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Rating: 
Summary: Bela never looked better!
Review: "Vampire Bat" is a Dracula movie without Dracula. Lionel Atwill plays the role of the resident good doctor/mad scientist who sends his mesmerized servant out for victims. The victims are drained of blood Atwill uses in his obscure experiments. Melvyn Douglas, in spite of his obvious American demeanor and manner of expression, has a German sounding name in the movie and plays the local inspector of police. Dwight Frye does well portraying a "Renfield" type madman who gets blamed initially for the mysterious vampire-like killings. Fay Wray is wasted as Atwill's lab assistant. There is a weak attempt at comedy relief via a goofy old woman who likes to pretend she's "doctor for a day" by diagnosing herself and others until she gets her just reward by means of a strong laxative. The atmosphere of the film is spooky; nice and dark and gloomy. Aside from the main characters the villagers all look and talk as authentic mid-Europeans (circa 1930). The real identity of the fiend is kept secret until later in the film. The film does a good job of creating an air of terror and suspense. All things considered, this little film is a good movie for Halloween or anytime when the winds howl in the mountains by night, the clock strikes midnight, and there is something scratching at your bedroom window. Well....we warned you!
Rating: 
Summary: Creaky old low-budget horror movie.
Review: "Vampire Bat" is a Dracula movie without Dracula. Lionel Atwill plays the role of the resident good doctor/mad scientist who sends his mesmerized servant out for victims. The victims are drained of blood Atwill uses in his obscure experiments. Melvyn Douglas, in spite of his obvious American demeanor and manner of expression, has a German sounding name in the movie and plays the local inspector of police. Dwight Frye does well portraying a "Renfield" type madman who gets blamed initially for the mysterious vampire-like killings. Fay Wray is wasted as Atwill's lab assistant. There is a weak attempt at comedy relief via a goofy old woman who likes to pretend she's "doctor for a day" by diagnosing herself and others until she gets her just reward by means of a strong laxative. The atmosphere of the film is spooky; nice and dark and gloomy. Aside from the main characters the villagers all look and talk as authentic mid-Europeans (circa 1930). The real identity of the fiend is kept secret until later in the film. The film does a good job of creating an air of terror and suspense. All things considered, this little film is a good movie for Halloween or anytime when the winds howl in the mountains by night, the clock strikes midnight, and there is something scratching at your bedroom window. Well....we warned you!
Rating: 
Summary: The mad doctor is at it again.
Review: Any number of Bela Lugosi's poverty row films would qualify for "The Best of the Worst" award. "The Corpse Vanishes" is better than average, but just slightly. The story is the typical lurid horror-comics stuff of the mad doctor gone berserk, again and again. The character names change, but Bela essentially plays the same role in the same manner in each film. This entry has the advantage of a good supporting cast. Beautiful ice queen Elizabeth Russell, Simone Simon's feline compatriot in "The Cat People," is the cruel Countess Lorenz. She requires frequent transfusions of body fluid from healthy young women to survive. Dr. Lorenz (Bela) concocts a bizarre plan to keep the fluid supply coming by murdering young brides at the altar. Lugosi's familiar dwarf costar, Angelo Rossitto, is Dr. Lorenz's homunculus partner in crime. The "stormy night in the terrible house" segment, as trite as it sounds, is the best part of this little thriller. People sneak around and creep the night away through secret passages to the strains of a plodding musical score. Check out the Lorenz's sleeping arrangements, and try to keep a straight face. If you feel deprived because you don't have a representative poverty row Bela Lugosi film in your personal video collection this movie is for you. The rest should quietly pass by. ;-)
Rating: 
Summary: The Corpse is disguised as a plot
Review: Bela does his best to breathe some life into this film but unfortunately, it's dead on arrival! There is an occassional redeeming scene but the story line is just too weak for the film to stay afloat. Unless you're looking for a cure for insomnia avoid this stinker at all costs!
Rating:
Summary: Lugosi's best Poverty Row films on one disc!
Review: First of all, you know whether or not these are "your" type of movies. They're cheap, short and have Bela Lugosi just as his star was beginning to fade. THE CORPSE VANISHES is a typical Mongram 40's programmer, but Bela's really pretty good in it. The real attraction here is THE DEVIL BAT. An unexpected dose of humor is sprinkled throughout the macabre events. Lugosi is perfect as Dr. Carruthers, fiendlishly plotting deaths with his giant mutated bats. And surely no other film in history has used shaving lotion for such a sinister purpose! Naturally, one wishes for more supplemental materials. But the picture quality (and for the most part, the sound) is up to the usual Roan standard of excellence. There are several other povery row Lugosi films available from Roan (The Invisible Ghost, Bowery at Midnight, etc.) but if you only buy ONE, this is the one to get.
Rating:
Summary: Lugosi's best Poverty Row films on one disc!
Review: First of all, you know whether or not these are "your" type of movies. They're cheap, short and have Bela Lugosi just as his star was beginning to fade. THE CORPSE VANISHES is a typical Mongram 40's programmer, but Bela's really pretty good in it. The real attraction here is THE DEVIL BAT. An unexpected dose of humor is sprinkled throughout the macabre events. Lugosi is perfect as Dr. Carruthers, fiendlishly plotting deaths with his giant mutated bats. And surely no other film in history has used shaving lotion for such a sinister purpose! Naturally, one wishes for more supplemental materials. But the picture quality (and for the most part, the sound) is up to the usual Roan standard of excellence. There are several other povery row Lugosi films available from Roan (The Invisible Ghost, Bowery at Midnight, etc.) but if you only buy ONE, this is the one to get.
Rating:
Summary: Bela never looked better!
Review: I must admit, I was sweating bullets when I brought this DVD home, I was convinced that there would be something wrong with it, either bad audio, bad video or both. I have both of these films on the digitally remastered versions of the "Bela Lugosi Collection" VHS tapes whose manufacturers name escapes me at the moment. I was pleasantly surprised by the quality of the picture and sound. And after seeing this DVD, I think it looks even better than the tapes, as well it should! No extras though, I was never big into the "extras" anyway, besides you can't expect many with films like these, but I still love 'em! My hat is off to the Roan Group...I know they've released quite a number of these films on DVD that the bigger studios won't touch, and I've passed them up a number of times, until now. So take my word for it, If you've held off on this DVD waiting for some sucker to "jump in" and write a crappy review, I hate to disappoint you. This is a pleasant surprise. So come on in, Bela fans, the water's fine!
Rating:
Summary: Fair
Review: In comparison to most of the other films Lugosi made for Sam Katzman, this one isn't all that bad. Katzman, of course, was a master at rehashing the same old story again and again, and this one is no exception. The real villain in this film is the tired, stale plot which, like many others, injects a brassy, annoying newspaper reporter into the story, along with a dim-witted photographer; as always, the reporter eventually solves the mystery. Lugosi does his best with the script, which would have been better had it been approached with a bit of originality. Of course, if it had involved a fresh approach, it wouldn't have been a Sam Katzman film. Still, it is a mildly entertaining film at times, and should be enjoyed as such. Just don't expect to see a classic.
Rating:
Summary: Corpse and a Bat
Review: In the Devil Bat, Dr. Carruthers (played by Bela Lugosi) raises oversize bats that are enlarged by a special electrical machine. When the company he works for becomes rich because of the perfumes and colognes he has developed, he seeks revenge with these large bats that he has trained to "hate" a particular shaving cologne. His revenge is against his employer and family but a reporter puts together the bats and cologne and douses it on Carruthers. One of the last scenes is a giant bat going after Carruthers.In The Corpse Vanishes, Dr. Lorenz (played by Bela Lugosi) keeps his wife young by kidnapping young females brides and extracting glandular fluid from them and then uses the fluid for his wife. He does this by kidnapping young brides, using a special orchid that puts them in suspended animation. He keeps the brides in an underground vault until their "fluids" run out. The Devil Bat and The Corpse Vanishes are not Bela's best work but I think most Bela Lugosi fans will enjoy these two. The quality of the pictures on the DVD are not crisp - but there are times where some of the old movies need a little less quality to give them their flair.
Rating: 
Summary: Vintage Bela Lugosi doing what he does best
Review: The only thing worse than being left standing at the altar is having your bride fall over dead in the middle of the service. As The Corpse Vanishes opens, that is exactly what is happening; even worse, the bride's corpses keep getting stolen. The cops are baffled, but hard-nosed female reporter Pat Hunter is determined to solve the mystery and make a name for herself in journalism. She follows her leads to the home of Dr. Lorenz (Lugosi) and winds up having the most terrifying night of her life. Lorenz has a peculiar staff-a rather annoying older servant and her two sons, one a midget and the other a seemingly mute and obviously dim-witted stooped-over fellow. Most strange of all, though, is Lorenz's ill-tempered wife. Of course, the Countess has reason to complain because she is constantly fighting old age and death. Lorenz has come up with a way to maintain his wife's youth and beauty; the only catch is that it requires the regular extraction of a certain amount of the essence of life from young girls. Why blushing brides are the specimens of choice is never really made clear. In any event, Pat struggles to find a way to trap the good doctor and convince her boss that she is telling the truth about the things she has discovered. Interestingly, there are some definite similarities between this 1942 film and 1931's Dracula: Lugosi plays an evil man who must steal the life essence from beautiful young women in order to hold mortality at bay; Lorenz secretly enters the rooms of his guests during the night and stares down at them with the look Lugosi is famous for; Lorenz and his wife sleep in coffins; and the dim-witted, eternally slump-backed assistant (called Angel of all things) can be compared with Dracula's Renfield. The plot is rather weak in spots, but I love the nostalgic campiness of it (and, apparently, the Mystery Science Theater 3000 gang did too). I would rank this movie among the better horror movies of that golden era of cinematic fright. Lugosi fans will surely want to have The Corpse Vanishes in their video libraries as it features one of his best performances. Please note that this review if for The Corpse Vanishes only, even though you may see it linked to a double feature release featuring a second Lugosi movie.
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