Rating: 
Summary: STRANGE "MOVIE".....
Review: A chemist (Brenda Marshall) working on a new anesthetic takes the product home and tries it out. Her assistant (Hilary Brooke), who may be after Marshalls' husband, arranges an "accident" that reults in Marshalls' face being disfigured. Marshall then murders a woman trying to blackmail her over a previous car accident and has to go on the lam with the dead womans' identity. She plots to take revenge and everything snowballs into a nightmare worse than before. The finale sees it all as just a weird hallucination she experienced from the drug. Huh? All this mumbo jumbo is played out in a very short running time. I wouldn't call this a "movie" so much as a cheap experimental student project. There are no production values at all. The sets are cardboard and the acting is dull and at times amateurish. I know that Anthony Mann has a reputation as a low budget film noirist but this is the cheapest attempt at telling a story I've seen in a while. Ulmer's "Detour" is pretty cheap but at least it's interesting. This was interesting at first but the ending just left me flat. Low budget is one thing but out and out cheap is another. I will not fault this films' defenders. To each his or her own. But it's just too cheap for me to see more than once. So it's recommended for Manns' fans and others with their curiosity meter turned WAY up.
Rating: 
Summary: Haunting Doppelganger
Review: Eerie identity loss, transference--the other self. Surreal effect heightened by B budget and inappropriate music. Subtle and thought-provoking use of image echos, mirrors, and shadows. Right up there with noir's other great doppelganger movies, The Scar (Hollow Triumph) and Desert Fury.
Rating:
Summary: Haunting Doppelganger
Review: Eerie identity loss, transference--the other self. Surreal effect heightened by B budget and inappropriate music. Subtle and thought-provoking use of image echos, mirrors, and shadows. Right up there with noir's other great doppelganger movies, The Scar (Hollow Triumph) and Desert Fury.
Rating:
Summary: straight beauty
Review: god bless dvd, at last we can enjoy great Athony Mann's masterpieces. Westerns like "the man from Laramie", and films noir such as "T-men" and "raw deal". "Strange impersonnation" is a strong thing, almost fantastic. Enjoy especially the photography of cinematographer John Alton which uses constrasts of black and white, amazing shadows and lightnings. It's action, beauty of violence and feelings.Don't miss.
Rating:
Summary: straight beauty
Review: god bless dvd, at last we can enjoy great Athony Mann's masterpieces. Westerns like "the man from Laramie", and films noir such as "T-men" and "raw deal". "Strange impersonnation" is a strong thing, almost fantastic. Enjoy especially the photography of cinematographer John Alton which uses constrasts of black and white, amazing shadows and lightnings. It's action, beauty of violence and feelings. Don't miss.
Rating: 
Summary: "You cannot escape the person you are."
Review: In the film, "Strange Impersonation" chemist Nora Goodrich (Brenda Marshall) is close to perfecting a new form of anesthesia, and she's also fending off fiance and fellow chemist, Dr Lindstrom. Lindstrom is pushing for a wedding date, but Nora's ambition dictates the conclusion of her experiments before moving on to personal business. Nora decides to accelerate product testing by experimenting with the anesthetic at home. She enlists the help of lab assistant Arline Cole. The experiment, however, goes horribly wrong, and Nora's face is scarred beyond recognition. Following a bizarre encounter with female blackmailer Jane Karaski, Nora seizes the opportunity to assume Jane's identity. Nora--as Jane--goes into hiding and then undergoes over a year's worth of intense plastic surgery to restore her face. Director Anthony Mann is considered one of the great film noir directors. So for those interested in the genre, "Strange Impersonation" is a must-see. However, that said, viewers should be aware that the film is seeped in 1940s technology and science (Nora's lab--Nora's experiments, etc), and so much of the film seems extremely dated. There are literally beakers full of smoking concoctions. Also, the film has a very high camp quality. The fights between females, a hideously scarred face hidden by veils, and the nonsensical inability to identify a body because the face is damaged beyond recognition, all add up to a good laugh. While the performances of the main actors are up-to-standard, some of the minor characters are definitely bad actors. "Strange Impersonation" is absolutely not in the same league as "The Postman Always Rings Twice," "Double Indemnity" or "The Strange Love of Martha Ivers." It's just too campy for that. However, I was extremely interested in Mann's portrayal of females in this film. Nora is a brilliant scientist, Arline is the wicked schemer, and Jane Karaski is a female thug. This is a film about strong women (not necessarily nice) who take fate into their own hands. The characters of the females are fascinating--whereas the males play only dull minor roles on the periphery of the film. "Strange Impersonation" is relatively short--68 minutes long, and if you want to see a "B" cult classic from the 40s, then this film--with all its flaws--is worth your while. This is a restored version of the film, and both the picture and sound were excellent quality--displacedhuman.
Rating:
Summary: "You cannot escape the person you are."
Review: In the film, "Strange Impersonation" chemist Nora Goodrich (Brenda Marshall) is close to perfecting a new form of anesthesia, and she's also fending off fiance and fellow chemist, Dr Lindstrom. Lindstrom is pushing for a wedding date, but Nora's ambition dictates the conclusion of her experiments before moving on to personal business. Nora decides to accelerate product testing by experimenting with the anesthetic at home. She enlists the help of lab assistant Arline Cole. The experiment, however, goes horribly wrong, and Nora's face is scarred beyond recognition. Following a bizarre encounter with female blackmailer Jane Karaski, Nora seizes the opportunity to assume Jane's identity. Nora--as Jane--goes into hiding and then undergoes over a year's worth of intense plastic surgery to restore her face. Director Anthony Mann is considered one of the great film noir directors. So for those interested in the genre, "Strange Impersonation" is a must-see. However, that said, viewers should be aware that the film is seeped in 1940s technology and science (Nora's lab--Nora's experiments, etc), and so much of the film seems extremely dated. There are literally beakers full of smoking concoctions. Also, the film has a very high camp quality. The fights between females, a hideously scarred face hidden by veils, and the nonsensical inability to identify a body because the face is damaged beyond recognition, all add up to a good laugh. While the performances of the main actors are up-to-standard, some of the minor characters are definitely bad actors. "Strange Impersonation" is absolutely not in the same league as "The Postman Always Rings Twice," "Double Indemnity" or "The Strange Love of Martha Ivers." It's just too campy for that. However, I was extremely interested in Mann's portrayal of females in this film. Nora is a brilliant scientist, Arline is the wicked schemer, and Jane Karaski is a female thug. This is a film about strong women (not necessarily nice) who take fate into their own hands. The characters of the females are fascinating--whereas the males play only dull minor roles on the periphery of the film. "Strange Impersonation" is relatively short--68 minutes long, and if you want to see a "B" cult classic from the 40s, then this film--with all its flaws--is worth your while. This is a restored version of the film, and both the picture and sound were excellent quality--displacedhuman.
Rating:
Summary: A NOTE TO CUSTOMER REVIEWERS...
Review: Please warn readers about potential spoilers at the beginning of your reviews. The ending is revealed in one of the previous critiques. Thanks and happy viewing!
Rating:
Summary: A NOTE TO CUSTOMER REVIEWERS...
Review: Please warn readers about potential spoilers at the beginning of your reviews. The ending is revealed in one of the previous critiques. Thanks and happy viewing!
Rating:
Summary: SKIN DEEP AND DEEPER
Review: Skin deep is not deep enough. Jealousy, murder, plastic surgery and revenge in a Hitchcockian tour de force from Director Anthony Mann ("El Cid," "Desperate," "Bamboo Blond," "God's Little Acre"). Mann was widely praised for his meticulous eye for detail and his instinctive sense of mise en scene which he prominently shows in "Strange Impersonation." The radiant and beautiful Brenda Marshall is a scientist who spurns marriage for her pioneering breakthroughs in the science of anesthetics. That's right, anesthetics. But YOU won't fall asleep watching this very surreal, sly, primitive, artful but low budget tale with a stunning, surprise ending. (Full Screen, B&W, 68 minutes, Not Rated)...
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