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Rating: 
Summary: Color, history, culture, and music!
Review: I bought this video to see the bellydancing influences in it. And, it's great for that. However, as an artist and someone who studies Celtic history (especially Irish Celtic history), this video offered even more than I'd expected. (If you're tracing the historical routes--and roots--of the Celtic people, this video provides helpful insights.)Most people will buy this for the music & dancing. And, that is certainly an important part of this video. But, "The Romany Trail" is not a slick movie or TV production. In fact, in some ways it's rather amateurish and dated. However, the color and history are well-presented, and the culture and music are inspiring. If you're an artist, a bellydancer, or anyone inspired (or at least intrigued) by Gypsy music & history, the vivid colors of northern Africa & Morocco, traditions such as the Black Virgin, and so on... This is well worth seeing.
Rating:
Summary: Color, history, culture, and music!
Review: I bought this video to see the bellydancing influences in it. And, it's great for that. However, as an artist and someone who studies Celtic history (especially Irish Celtic history), this video offered even more than I'd expected. (If you're tracing the historical routes--and roots--of the Celtic people, this video provides helpful insights.) Most people will buy this for the music & dancing. And, that is certainly an important part of this video. But, "The Romany Trail" is not a slick movie or TV production. In fact, in some ways it's rather amateurish and dated. However, the color and history are well-presented, and the culture and music are inspiring. If you're an artist, a bellydancer, or anyone inspired (or at least intrigued) by Gypsy music & history, the vivid colors of northern Africa & Morocco, traditions such as the Black Virgin, and so on... This is well worth seeing.
Rating:
Summary: History incomplete
Review: This movie is quite interesting history, up to a point. The film shows respect and wonderment for the great traditions of Rom music and dance, which evolved from the Hindi customs and culture in northern India. It also offers sympathy for the much-reviled Rom people.
The film follows the Rom culture from India through Iran, Armenia and Iraq into the Maghreb, and features much magnificent belly and other dancing, music and performance feats such as fire eating, puppetry and acrobatics. In total, there are important points here concerning the vibrant roots from which this nomadic people sprang, roots that continue to evolve today.
Most fascinating are the portraits of Rom as dhimmis within the North African Islamic culture in Alexandria and Cairo, Egypt, although the narrator does not define them as such. Here, the Rom offer their Islamic neighbors services that are generally regarded within that community as enjoyable but objectionable. They perform exorcisms with music and dance, for example, and perform in the streets throughout North Africa. Yet Islam finds Rom performers, especially the women (who are often belly dancers and singers), particularly revolting; they are generally (and sadly) regarded and treated as whores.
The film does, however, feature one major deficiency. While showing the suffering of the Rom to this day, the narrator says nothing whatever about the evolution of their historical plight: He claims that they traveled from India of their own free will.
But this was most certainly as false in the 8th century as it is now, when Romany people are repeatedly asked to "move on" because they are so much hated by their oppressors. They were initially transported from India as slaves in the 8th century by Islamic jihad, and suffered 500 years of slavery in the heart of Europe.
--Alyssa A. Lappen
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