Sevruguin and the Persian Image: Photographs of Iran, 1870-1930 (Asian Art & Culture (Unnumbered).)

Rating:
Summary: Uncovers a lost treasure
Review: "Sevruguin and the Persian Image" presents the Smithsonian's collection of one of Qajar Iran's preeminent photographers. In addition to the photographs, the volume contains valuable histories of early photography in Iran, the career of Antoin Sevruguin, and how the collection itself came about. The double entendre of the title refers to how Sevruguin's art was informed by and catered to the Orientalist tastes of a Europe in which he was educated. Yet as an Armenian Christian who was born, lived, died and was buried in Tehran, he presented a different image of Iran than the typical Orientalist photographers of the day. "Sevruguin and the Persian Image" is both a solid examination of a photographer's art as well as a thoughtful analysis of the Western image of Iran in the late nineteenth century.

Rating:
Summary: Uncovers a lost treasure
Review: "Sevruguin and the Persian Image" presents the Smithsonian's collection of one of Qajar Iran's preeminent photographers. In addition to the photographs, the volume contains valuable histories of early photography in Iran, the career of Antoin Sevruguin, and how the collection itself came about. The double entendre of the title refers to how Sevruguin's art was informed by and catered to the Orientalist tastes of a Europe in which he was educated. Yet as an Armenian Christian who was born, lived, died and was buried in Tehran, he presented a different image of Iran than the typical Orientalist photographers of the day. "Sevruguin and the Persian Image" is both a solid examination of a photographer's art as well as a thoughtful analysis of the Western image of Iran in the late nineteenth century.

Rating:
Summary: Uncovers a lost treasure
Review: "Sevruguin and the Persian Image" presents the Smithsonian's collection of one of Qajar Iran's preeminent photographers. In addition to the photographs, the volume contains valuable histories of early photography in Iran, the career of Antoin Sevruguin, and how the collection itself came about. The double entendre of the title refers to how Sevruguin's art was informed by and catered to the Orientalist tastes of a Europe in which he was educated. Yet as an Armenian Christian who was born, lived, died and was buried in Tehran, he presented a different image of Iran than the typical Orientalist photographers of the day. "Sevruguin and the Persian Image" is both a solid examination of a photographer's art as well as a thoughtful analysis of the Western image of Iran in the late nineteenth century.

Rating:
Summary: Gorgeous and mythical
Review: One of my favorite photo essays on the old middle east. Wonderful collection of photographs and fascinating history.

Rating:
Summary: Gorgeous and mythical
Review: One of my favorite photo essays on the old middle east. Wonderful collection of photographs and fascinating history.

Rating:
Summary: excellent photos - nastalgic
Review: this is a great collection of some excellent photos of iran at the turn of the last century - it chronicles everyday life, including peasants, and the aristocracy and monarchy - there is a great picture of tehran's bustling main street, with horse-drawn, rail carriages, and the throngs of crowds, some of whom are temporairly mesmerized by the photographer perched on some rooftop. A must-have for iran-history-nastalgic buffs. Only wish there was more...