Rating: 
Summary: Stayin' Alive...barely
Review: Saturday Night Fever is a classic, like it or not, but Stayin' Alive is a classic mistake. Of all the movies to make a sequel to, they had to pick the perfect snapshot of the 70's disco scene, 6 years later, and run it into the ground. The original had all the flare and excitement of the still-fresh era, and should have been left that way: fresh and exciting. Stayin' Alive bares no resemblance to the original other than the final scene and Tony's character. This movie takes the original and puts that special "80's touch" on it, turning the 2001 Odyssey into "Cats" and Tony Manero into "Rambo." You don't believe it? Look at the box! Did you look twice? I told you so. Stay away from Stayin' Alive, it will ruin your memories of Saturday Night Fever forever.
Rating:
Summary: biggest let-down in movie history
Review: SATURDAY NIGHT FEVER was one of my most enjoyable movies and this long overdue, much anticpated sequel, six years later, probably led to the discovery of prozac.Even more distressing is that rumor has it that the writers and/or producers of SNF, had a sequel script that was more credible but was rejected. I remember when the sequel to PORKY'S was so god-awful that the principles apologized and made another sequel to make up for it.
That should of been the case here. It is so bad it has to be seen to be believed.
Rating: 
Summary: "Staying Awake"
Review: Six years after "Saturday Night Fever", Tony Manero is a waiter struggling to make it on Broadway. He lives in a fleabag hotel and does his laundry in the shower. His character has matured, but he still disses the nice girl who adores him (Cynthia Rhoades) while pining for a pompous snot-nose (Finola Hughes). Now viewed as a 1980's camp classic (and a good bad movie), the film suffers from director Stallone's infusion of a "Rocky" formula and a certain blandness - the characters here don't generate half the interest of those in the original film. I actually think some of them, like Tony's dance partner and brother (Karen Lynn Gorney and Martin Shaker) could have been carried over into this movie, as their characters still could have gone places. Travolta has a laughable scene with his mother (Julie Bovasso, the only returning cast member) and the finale - "Satan's Alley" plays like an extended MTV video. Frank Stallone contributes most of the songs (bite my tongue) and The Bee Gees offer a few minor but worthy tunes. A hefty dose of flashy early '80's nostalgia, but not much else.
Rating: 
Summary: Does fall short as a Sequel, but it's still Tony Manero
Review: Sometimes timing is everything for a movie. One would think if you make a sequel to one of the most successful movies ever, "Saturday Night Fever" (complete with its original star John Travolta) and bring in a superstar like Sylvester Stallone to write and direct - it should be primed for an instant hit. However, this 1983 sequel "Staying Alive" was not a commercial success. Some may even deem it a failure. Like most sequels, it does fall short of the original movie. But "Staying Alive" isn't that bad a movie. The problem with "Staying Alive" is it came out on the coattails of the anti-Disco movement. "Saturday Night Fever" epitomized everything about the Disco movement. While "Staying Alive" isn't a movie about the Disco era, it still is associated with it. But I think it still was never given the chance it should have had.
"Staying Alive" continues the story of Tony Manero. In "Saturday Night Fever", John Travolta played Tony, a 19 year old from Bay Ridge Brooklyn - he was in a dead end job going nowhere while dealing with never meeting his family's expectations. However, when Tony went to the local Disco - he was instantly transformed into an icon because of his talent on the dance floor. This talent, combined with Tony's personality gave him almost a royalty status. By the end of "Saturday Night Fever", Tony realizes he needs to take control of his life - thus this sets the stage for "Staying Alive". "Staying Alive" takes place six years later. In this, Tony is now trying to make it as a Professional Dancer in Manhattan. In order to make ends meet, he waits tables and teaches dance class. Tony then gets an opportunity to be a dancer in a Broadway Musical - this eventually turns into a lead opportunity.
In "Saturday Night Fever", there were two women in Tony's life - Annette and Stephanie. Annette was a girl who worshipped Tony, but Tony wanted nothing to do with her. Stephanie - was an upcoming career girl who was a fabulous dancer. Although Stephanie came from a similar background from Tony, she had gotten out of the Bay Ridge scene - and would unintentionally become a catalyst for Tony to do the same. In "Staying Alive", there are two women as well: Jackie - a dancer/singer played by Cynthia Rhodes who was Tony's on again/off again girlfriend. The other woman is Laura - an established and famous Dancer, whom like Stephanie - Tony will get infatuated with. Both are going to be in the Broadway Show that Tony is in - with Laura as the female lead.
One thing that made "Saturday Night Fever" great was the humor. "Staying Alive" does a very good job in this department. In a lot of ways, Stallone uses the humor to soften up Tony Manero's personality. As a result, it really is Tony's humor that is the main source of the humor throughout the movie. The scenes in Tony's boarding house are very funny - particularly how Tony deals with the less than dynanic neighbors in which he has nothing in common. The other source of humor comes from Flo Manero - Tony's mother. Flo is played by Julie Bovasso - the only other character to return to the sequel from the original movie.
The one thing that is disappointing is that it is only Tony and Flo who are the returning characters from "Saturday Night Fever". One thing that made "Saturday Night Fever" so great were that there were some great characters that surrounded Tony - in particular Tony's friends (Double J, Joey, Gus, Bobby C) and Tony's family (Frank Manero, Father Frank, Tony's Grandmother, and Tony's younger sister). While I don't think you could have brought back all of the characters (in particular Bobby C dies in "Saturday Night Fever"), some of the characters would have been nice. I would have also liked to have seen Tony's new maturity and how it reflected on his friends.
One of the strong performances of "Staying Alive" comes from Steve Inwood. Inwood plays Jesse - he is the Director of the Musical that Tony is in. Inwood delivers the role with a lot of intensity and makes you really think he is a director. I was surprised that such a performance did not lead to more opportunities for Inwood because it was such a good performance.
There are some interesting appearances and cameos in the movie. Director Sylvester Stallone makes an uncredited cameo as someone whom Tony bumps into on the street. Patrick Swayze also has a uncredited cameo as a dancer (kind of ironic because Cynthia Rhodes would go on to star in his big "dance" movie - "Dirty Dancing"). Sylvester Stallone's brother Frank plays Carl - a singer in the band whom Jackie is in. There are also some humorous scenes with Tony and Carl.
The music in "Staying Alive" isn't as strong as "Saturday Night Fever". The BeeGees are back for some new songs, but these songs are not Disco Dance songs - they are more reflective of the Adult Contemporary style they adopted in the 80s. Frank Stallone, Tommy Faragher, and Cynthia Rhodes also contribute songs to the soundtrack. These songs are definitely reflective of the Synth Pop style of 1983. They are decent songs, but it would be a great injustice to compare this soundtrack to the landmark soundtrack of "Saturday Night Fever".
Overall, this is still a very good movie. The ending is a little weak - namely because finale deals with the opening of the show and I think Stallone over engineered the finale to try to build some excitement. In particular, I didn't think dirty laundry needed to be aired on the dance floor. I think if this was released a few years earlier or a few years later, it would have done better at the box office. I'd still recommend checking it out.
Rating: 
Summary: The absolute best sequel ever created!
Review: Stayin' Alive is an excellent sequel unlike some sequels which are cheesy. Finola Hughes and John Travolta are a great team and fabulous dancers! This movie is great for anyone who wants to be a dancer or is a dancer. The music and dance moves makes you want to watch it again and again. I've watched it every single day since the day I bought it! All we need now is the sequel to "Stayin' Alive"- "STILL ALIVE!"
Rating:
Summary: Good guilty pleasure!
Review: Staying Alive is definitely not the best movie ever made but one I continually go back to - mainly for the music. The soundtrack was understandably ignored because Saturday Night Fever was such a masterpiece but the new Bee Gees songs are terrific, Frank Stallone's songs are good and Cynthia Rhodes is wonderful as well. I don't understand why she didn't have a bigger career. She's a great dancer and singer. Finola Hughes has some terrific dance scenes too - especially the one in which John Travolta first sees her. I agree with critics that the storyline is not that great and you do wonder what happened to all of Tony's family and friends. But the movie is worth seeing - just not to be taken too seriously. Definately worth buying the soundtrack. Pay special attention to "Moody Girl" - "Life Goes On" - and "Finding Out the Hard Way"
Rating:
Summary: C'mon it's quite watchable!
Review: Staying Alive is simply a "good bad movie". It's silly, its campy, and it's a lot of fun. Travolta gives another superb performance as Tony Manero, only this Tony is less of a hood as he was in Saturday Night Fever. The film is corny and predidable sequel to the FAR SUPERIOR Saturday Night Fever but the actors make it an enjoyable time spender.
Rating:
Summary: Misfire sequel to Saturday Night Fever
Review: Staying Alive needed more flare, a better supporting cast, more people, more connections to Saturday Night Fever (1977), and less dancing. It sounds funny to say less dancing but you'll see. Rumor has it that Travolta didn't have an interest in playing Tony Manero again, since many fans of the original probably weren't going to flock to this film six years later (in 1983.) However, Sylvester Stallone recharged some interest by agreeing to direct this picture. John Badham, who directed SNF, must have been busy with "Wargames" (also from 1983.)
The "Rocky" style of character that Travolta was playing wasn't bad, but the storyline and direction was lacking big time. Much of the supporting cast were terrible actors, except for the chain smoking bearded Broadway director and Travolta. If I have to hear that silly tune from Satan's Alley (the show in the movie) I'm going to lose it!
"Dance....da da......Dance....da da....." Yeesh. A sub-par movie on it's own. Not even close to a great sequel.
Rating: 
Summary: 2 Stars For The Mis-Used Music!
Review: Sylvester Stallone pumped up John Travolta and the rest of the World for the sequel to the ground breaking "Saturday Night Fever". It deflated faster than needle pricked blow-up Popeye balloon. It may be worth renting and watching stoned just to see what bad actors do with nasty characters. The ending is a "Broadway" production that seems like a badly concocted rock concert with lasers and props that just don't make sense - "Dante's Inferno"? Terribly cliche. The dancing is mechanical and uninspired using brother Frank Stallon's hit song, "Far From Over" in so many different outtakes, I thought I had been in rehearsal too long. Nepotism reached new lows. The true unforgivable error Stallone made was the abuse and horrible editing he gave to the Bee Gees truly inspired music. Virtually none of the upbeat songs were used, except as momentary filler and the full versions of the rest were all non-Bee Gees songs. It was reported that the Bee Gees stayed away from commenting, other than to say, "Let the public decide". The public did and this turkey is overcooked. The best feeling one gets from this film is at the finale when Travolta walks "away from it all", strutting to "Stayin' Alive" (or was it because it was the end of the movie?). Nope - no extras on this DVD either.
Rating:
Summary: Success means making painful choices ...
Review: This exceptional movie excels in showing how painfully difficult it is for an artist to draw the line between ambitious goals and private sentimental life. It is incredibly successful in that it lives up to the challenge of keeping it both fiercely entertaining and emotionally instructive. As you get riveted to this flamboyant spectacle you get to understand that all these successful artists that we revere and envy, without exception, left a part of themselves on this labyrinth-like road that's called fame.
Hey, M. Travolta, you should be very proud of it. The film is a jewel and you act like a King.
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