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The Baby

The Baby

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Product Info Reviews

Features:
  • Color


Description:

It's hard to even know where to start discussing The Baby, one of the weirder and more obscure pieces of '70s film flotsam to come down the line. A social worker (Anjanette Comer) is called in to investigate a family's eligibility for aid. The family members (a widow and two adult daughters) have a baby under their roof--the odd thing is, the baby appears to be 23 or so and still residing in a playpen. The social worker is soon in over her head on the case, and events begin to take on a momentum of their own. The mother (Ruth Roman) doesn't appreciate the woman's snooping and soon goes from standoffish to downright hostile. The movie's climax comes from far, far in left field; it's a real jaw-dropper for even the most jaded horror fan. Roman gives a full-throttle performance as the blowsy, cigarette-puffing mom of the twisted little nuclear family, and her two daughters are close behind, with poor Baby (who has no other name) crawling, bawling, and dirtying his diapers. The scene where the three sneak up and find a teen babysitter breastfeeding Baby (yes, really), then beat the stuffing out of her with a belt is enough to scare the bejesus out of General George Patton. The girl wasn't asked to babysit again, incidentally. TV director Ted Post gives the film a bland movie-of-the-week look which, along with its sunny California climes, somehow makes it even more unnerving. Some may find The Baby offensive, some may find it inadvertently funny, but there's no question that it's a bizarre, uncomfortable movie that's highly recommended for cult-movie aficionados and fans of the depraved. --Jerry Renshaw
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