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John Waters made his bid for PG respectability with Hairspray, an enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. Pecker (Edward Furlong) loves to use the camera to capture his fellow Baltimore residents living their daily lives. Of course, since Pecker is a Waters movie, those daily lives include visits to strip bars, shoplifting, and various other quirky, and frequently hilarious, human activities. When Pecker's makeshift photo exhibit comes to the attention of a New York art agent (Lili Taylor), Pecker becomes the latest sensation. Pecker has something to offend just about everyone. But those who take the offenses to heart would be missing out on what amounts to a sweet-natured farce.
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