That Championship Season

Rating:
Summary: An Anthem for The Klan
Review: A very disappointing and tedious exercise that will hopefully prevent Paul Sorvino from directing another film. Except for another fine performance by Gary Sinise, don't expect to be moved, either physically or emotionally. It flows like a series of cliched bigotries, with no specific direction. The dialog spoken by the coach (Sorvino) is as vitriolic as the Edward Norton character in American History X, (and would most certainly be embraced by neo-Nazi groups). But at least in that movie, Norton's character experienced some ultimate redemption. In this film, the audience receives nothing in return for spending 2 hours with a quintet of pathetic white males. Yuck.

Rating:
Summary: powerful acting and true reality
Review: The movie is definitly unique and not for everyone but in my opion the best movie iv'e seen in ages.The diologue in the movie is very sophisticated and the acting very powerful there is so much going on you really have to listen.After having a close circle of friends iv'e started to realize what the movie is all about doubting your friends and being betrayed by them.And also realizing that your not were you want to be in life each character is very diffrent and is dealing with diffrent issues. This movie in some respects is better than these action blockbuster hits if your in to serious and sophisticated drama. This movie is for you watch it i garauntee you will be moved watch it when your happy or sad it doesent matter.This film cant be bashed except for the fact there is to much swearing. You might say oh it sounds to deppresing it is at times but so is real life that's what this movie is. True and sad reality and haning on to friendships.If you think this movie is bad you'd best email me and tell me [e-mail]

Rating:
Summary: Excellent theatre that doesn't translate well to film
Review: This is the second attempt to bring this thought provoking play to the mass market, this time through a TV movie now in rental. Thoreau is quoted as saying: "The mass of men lead lives of quiet desperation." This play peels away the layers of self delusion to reveal such desperation in the insecurities, disappointments, unrealized potential and mediocrity of four men and a coach who's lives peaked in high school when they won the state basketball championship.

It is, unfortunately, a depiction too familiar to the many who never escaped their small town or neighborhood and live trying to salvage some feeling of dignity from the mediocrity and despair to which they have allowed their lives to sink.

At the 20th reunion at the coach's house (Paul Sorvino) the characters gradually reveal how pathetic their lives have become. There is the bitter coach, a unabashed bigot who still talks to grown men like they were teenaged basketball players and who believes all of life can be summed up in sports aphorisms.

James (Terry Kinney), a junior high school principal, is by far the most self delusional of the five, clearly a loser who never changed with the times, he believes he has a bright future in politics when he couldn't get elected to a sanitation post.

George (Tony Shalhoub) plays the mayor of Filmore, who has bungled his term in office and will imminently be voted out. He spends most of this time trying to convince himself and everyone else how popular and wonderful he is, when it is clear to everyone that he is a fool.

Phil (Vincent D'Onofrio) is a spoiled little rich boy who inherited his father's business which is now raping the environment for profit. He supports George's campaign so he can get variances that allow him to profit from this abuse.

Tom (a fabulous performance by Gary Sinese) is James brother, a vagabond alcoholic who ironically is the only one who sees the situation with any clarity. He is openly cynical of himself and the others and constantly speaks with justifiable disgust about all his peers and their miserable lives.

The problem with this and most plays that try to go to film is that unless the director adds uniqueness visually, or through the set, location, props or costumes, it just looks like you are watching a play through a window. Since you have lost the power of the live performance, it always loses something in translation.

Sorvino, as the director, failed to do this. He clearly focused on the actors performances (which were all exceptional) and did a brilliant job of recreating a great play on film. That did not make it a great film. It made it seem overly long and tedious. As a play I would give it a 9, as a film a 6.

This is not a film for everyone. One needs to get into a philosophical frame of mind and prepare to see an interesting character study of some very miserable characters. If you are an avid theater goer and can handle a downbeat drama about the failings of common people, I strongly recommend it. Otherwise look for some lighter fare.

Rating:
Summary: An Anthem for The Klan
Review: This is the second attempt to bring this thought provoking play to the mass market, this time through a TV movie now in rental. Thoreau is quoted as saying: "The mass of men lead lives of quiet desperation." This play peels away the layers of self delusion to reveal such desperation in the insecurities, disappointments, unrealized potential and mediocrity of four men and a coach who's lives peaked in high school when they won the state basketball championship.

It is, unfortunately, a depiction too familiar to the many who never escaped their small town or neighborhood and live trying to salvage some feeling of dignity from the mediocrity and despair to which they have allowed their lives to sink.

At the 20th reunion at the coach's house (Paul Sorvino) the characters gradually reveal how pathetic their lives have become. There is the bitter coach, a unabashed bigot who still talks to grown men like they were teenaged basketball players and who believes all of life can be summed up in sports aphorisms.

James (Terry Kinney), a junior high school principal, is by far the most self delusional of the five, clearly a loser who never changed with the times, he believes he has a bright future in politics when he couldn't get elected to a sanitation post.

George (Tony Shalhoub) plays the mayor of Filmore, who has bungled his term in office and will imminently be voted out. He spends most of this time trying to convince himself and everyone else how popular and wonderful he is, when it is clear to everyone that he is a fool.

Phil (Vincent D'Onofrio) is a spoiled little rich boy who inherited his father's business which is now raping the environment for profit. He supports George's campaign so he can get variances that allow him to profit from this abuse.

Tom (a fabulous performance by Gary Sinese) is James brother, a vagabond alcoholic who ironically is the only one who sees the situation with any clarity. He is openly cynical of himself and the others and constantly speaks with justifiable disgust about all his peers and their miserable lives.

The problem with this and most plays that try to go to film is that unless the director adds uniqueness visually, or through the set, location, props or costumes, it just looks like you are watching a play through a window. Since you have lost the power of the live performance, it always loses something in translation.

Sorvino, as the director, failed to do this. He clearly focused on the actors performances (which were all exceptional) and did a brilliant job of recreating a great play on film. That did not make it a great film. It made it seem overly long and tedious. As a play I would give it a 9, as a film a 6.

This is not a film for everyone. One needs to get into a philosophical frame of mind and prepare to see an interesting character study of some very miserable characters. If you are an avid theater goer and can handle a downbeat drama about the failings of common people, I strongly recommend it. Otherwise look for some lighter fare.