Rating:  Summary: the best book to have in your watercolor library Review: This is the best book in print! Dawns' method of teaching painting is so easy to follow and understand. If you follow through the lessons step by step you will be absolutely amazed at how much you learn.
Rating:  Summary: Takes a Mid-Level Beginner to High-Intermediate Stage Review: This was one of the first watercolor books I ever bought when I first wanted to learn how to paint. First of all I'd like to list some of it's stronger points.1. The projects are beautiful with the subjects being mostly still-life (although there is one animal project of baby ducklings 2. The author lists exactly the colors and brands she used in each project, the specific mixes of each colors and step-by-step directions for you to follow at each stage. Each project has stage-by-stage photos so you can see what your painting-in-progress should look like at the end of each stage. 3. The "Critique Your Work" tip section. She lists some questions to ask yourself as you examine the finished painting to see what you did well and what can be improved. 4. The "how moist is moist?" examination of loading a brush with color. This is one technique most other watercolor books either don't mention at all or if they do they don't explain it. The author gives photos and a detailed description of exactly what she means by a phrase such as "loaded brush", "moistened brush" etc. 5. The section on values and painting a controlled wash. There is a page devoted to common problems that beginners can run into when trying to paint washes - complete with examples of some of these problems (streaky wash, backruns, etc.) and how to correct them or avoid them. It helps to buy the paints she recommends because it will eliminate one variarable that might make it harder to lead to a satisfying result. It is possible to use other brands (I did) but I recommend at least try to use the same pigment, if possible, as she lists in the book. For some people who are on a limited budget or don't want to invest in a lot of paint to be used only for this book's projects they might consider this a drawback. Also, this book doesn't cover painting portraits, wildlife, landscapes, seascapes, etc. It will be of most interest to fans of still-life subjects. Overall, I'm glad I own it as it is a big help to further development of techniques with watercolor.
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