Rating: 
Summary: One of the Actor's Bibles
Review: An amazing overview as well as in depth book on acting. Her exercises, expiriences and teachings are incredibly usefull for an actor of any age and any level. An absolute classic. I am currently enrolled at Julliard as a drama major and this book is my Acting Bible.
Rating:
Summary: An eye-opening experience for any actor
Review: As an actor, I have found myself unable to describe how I feel towards a scene or how/why I reacted the way I did. The choices I made sometimes were not the best. Uta Hagen's book has been the understanding I needed along with the edge I desired. Thank You Uta Hagen
Rating:
Summary: Mrs. Hagen has summed up all actor's needs in a handbook.
Review: By reading Mrs. Hagen's theories on acting skills and techniques, I felt, as an actress myself, the strenghth, courage and proudness of having encountered such usefull and helpful "tips". Her generosity has inspired many young actors to fully understand the meaning of the word "respect" towards the acting profession. It was a pleasure to read and an honour to be reviewing this essential actor's "must-have" hand book. Thumbs up, and thank the Gods of the Theater for having people like Mrs. Hagen guiding us actors not to sucumb to mediocre acting. Many actors in Brazil have read and applauded Mrs. Hagen's books.
Rating: 
Summary: Uta Hagen, the teacher
Review: Few acting teachers have the power to communicate to their pupils the process they go through when creating a character or exploring a script. Uta Hagen is one of them. She also manages to write about it in a way that takes the actors step by step into the development of the character and its layers. Great book.
Rating:
Summary: Excellent
Review: First of all, I would like to let you know in advance that I'm not really a book person. I'll clarify and respond the best of my abilities. When I first read Respect for Acting, I was amazed at the authority with which Ms. Hagen wrote her book. The more I read, though, the more I began to understand this authority. Incorporating basic acting concepts, individual "object exercises," and methods for working on a character in a play. I particularly enjoyed the specificity of the writing, and the means by which Ms. Hagen explained every statement she made. I think this novel is a brilliant piece of work. Uta Hagen has an excellent writing method, and "Respect for Acting" is understandable and effortless to read. She has many amazing ideas. In her introduction to "Respect for Acting", actress and teacher Uta Hagen talks about a time when she herself had no respect for the art of acting. I learned that great actors do not perform naturally, or merely through learning the appropriate tricks and cheats to influence an audience. Great acting is about the difficult mixture of intellect and action about sincerely and truthfully connecting to the moment, you're fellow actors, and the audience and Hagen's thoughtful and reflective book contains a sequence of observations and exercises to help an actor do just that. Her writing style is very clear and filled with examples from her own lengthy profession both as a performer and in the classroom. While her exercises in sense memory and basic objects skirt close to the sort of self-absorption that followers of "the Method" are routinely accused of, they are presented clearly and with a focus on practical results. And in such places as her chapter "Practical Problems," which includes deliberations of stage nervous tension and how to stay fresh in a long run, her straightforward advice is invaluable.
Rating:
Summary: Excellent! Better than "An Actor Prepares"
Review: I found that Uta Hagen's personal experiences from the time she began in her profession to where she is at when writing the book were some of the most helpful parts of this book. Also, the bit on Scoring the Role has helped me with many plays and characters that I have done up to this point. An absolute must for any person serious about Acting!
Rating:
Summary: Boring, but necessary.
Review: I found this book next to impossible to get through when I had to read it for my theatre class. Unless you're good at holding one idea while reading another (because you have to remember what maxim applies to what situation as you read), the sage advice of Uta is almost unbearable to wade through. Almost my entire class agreed that she talked about herself for an inordinate amount of this piece. However, her advice is very wise, and if you can manage to figure it out and ignore the stuff that you might not need to know- such as experiences with two different ladies and their ways of handling some role- you will find yourself a better actor for the trouble.
Rating:
Summary: Boring, but necessary.
Review: I found this book next to impossible to get through when I had to read it for my theatre class. Unless you're good at holding one idea while reading another (because you have to remember what maxim applies to what situation as you read), the sage advice of Uta is almost unbearable to wade through. Almost my entire class agreed that she talked about herself for an inordinate amount of this piece. However, her advice is very wise, and if you can manage to figure it out and ignore the stuff that you might not need to know- such as experiences with two different ladies and their ways of handling some role- you will find yourself a better actor for the trouble.
Rating:
Summary: Theoretical, yet practical; one of the finest
Review: I had the pleasure of seeing Ms. Hagen in the Off-Broadway production of "Collected Stories." This gave added significance to her book and all of her insights into the art of acting. Watching her on stage was a once-in-a-lifetime experience - as in the book, her presence and her every action and utterance were mesmerizing.
Rating:
Summary: This book changed my acting life!
Review: I have had the great pleasure and privilege of seeing Uta Hagen perform in plays by Edward Albee, Donald Margulies and George Bernard Shaw. She is surely one of the finest actors of our time. I have also had the great pleasure and privilege of studying for four years with Uta in the school she helped create with her late husband, Herbert Berghof (the famous HB Studio in New York City). I can assure you that she is one of the finest teachers of our time. It is a very rare actor who can actually communicate as a fine teacher. Uta is one of those very few who do just that. In this, her first book, she lays out a "blueprint" for actors which, as surely as a blueprint by an architect, can be followed by those actors who are novices or those who have great experience. No, she cannot give you talent, but she can (and does) show you the how and why to use your talent to serve the playwright. She believes in acting as an Art and this "how-to book" is invested with the love and respect of its title. It can be read and enjoyed and actually used by actors. It can also be read and enjoyed and relished by lovers of fine theatre who do not happen to be actors. It would make a terrific gift for any young actor along with the only books I would rate as its equal: Constantin Stanislavski's "An Actor Prepares" and his "Building A Character." It is HIGHLY RECOMMENDED.
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