks?
Review: Arena Editions sends us a handful of photos that were not already printed in "Sante D'Orazio A Private View" from Penguin Studio. Along with the new few, we get lots of repeats. But to make up for offering not much new, Arena provides 3 color images, a few duotones, and lots of lifeless black and white reproductions, with all the interesting commentary from Private View stripped away. If you want commentary, though, perhaps you can write it yourself on the dozens of incomprehensibly blank pages. This layout suggests the publishers forgot to make printing plates for a third of the images, then said, "Ah, the heck with it," when they discovered the error. "A Private View" is fun, high-energy beauty. This ain't.
Rating:
Summary: A stellar work!
Review: Finally, a book of celebrity photographs which transcends the formula of merely exposing famous skin! Here is a book of rare and intimate sensuality which brings to the viewer's eye a private and lush sensuality which seems coaxed out of the sitters and never forced. D'Orazio is a genius and this book is one of the most amazing gifts I have received in years. I am buying it for several friends as it is a surefire, sophisticated winner. MORE!!
Rating: 
Summary: private view redux
Review: I hate to post something unenthusiastic about such an exciting photographer, but "Photographs" was somewhat dissapointing for me -- I'd read/viewed with great interested his previous book, "a private view" -- which was fantastic. "Photographs" brings back a lot of those same images in a larger format, on worse paper, without the exciting layout and at twice the price. (Had "private view" not been published or were it out of print, I would have rated this book higher.) I think D'Orazio is one of the most exciting fashion photographers working today and I was ultimately saddened that there's not a whole new books worth of photographs here. If you have the option, buy "a private view" instead.
Rating:
Summary: private view redux
Review: I hate to post something unenthusiastic about such an exciting photographer, but "Photographs" was somewhat dissapointing for me -- I'd read/viewed with great interested his previous book, "a private view" -- which was fantastic. "Photographs" brings back a lot of those same images in a larger format, on worse paper, without the exciting layout and at twice the price. (Had "private view" not been published or were it out of print, I would have rated this book higher.) I think D'Orazio is one of the most exciting fashion photographers working today and I was ultimately saddened that there's not a whole new books worth of photographs here. If you have the option, buy "a private view" instead.
Rating:
Summary: Relaxed Female Nudes
Review: If photography books were rated by how relaxed, natural, and open the models are, this book would be a five star book. Many of these images have not been published or shown before. Before going further, be aware that this book contains many tasteful female nudes and one male nude. If this book were a motion picture, it would probably have an "R" rating. The book has two serious flaws. First, many of the two-page spreads are devastated by the center crease of the binding. The images should be been skipped or reproduced differently. Second, many of the images are vapid. Whenever Mr. D'Orazio moves away from doing a female nude in motion or with a prop, there's often not much there. The best of the book is outstanding, and if you overlook the spoiled and uninspiring images, you will be very pleased. Mr. D'Orazio at his best has good talent in composition and use of shadows that make his work much more interesting. When he models work with a prop, whether a cigarette or something more substantial like an easel or a skull, magical things usually happen. The book uses a very fine quality matte paper that reproduces the subtle shadings well. His unadorned and propless female nudes are a tour de force in one sense. He shows you something you haven't seen before in these people (most of whom are celebrities). Few photographers can accomplish so much with so little, but the viewer (unless totally addicted to the celebrity) wants a bit more. I found Mr. D'Orazio's portraits of men and humanless scenes much less rewarding. Julian Schnabel and Mike Tyson were the exceptions. He captured something there that was quite remarkable. As Mr. Yau says in his brief essay, "His subjects seem to have stopped for a moment, relaxed and let down their guard." "Some have even transformed themselves into someone unexpected . . . ." For example, you will see a different side of Julia Roberts. "The men . . . project their image of masculinity . . . ." "All of this D'Orazio captures with a painter's eye . . . ." I disagree with that last comment. The images seem to me to be much more sculptural than painterly, and that is to the good. Here are my favorites: Kristen McMenamy, 1986, Shelter Island, New York Eva Herzigova, 1996, Long Island, New York Sofia Loren, 1999, Milano, Italy Julia Roberts, 1996, Culver City, California Frederique, 1996, St. Barth's Suzanne Lanza, 1986, Peconic Lodge, Shelter Island, New York Eva Amurri, 1999, New York City (this is quite remarkable and appears on the back of the book's dust jacket) Mike Tyson (the second one), 1996, Las Vegas, Nevada Sylvester Stallone, 1996, New York City Claudia Schiffer, 2000, London Eva Amurri and Susan Sarandon, 1999, New York City Polly Mellen and Leilani, 1992, New York City Kate Moss, 1995, Glen Cove, New York Julian Schnabel, 1990, (paint splattered with canvas and easel), Montauk, New York Courtney Love, 1999, Los Angeles, California Stella Schnabel with Skull, 1999, New York City Drew Barrymore, 1993, Hollywood, California After you enjoy this book, I suggest that you think about what the book teaches about relaxation. When do you drop your "social mask" to be relaxed and experience yourself more fully? Those who are most relaxed here, look most alive. How can you achieve this more often and benefit from it? Take off your cares and worries!
Rating:
Summary: Relaxed Female Nudes
Review: If photography books were rated by how relaxed, natural, and open the models are, this book would be a five star book. Many of these images have not been published or shown before. Before going further, be aware that this book contains many tasteful female nudes and one male nude. If this book were a motion picture, it would probably have an "R" rating. The book has two serious flaws. First, many of the two-page spreads are devastated by the center crease of the binding. The images should be been skipped or reproduced differently. Second, many of the images are vapid. Whenever Mr. D'Orazio moves away from doing a female nude in motion or with a prop, there's often not much there. The best of the book is outstanding, and if you overlook the spoiled and uninspiring images, you will be very pleased. Mr. D'Orazio at his best has good talent in composition and use of shadows that make his work much more interesting. When he models work with a prop, whether a cigarette or something more substantial like an easel or a skull, magical things usually happen. The book uses a very fine quality matte paper that reproduces the subtle shadings well. His unadorned and propless female nudes are a tour de force in one sense. He shows you something you haven't seen before in these people (most of whom are celebrities). Few photographers can accomplish so much with so little, but the viewer (unless totally addicted to the celebrity) wants a bit more. I found Mr. D'Orazio's portraits of men and humanless scenes much less rewarding. Julian Schnabel and Mike Tyson were the exceptions. He captured something there that was quite remarkable. As Mr. Yau says in his brief essay, "His subjects seem to have stopped for a moment, relaxed and let down their guard." "Some have even transformed themselves into someone unexpected . . . ." For example, you will see a different side of Julia Roberts. "The men . . . project their image of masculinity . . . ." "All of this D'Orazio captures with a painter's eye . . . ." I disagree with that last comment. The images seem to me to be much more sculptural than painterly, and that is to the good. Here are my favorites: Kristen McMenamy, 1986, Shelter Island, New York Eva Herzigova, 1996, Long Island, New York Sofia Loren, 1999, Milano, Italy Julia Roberts, 1996, Culver City, California Frederique, 1996, St. Barth's Suzanne Lanza, 1986, Peconic Lodge, Shelter Island, New York Eva Amurri, 1999, New York City (this is quite remarkable and appears on the back of the book's dust jacket) Mike Tyson (the second one), 1996, Las Vegas, Nevada Sylvester Stallone, 1996, New York City Claudia Schiffer, 2000, London Eva Amurri and Susan Sarandon, 1999, New York City Polly Mellen and Leilani, 1992, New York City Kate Moss, 1995, Glen Cove, New York Julian Schnabel, 1990, (paint splattered with canvas and easel), Montauk, New York Courtney Love, 1999, Los Angeles, California Stella Schnabel with Skull, 1999, New York City Drew Barrymore, 1993, Hollywood, California After you enjoy this book, I suggest that you think about what the book teaches about relaxation. When do you drop your "social mask" to be relaxed and experience yourself more fully? Those who are most relaxed here, look most alive. How can you achieve this more often and benefit from it? Take off your cares and worries!
Rating:
Summary: design in context
Review: it is a very good book for industrial designers.
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