<< 1 >>
Rating: Summary: Why not list the Sibelius? Review: Another botched up listing! The major piece on this disc is Symphony No. 5 in E-flat Major, Opus 82 by Jean Sibelius, and it is not mentioned at all in the listing. My 5 star rating is for Sakari Oramo's overwhelming, brilliant conducting of the City of Birmingham Symphony Orchestra. He is a most worthy follower into Sir Simon Rattle's footsteps. Not to belittle, or overlook, the exhilarated and ebuliant artistry of Olli Mustonen in the Prokofiev Concerto for Piano and Orchestra No. 3 in C, Opus 26, a new star on the horizon indeed.
Rating: Summary: Nice to See Good Performance of Non-Standard Repertoire Review: Given that most of the classical music DVDs out there feature sub-par performances of the standard classical warhorses, it's nice to see a DVD which features a high-level concert performance of exclusively 20th-century repertoire. This is an overall solid performance of quite interesting orchestral music. Olli Mustonen's playing in the Prokofiev is a little too self-aware for my tastes (and his sound is shallow), but despite that, I still strongly recommend this disc.
Rating: Summary: Was there a piano in there somewhere? Review: I'm still trying to answer the question, "does anybody in the music industry have a clue as to how to mike a piano?" This disk proves the answer is still no. The piano was so in the background, it may as well have been behind the second cellos. A number of times, you can see the pianist pressing keys, but nothing is heard. Much of the complex tonal combinations used in the piano line are simply not heard. Not only that, but the camera on the pianist's hands had only a fixed view, and that was blocked much of the time by the wood skirt at the end of the keyboard. The orchestra was great, however, in all three pieces, and the pianist is flamboyant and very talented. Too bad the recording was so bad you couldn't really tell.
Rating: Summary: Was there a piano in there somewhere? Review: I'm still trying to answer the question, "does anybody in the music industry have a clue as to how to mike a piano?" This disk proves the answer is still no. The piano was so in the background, it may as well have been behind the second cellos. A number of times, you can see the pianist pressing keys, but nothing is heard. Much of the complex tonal combinations used in the piano line are simply not heard. Not only that, but the camera on the pianist's hands had only a fixed view, and that was blocked much of the time by the wood skirt at the end of the keyboard. The orchestra was great, however, in all three pieces, and the pianist is flamboyant and very talented. Too bad the recording was so bad you couldn't really tell.
<< 1 >>
|