Atget Paris

Rating:
Summary: Thick, but of mediocre quality
Review: Granted, this may be the most extensive collection of Atget's Paris work in one volume, but the quality of the photographic reproductions leaves a lot to be desired. Although not as exhaustive, Andreas Krase's "Atget's Paris" contains beautiful, high- quality reproductions of a large number of Atget's Paris photos. The Krase book also contains a very well written and informative essay on Atget's personal history and work. For true Atget junkies, you may want to own both; but if you can only have one, or if you want the one that best "transports" you into Atget's paris, go for the Krase book. ...and finally for real buffs of old Paris photos (especially pre-Hausmannization), you may try to seek out the work of the photographer Marville (good luck, unfortunately it seems his stuff is out-of-print at present), or the Panaromanic Photograph collection in the "American Memory" collection of the Library of Congress...

Rating:
Summary: Thick, but of mediocre quality
Review: Granted, this may be the most extensive collection of Atget's Paris work in one volume, but the quality of the photographic reproductions leaves a lot to be desired. Although not as exhaustive, Andreas Krase's "Atget's Paris" contains beautiful, high- quality reproductions of a large number of Atget's Paris photos. The Krase book also contains a very well written and informative essay on Atget's personal history and work. For true Atget junkies, you may want to own both; but if you can only have one, or if you want the one that best "transports" you into Atget's paris, go for the Krase book. ...and finally for real buffs of old Paris photos (especially pre-Hausmannization), you may try to seek out the work of the photographer Marville (good luck, unfortunately it seems his stuff is out-of-print at present), or the Panaromanic Photograph collection in the "American Memory" collection of the Library of Congress...

Rating:
Summary: The beauty and degradation of a great city...
Review: This book is perhaps one of the most wonderful collections of photographs that I have ever had the pleasure of owning. Eugène Atget, a failed actor, painter, sailor, and soldier, eventually settled on photography as a career some thirty-odd years into his life, and set out to make a photographic record of the whole of Paris at the end of the nineteenth century. By 1920, some 4,000 negatives existed, from which many have been culled for the present volume.

Of course, as cities, go, Paris, like London or Rome, has perhaps more than its share of photogenic sites. However, oddly enough, considering that these photos are more than three quarters of a century old, no book has ever reproduced the experience of Paris more to my taste than this collection of Atget's work. Organised by arrondissement (the subsections into which the whole of Paris is divided), the book offers a systematic voyage past landmarks familiar and unfamiliar. Images of the Jardin des Tuilleries, Notre Dame, the Palais du Louvre, the Champs-Elysées and so many other familiar names and places are here. Faces of long-dead Parisians stare out from streets now populated by their descendants. It is as though the very images, bathed in light now a century gone, come to life in these photos. All the majesty and squalor, the beauty and degradation of a great city; these things are all captured by Atget's lens. The effect is moving and eerie, and suits what is arguably the Continent's greatest city down to the ground.

And, on a strictly personal note, one of my favourite photos is taken from the 17th Arrondissement, in the Quartier des Ternes. It is of a café in the Avenue de la Grande-Armée, dated 1924 or 1925, empty chairs and tables bathed in sunlight, and an advert for Bass Extra Stout painted on the window! Truly a sublime moment.

Do yourself a favour, if you enjoy old photographs or love Paris, or both. Find a copy of this book, and enjoy it on those days when you can't actually be there.

Rating:
Summary: The beauty and degradation of a great city...
Review: This book is perhaps one of the most wonderful collections of photographs that I have ever had the pleasure of owning. Eugène Atget, a failed actor, painter, sailor, and soldier, eventually settled on photography as a career some thirty-odd years into his life, and set out to make a photographic record of the whole of Paris at the end of the nineteenth century. By 1920, some 4,000 negatives existed, from which many have been culled for the present volume.

Of course, as cities, go, Paris, like London or Rome, has perhaps more than its share of photogenic sites. However, oddly enough, considering that these photos are more than three quarters of a century old, no book has ever reproduced the experience of Paris more to my taste than this collection of Atget's work. Organised by arrondissement (the subsections into which the whole of Paris is divided), the book offers a systematic voyage past landmarks familiar and unfamiliar. Images of the Jardin des Tuilleries, Notre Dame, the Palais du Louvre, the Champs-Elysées and so many other familiar names and places are here. Faces of long-dead Parisians stare out from streets now populated by their descendants. It is as though the very images, bathed in light now a century gone, come to life in these photos. All the majesty and squalor, the beauty and degradation of a great city; these things are all captured by Atget's lens. The effect is moving and eerie, and suits what is arguably the Continent's greatest city down to the ground.

And, on a strictly personal note, one of my favourite photos is taken from the 17th Arrondissement, in the Quartier des Ternes. It is of a café in the Avenue de la Grande-Armée, dated 1924 or 1925, empty chairs and tables bathed in sunlight, and an advert for Bass Extra Stout painted on the window! Truly a sublime moment.

Do yourself a favour, if you enjoy old photographs or love Paris, or both. Find a copy of this book, and enjoy it on those days when you can't actually be there.