Moon 44

Rating:
Summary: Grim, gripping thriller.
Review: A murder mystery on a bleak station in outer space staffed by people who could not find a better berth and a group of convicts who could not get a better deal. Two young nerds who play a pivotal role but are ignored by everyone, except by the convicts during an unnervingly well-acted shower scene.

Tyler, played by Dean Devlin, is a truly witty and likeable nerd, and his buddy, Cookie, played by Stephen Geoffreys, has cornered the black market on board and is happy. Until the plug-uglies show up. Michael Pare is among them, charged with discovering who is stealing company property.

Intrigue, violence and discovery unfold in this desolation and the ending is not entirely predictable.

Grim, but with moments of bright humor, this movie left me wondering why I had never heard of it before.

Rating:
Summary: Early effort from director of ID4, Stargate, and others...
Review: I first saw this film in 1991, after exhausting the sci-fi section at my local Blockbuster. A straight-to-video release (as I recall) I thought it a decent outer-space adventure. Grim, gritty, raw, it tries to be a combination of several genres: space opera, hardboiled detective novel, war movie. It succeeds at none of these, but taken as a whole is enjoyable weekend popcorn fare. Pare does a good job as our disaffected intellectual tough-guy hero, while other B and C list names show up for decent turns. Leon Rippy especially is fun as the failed, proud, bull-dogged Sergeant Sykes, while Malcom McDowell appears as the military commander whom you just know in your heart is up to no good, right from the start. Because, hey, it's Malcolm McDowell! Roscoe Lee Browne is also worth mentioning as the slick, coniving corporate boss. The special effects are of the limited-budget variety, and it's a shame Emmerich didn't have access to either CGI, or more money, as he has in later, better-known movies. But I think this movie is worth watching, and even owning, if you want to see solid early work from a director who has since tackled some of the highest-profile and biggest profit-reaping films in the industry.

Rating:
Summary: Early effort from director of ID4, Stargate, and others...
Review: I first saw this film in 1991, after exhausting the sci-fi section at my local Blockbuster. A straight-to-video release (as I recall) I thought it a decent outer-space adventure. Grim, gritty, raw, it tries to be a combination of several genres: space opera, hardboiled detective novel, war movie. It succeeds at none of these, but taken as a whole is enjoyable weekend popcorn fare. Pare does a good job as our disaffected intellectual tough-guy hero, while other B and C list names show up for decent turns. Leon Rippy especially is fun as the failed, proud, bull-dogged Sergeant Sykes, while Malcom McDowell appears as the military commander whom you just know in your heart is up to no good, right from the start. Because, hey, it's Malcolm McDowell! Roscoe Lee Browne is also worth mentioning as the slick, coniving corporate boss. The special effects are of the limited-budget variety, and it's a shame Emmerich didn't have access to either CGI, or more money, as he has in later, better-known movies. But I think this movie is worth watching, and even owning, if you want to see solid early work from a director who has since tackled some of the highest-profile and biggest profit-reaping films in the industry.

Rating:
Summary: The Dirty Dozen in space, but still an excellent flick
Review: ITC Entertainment once again brings out an excellent film. One that deals with space comercialization and industrialization. Most of all, it introduces a future that will more than likely will happen if we don't start moving out into space and find the resources we have in our own solar system.

Moon 44 tells the story about an Earth that is exhausted of its natural resources and has to rely on mining resouces in space. When a multinational corporation's mining shuttles are being hijacked by a rival company, an Internal Affairs agent is hired on to find out what is going on. Masquerading as one of the new prisoners sent to the lunar colony to help in the protection of the shuttles and the company's interests, the agent along with some computer technicians, uncovers a conspiracy involving the hijackings. From that point on, it comes down to an explosive showdown between the prisoners and the rival corporation.

Definately a very good film with an astounding group of actors and actresses. Especially British actor Malcolm McDowell, who plays a character who is not a villain, but someone who has been screwed over by the system many times and has gotten fed up with it. The sets, the costumes, and special effects, along with the acting are explosive. The film also descibes how companies do not care about human life and only caring about the "Almighty Dollar." Definately the finest from Roland Emmerich and Dean Devlin. If you enjoy good hi-tech science fiction or hardware science fiction, check out this film. It's worth looking at.

Rating:
Summary: Red Alert!Red Alert! Bad Movie Dead Ahead!
Review: Just when I though Roland Emmerich couldn't get any dumber, I saw Moon 44, his first movie, and proved myself wrong.

I liked the Idea Moon 44 had behind it, and I'm a big Michael Pare fan, but this, ick. Some awsome matte shots are surrounded by cheesy, cheap, and bad effects. The plot is dismal, depressing, and somewhat obvious, etc. The music is good, and the acting is generally good (Thats the only reason it got 2 stars), and there are a few points in the movie where you actually care about the people, but thats overshadowed by the crap that makes up the rest of the movie. The only possible way I can see to make this movie better is to release a Widescreen release of it ( That might by marginally bearible. Avoid this movie at all costs, unless your desperate.

Rating:
Summary: In the Outer Zone... you need a friend.
Review: Oh man, where do I start? Most reviews of this movie seem to range from love to hate, with very few between. I think I fall in the 'between' area. Moon 44 was directed by Roland Emmerich, who also directed Universal Soldier, Stargate, Independance day, The Patriot, and Godzilla. Oh yeah, he also produced and wrote Moon 44. One of the stars in the movie, Dean Devlin, also produced Stargate, Independence Day, and Godzilla with Emmerich.

The movie starts off by telling us it's the future, and all Earth's resources have been depleted, so companies have taken to space to exploit moons for their mineral resources. Competition for these moons is pretty fierce, as the material recovered from these moons is very valuable, and can make or break a company. One company has seen numerous moons hit, shuttles lost, and their profits gone, so when their last moon is threatened by what appears to a conspirator inside the company, the board of directors send an investigator to determine the truth, played by b-movie veteran Michael Paré.

He goes undercover, as a one of a group of prisoners who have flight experience as pilots are hard to come by. Apparently it's going to be these guys job to protect the moon and the robotic equipment from raiders by flying around in modified helicopters. Since the terrain they will be flying in is difficult, each pilot must work closely with a navigator, who is situated within the station, giving specific directions to the pilot. One wrong move could mean death. The navigators are the typical computer nerdy bunch, and don't mix well with the harden prisoners when they show up. One prisoner decides to rape his navigator in the shower, and though we don't get to see it, I thought it was a pretty bad idea of the prisoner to do such a thing since the navigator would surely want revenge of some sort.

So we have the problems between the navigators, the hard nosed drill instructor busting the prisoner/pilots chops (especially Felix Stone, played by Michael Paré), and the slimy head of the station, Major Lee, played by Malcolm McDowell, another actor who spends an awful lot of time in b-movie hell. (Check out the IMdB and you'll see what I mean.) The whistleblower, a navigator called Tyler, played by Devlin, gives Stone what he has and together they determine that the mysterious disappearance of the shuttles is really not that they got lost, but were misdirected by someone inside the organization.

There's some running around, some scenes that were supposed to build tension, etc., and we start to find out the truth in what's going on, the motive behind the theft of the shuttle.

My biggest problem with this movie is that it seemed like too many threads of story line were dangled before us, much more than could be adequately resolved within the 98 minute running time of the movie. The major stuff was resolved, but the movie got bogged down in character development for characters that were not important to the main story. I mean really, who cares why the one navigator spiked some pilot's lunch with drugs? As a result, Malcolm McDowell and Michael Paré didn't get as many lines or as much screen time as they should have. The effects and sets are decent enough for this kind of movie, although they kept showing us scenes of a giant earthmoving device and I don't know why? To establish something, I guess...and why do all mining bases/station of operations have to be so funky looking in these movies? It's not that they're dirty, but just a lot of metal grated flooring, pipes and what not on the walls and ceiling, and extremely poor lighting. Maybe it's a written rule somewhere.

I think this could have been a better movie had it focused more on the main plot, and not presented all these secondary plots, spending a lot of time dealing with them, and basically going nowhere. And I was disappointed in the pan and scan full screen format. When will they learn? Why not put both formats on the disc, and let the viewer choose? And don't look for any extras, not even a trailer or case insert with chapter stops. Nada, nil, none...seeing as how this director went on to bigger (but not necessarily better) things, I would have thought he would have been interested in providing some insight to us about this movie through a commentary. Oh well...A so so movie with an exceptionally poor release.

Rating:
Summary: In the Outer Zone... you need a friend.
Review: Oh man, where do I start? Most reviews of this movie seem to range from love to hate, with very few between. I think I fall in the 'between' area. Moon 44 was directed by Roland Emmerich, who also directed Universal Soldier, Stargate, Independance day, The Patriot, and Godzilla. Oh yeah, he also produced and wrote Moon 44. One of the stars in the movie, Dean Devlin, also produced Stargate, Independence Day, and Godzilla with Emmerich.

The movie starts off by telling us it's the future, and all Earth's resources have been depleted, so companies have taken to space to exploit moons for their mineral resources. Competition for these moons is pretty fierce, as the material recovered from these moons is very valuable, and can make or break a company. One company has seen numerous moons hit, shuttles lost, and their profits gone, so when their last moon is threatened by what appears to a conspirator inside the company, the board of directors send an investigator to determine the truth, played by b-movie veteran Michael Paré.

He goes undercover, as a one of a group of prisoners who have flight experience as pilots are hard to come by. Apparently it's going to be these guys job to protect the moon and the robotic equipment from raiders by flying around in modified helicopters. Since the terrain they will be flying in is difficult, each pilot must work closely with a navigator, who is situated within the station, giving specific directions to the pilot. One wrong move could mean death. The navigators are the typical computer nerdy bunch, and don't mix well with the harden prisoners when they show up. One prisoner decides to rape his navigator in the shower, and though we don't get to see it, I thought it was a pretty bad idea of the prisoner to do such a thing since the navigator would surely want revenge of some sort.

So we have the problems between the navigators, the hard nosed drill instructor busting the prisoner/pilots chops (especially Felix Stone, played by Michael Paré), and the slimy head of the station, Major Lee, played by Malcolm McDowell, another actor who spends an awful lot of time in b-movie hell. (Check out the IMdB and you'll see what I mean.) The whistleblower, a navigator called Tyler, played by Devlin, gives Stone what he has and together they determine that the mysterious disappearance of the shuttles is really not that they got lost, but were misdirected by someone inside the organization.

There's some running around, some scenes that were supposed to build tension, etc., and we start to find out the truth in what's going on, the motive behind the theft of the shuttle.

My biggest problem with this movie is that it seemed like too many threads of story line were dangled before us, much more than could be adequately resolved within the 98 minute running time of the movie. The major stuff was resolved, but the movie got bogged down in character development for characters that were not important to the main story. I mean really, who cares why the one navigator spiked some pilot's lunch with drugs? As a result, Malcolm McDowell and Michael Paré didn't get as many lines or as much screen time as they should have. The effects and sets are decent enough for this kind of movie, although they kept showing us scenes of a giant earthmoving device and I don't know why? To establish something, I guess...and why do all mining bases/station of operations have to be so funky looking in these movies? It's not that they're dirty, but just a lot of metal grated flooring, pipes and what not on the walls and ceiling, and extremely poor lighting. Maybe it's a written rule somewhere.

I think this could have been a better movie had it focused more on the main plot, and not presented all these secondary plots, spending a lot of time dealing with them, and basically going nowhere. And I was disappointed in the pan and scan full screen format. When will they learn? Why not put both formats on the disc, and let the viewer choose? And don't look for any extras, not even a trailer or case insert with chapter stops. Nada, nil, none...seeing as how this director went on to bigger (but not necessarily better) things, I would have thought he would have been interested in providing some insight to us about this movie through a commentary. Oh well...A so so movie with an exceptionally poor release.

Rating:
Summary: A good one for its time!
Review: The movie looks cheap for a very modern eye, but let's not forget when it was created! The first Star Wars SF/X have a little bit better quality, being done with more money. The plot is intiguing, though describing a very gray image of a no-hope-reality. The acting is not that naive, too. Today, with the approaching space comercialization, we need more movies in this area. Let's hope that Solar Crisis, Lost in Space, and the newly released Supernova will not be the only 'voices in the desert'........ (Borislav Belovarski, author)

Rating:
Summary: The DVD version of Moon 44 is a big let down
Review: When I first heard that this title was coming out on DVD I was rather excited because I had only ever seen the film on VHS in a pan and scan format. I remember liking the movie and looked forward to the day when it would come out on DVD because I assumed it would be released in widescreen format. Much to my dismay the DVD version is another pan and scan transfer. Here was an opportunity to release the title with it's original Panavision, 2.35:1 aspect ratio but for some odd reason the distributors bypassed this option in favor of the old VHS pan and scan format. The movie is fun but far from a great film. But if a widescreen version was available I would definitely buy it. But a new DVD version in pan and scan seems like a waste of time to me. So I'll just pass on this one and hold on to my old VHS copy.

Rating:
Summary: The DVD version of Moon 44 is a big let down
Review: When I first heard that this title was coming out on DVD I was rather excited because I had only ever seen the film on VHS in a pan and scan format. I remember liking the movie and looked forward to the day when it would come out on DVD because I assumed it would be released in widescreen format. Much to my dismay the DVD version is another pan and scan transfer. Here was an opportunity to release the title with it's original Panavision, 2.35:1 aspect ratio but for some odd reason the distributors bypassed this option in favor of the old VHS pan and scan format. The movie is fun but far from a great film. But if a widescreen version was available I would definitely buy it. But a new DVD version in pan and scan seems like a waste of time to me. So I'll just pass on this one and hold on to my old VHS copy.