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Rating: 
Summary: Eye-opening comedies from the USSR
Review: As I write this the DVD is not out yet, but I have seen both films theatrically and am confident that preservationist David Shepard will bring them to DVD in fine form. Shepard has brought out several releases which would change anyone's preconception of heavyhanded, doctrinaire Soviet cinema, and this pair ranks with the remarkable comedy Bed and Sofa (also highly recommended) and establishes the little-known-outside-Russia Barnet as sort of the Billy Wilder of Soviet cinema, a cynical yet warm and funny observer of society and character with a great eye for the telling comic detail. Outskirts is an early talkie comedy, and the rougher but also the more adventurous of the two, a series of quick sketches of life in some nowhere burg as World War I breaks out a long ways away. Officially, it's set before the Revolution, and thus the cynical attitudes on display are directed at the old regime, but it's hard not to see it as a plea from the Russian peasantry for the outside world (ie Moscow and the Party) to stop messing with their lives and just let them live and let live. The Girl With a Hatbox is a late silent and a much more fluid, absolutely delightful romantic comedy starring the much-maligned Anna Sten (victim of an unfortunate attempt by Sam Goldwyn to turn her into the next Garbo; he turned her into a Pia Zadora-like punchline instead, but as this film proves, in her native language she's quite charming and lovely).
Rating:
Summary: Eye-opening comedies from the USSR
Review: As I write this the DVD is not out yet, but I have seen both films theatrically and am confident that preservationist David Shepard will bring them to DVD in fine form. Shepard has brought out several releases which would change anyone's preconception of heavyhanded, doctrinaire Soviet cinema, and this pair ranks with the remarkable comedy Bed and Sofa (also highly recommended) and establishes the little-known-outside-Russia Barnet as sort of the Billy Wilder of Soviet cinema, a cynical yet warm and funny observer of society and character with a great eye for the telling comic detail. Outskirts is an early talkie comedy, and the rougher but also the more adventurous of the two, a series of quick sketches of life in some nowhere burg as World War I breaks out a long ways away. Officially, it's set before the Revolution, and thus the cynical attitudes on display are directed at the old regime, but it's hard not to see it as a plea from the Russian peasantry for the outside world (ie Moscow and the Party) to stop messing with their lives and just let them live and let live. The Girl With a Hatbox is a late silent and a much more fluid, absolutely delightful romantic comedy starring the much-maligned Anna Sten (victim of an unfortunate attempt by Sam Goldwyn to turn her into the next Garbo; he turned her into a Pia Zadora-like punchline instead, but as this film proves, in her native language she's quite charming and lovely).
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