Devil's Nightmare

Rating:
Summary: Eurotrash served up with plenty of style.
Review: "The Devil's Nightmare" is a prime example of 70's Eurotrash horror, but served up with plenty of style. As the film's sexy succubus, star Erica Blanc will be familiar for her roles in "Night Evelyn Came Out of the Grave" and "Mark of the Devil 2," both available exclusively from Videoeuropa. For a free catalog, send your full address to [e-mail]

Rating:
Summary: Damn creepy!
Review: A Group of tourists, eacg representing one of the seven deadly sins, spend a terror-filled evening in a castle previously owned by a man who made a pact with satan! SCARY!

Rating:
Summary: A nice little gothic horror film from Belgium
Review: Devil's Nightmare is a pretty impressive Belgian gothic horror film from 1971. The movie begins with a Nazi officer's wife giving birth during the collapse of the Third Reich; when he finds out the child is a girl, the officer, Baron von Rhoneberg, is rather displeased and shows his unhappiness in a pretty compelling way. Then we jump to the present day to find seven tourists forced to seek a night's shelter at the castle of von Rhoneberg (apparently Belgium had no hotels in 1971). Personally, the sight of the castle door opening all by itself would be enough to convince me to just sleep on the bus, but the seven tourists all rush inside to escape a sudden rainstorm. Along with the melancholy and mysterious Baron, the guests are welcomed by a sour puss of a serving lady and a rather grim butler type who has served the Baron since World War II. This guy delights in telling the guests just who died in what way and in what year in each of the bedrooms he assigns them. The tourists are not exactly rays of sunshine themselves. There is a greedy woman and her cheating husband, an ornery old man, a seminarian studying to become a priest, a pretty disgusting tour guide, a lazy blonde lady, and an especially lovely flirt whose hobby is collecting men. The castle is a perfectly gothic little setting, featuring an attic with a good selection of implements of torture, dark and intricate hallways, gloomy towers and balustrades, an alchemist's lab, etc.-basically everything a spooky old castle needs to have. Later that night, a sultry redhead arrives in the form of Erika Blanc, whose character turns out to be a little unusual. Before all the guests turn in for the night, they are naturally told the story of the ancient von Rhoneberg curse, a large part of which deals with each family member's eldest daughter being a succubus. After a good hour crafting the proper atmosphere for the film, characters finally start dying, each death patterned on one of the seven deadly sins. This succubus doesn't do the things a succubus is supposed to do, never going farther than a little flirting with the priest in training, but I suppose the results are what really count. Having a priest in the way presents something of a challenge, but Satan is more than read to step in if problems arise.

I wouldn't call this film scary at all, nor is it too graphic (except for the disgusting scene wherein we have to watch the tour guide eat). The succubus' facial expressions when she is exerting her power are overdone to the point of being sort of silly, but Satan knows how to play his hand close to the vest. There is some light nudity and just a little female hanky-panky, which I was a little surprised to find in a movie from 1971. Erika Blanc is a strikingly sultry lady who lights up the screen, thanks in large part to the film's costume designer, but I find Ivana Novak even easier on these eyes of mine. The atmosphere of the movie is quite dramatic, with the story of the curse working in hand in hand with the great and properly gothic look of the mysterious old castle, and the distinctive organ music that is forever playing in the background really helps establish the proper mood for infernal goings-on here. The ending seemed as if it would leave me a little disappointed, but a nice touch at the last minute won me over. All told, this is an excellent example of foreign, campy gothic horror that I for one quite enjoyed.

Rating:
Summary: A nice little gothic horror film from Belgium
Review: Devil's Nightmare is a pretty impressive Belgian gothic horror film from 1971. The movie begins with a Nazi officer's wife giving birth during the collapse of the Third Reich; when he finds out the child is a girl, the officer, Baron von Rhoneberg, is rather displeased and shows his unhappiness in a pretty compelling way. Then we jump to the present day to find seven tourists forced to seek a night's shelter at the castle of von Rhoneberg (apparently Belgium had no hotels in 1971). Personally, the sight of the castle door opening all by itself would be enough to convince me to just sleep on the bus, but the seven tourists all rush inside to escape a sudden rainstorm. Along with the melancholy and mysterious Baron, the guests are welcomed by a sour puss of a serving lady and a rather grim butler type who has served the Baron since World War II. This guy delights in telling the guests just who died in what way and in what year in each of the bedrooms he assigns them. The tourists are not exactly rays of sunshine themselves. There is a greedy woman and her cheating husband, an ornery old man, a seminarian studying to become a priest, a pretty disgusting tour guide, a lazy blonde lady, and an especially lovely flirt whose hobby is collecting men. The castle is a perfectly gothic little setting, featuring an attic with a good selection of implements of torture, dark and intricate hallways, gloomy towers and balustrades, an alchemist's lab, etc.-basically everything a spooky old castle needs to have. Later that night, a sultry redhead arrives in the form of Erika Blanc, whose character turns out to be a little unusual. Before all the guests turn in for the night, they are naturally told the story of the ancient von Rhoneberg curse, a large part of which deals with each family member's eldest daughter being a succubus. After a good hour crafting the proper atmosphere for the film, characters finally start dying, each death patterned on one of the seven deadly sins. This succubus doesn't do the things a succubus is supposed to do, never going farther than a little flirting with the priest in training, but I suppose the results are what really count. Having a priest in the way presents something of a challenge, but Satan is more than read to step in if problems arise.

I wouldn't call this film scary at all, nor is it too graphic (except for the disgusting scene wherein we have to watch the tour guide eat). The succubus' facial expressions when she is exerting her power are overdone to the point of being sort of silly, but Satan knows how to play his hand close to the vest. There is some light nudity and just a little female hanky-panky, which I was a little surprised to find in a movie from 1971. Erika Blanc is a strikingly sultry lady who lights up the screen, thanks in large part to the film's costume designer, but I find Ivana Novak even easier on these eyes of mine. The atmosphere of the movie is quite dramatic, with the story of the curse working in hand in hand with the great and properly gothic look of the mysterious old castle, and the distinctive organ music that is forever playing in the background really helps establish the proper mood for infernal goings-on here. The ending seemed as if it would leave me a little disappointed, but a nice touch at the last minute won me over. All told, this is an excellent example of foreign, campy gothic horror that I for one quite enjoyed.

Rating:
Summary: Erika Blanc Can Chase Me Anytime!
Review: DEVIL'S NIGHTMARE is about seven tourists who get stuck at a spooky castle for the night. Their host is a baron / alchemist with a disturbing history and legacy. His family is cursed, and each room in the castle has seen a gruesome murder or two through the centuries. Enter Erika Blanc as a mysterious visitor. She instantly steals the whole show as she slinks and slithers her way about the castle, seducing the guests with their favorite vices. Each has a particular appetite that leads to their grizzly downfall. Blanc is a succubus, a demon in the form of a drop-dead-gorgeous woman, who has come to the castle to feed her own burning hunger and please her true master ( hope you guessed his name). The only hope seems to be a priest who is able to resist her wiles, even when she's naked! This movie is my favorite Erika Blanc classic. She is great in her role, while the rest are passable. Add it to your collection, NOW!...

Rating:
Summary: Not Good
Review: Erika Blanc would have been wise to pass on this piece of work as im sure it helped kill an already mediocre career. Nothing happens in this film for the first 60 min. then everyone gets killed in the next 10 min. Sensual? yes, Entertaining? not even close. Euro trash is an apt description.

Rating:
Summary: The Sexy Satanists
Review: Fantastic movie! Originally saw it on video 10 years ago from a local store. Then it was entitiled Succubus. Highly creative story, great looking babes, and really sleazy! Poor quality of film adds to the gothic atmosphere. A really good choice to make a modern version.

Rating:
Summary: The Terrible Night of The Demon
Review: I actually did take quite a fancy to this film about a busload of tourists stranded by a storm, each with their own particular foibles coalescent with the "Seven Deadly Sins". They are accompanied by a priest to a beautiful, though cursed castle, wherein an erubescent Succubus {the "curse"} spontaneously appears and immediately goes about exploiting each of their prominent desires, dispatching them, thereby damning their souls. All succumb except for the priest who himself eventually ends up signing a pact with The Devil {here portrayed by a robed bald man with a skeletal smile} for the seemingly altruistic purpose of condemning his own soul unto Satan in place of the tourists' - however, there certainly is a lethal catch.

The strange occurrences begin with a bleeding dead cat whose orange? blood seeps through the floorboards, through the ceiling of the bottom level, and onto the arm of one of the girls - thus, first blood is shed, as is first scream {one would think there was a devil-worshipper lurking about!}. Such is the case with the tint of the blood in the movie.

The Succubus goes from 0 - 666 in 9 seconds shedding her eyebrows and rosy complexion upon the demise of her victims during the commission of their erstwhile "sins" - methods range from impalements to beheadings to poisonings, as well as the deadly embrace of the iron maiden.

In attempting to form the origin of the villainous character, one is subjected to at least between 5 - 10 minutes of Nazi derivation, the nativity of the baby girl who would become Succubus. A daughter of Nazis. I wonder what contemporary law-abiding German citizens think about that portrayal, in a country where signaling the "Sig Heil" salute is a crime and carries a penalty of incarceration.

Of note, a sizzling lesbian scene between a gorgeous brunette and modelesque blonde accompanied by some awful "music" {which is more like irritating sound effects, which may have been intentional} can be quite distracting.

Interestingly enough, there is no dramatic "good vs. evil" epic battle, just a subtle agreement between The Devil and the priest, wherein The Prince of Darkness derives what he desires, and apparently, so does the priest, as the redhead is no longer possessed, and joins him by his side, granting a gaze of acknowledgement unto Lucifer. So ultimately, the ill-fated tourists were mere puppets in the midst of the interaction between Scratch and priest.

The Devil's Nightmare is a French film with English dubbing, and was originally called "The Terrible Night of The Demon", containing a decidedly Hammer films flavor to it.
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Note 1: Needless to say, yet perhaps bearing a small though obvious commentary, Satanism does not recognize these catholic "sins", but instead realizes these traits as normal and natural in the humanimal, which motivates evolution in the awareness of the flesh. Ergo, "Flesh without sin, world without end!" ASLV.

Note 2: Christian Church founders declared these inevitabilities "evil", thereby assuring Christians to a life of guilt where they would have to pay for penance; thus keeping the church wealthy through the misery of others.


Rating:
Summary: So bad it's Good
Review: I agree with an earlier review of said movie, but the sub-par plot, acting, and production values are exactly the reasons why this movie is so cool. Euro trash? Yes please. Maybe a little bit more if at all possible. Thank you.

Rating:
Summary: So bad it's Good
Review: I agree with an earlier review of said movie, but the sub-par plot, acting, and production values are exactly the reasons why this movie is so cool. Euro trash? Yes please. Maybe a little bit more if at all possible. Thank you.