Shadows

Rating:
Summary: Lon Chaney's silent film about Yen Sin, "The Heathen"
Review: Lon Chaney's performance in "Shadows" is really the only thing that makes this 1922 silent film worth preserving. Chaney plays Yen Sin, known as "The Heathen." Set in in the sea side fishing town of Urkey, the story focuses on Sympathy Gibbs (Marguerite De La Motte), who marries Daniel Gibbs (Walter Long), a violent seaman who supposedly dies at sea. She then marries the new parson, the Reverend John Malden (Harrison Ford). However, Sympathy has also caught the eye of the rich man in town, Nate Snow (John St. Polis). After the Maldens celebrate the birth of a daughter, the Reverend is told that his wife's first husband is still alive, and is blackmailed with the information, which leads him to reject his wife's bed.

Directed by Tom Forman (who would commit suicide in 1926 when suffering from an illness), "Shadows" was scripted by Hope Loring and Eve Unsell from the Wilbur Daniel Steele story, "Ching, Ching, Chinaman." Yen Sin is a Chinese laundryman, who came to town after he was washed ashore in the wake of the same shipwreck that killed Daniel Gibbs. Having put up with the prejudice of this community that prides itself on its Christian piety, he learns of the blackmail plot. The idea of the title is that he can no longer hide in the shadows, which puts him on a collision course with the ironically named Mr. Snow. The irony, of course, is that Yen Sin is the most Christian soul in Urkey. There is even a deathbed conversion just to set everything to rights in the end.

Chaney plays a relatively minor but pivotal role in the proceedings, which is rather odd given he is the star of "Shadows." His make up is pretty good, which is what you would expect from the legendary "Man of a Thousand Faces." This is not a classic Chaney film, being an overblown melodrama once you get away from Chaney's understated performance. If you are interested in getting beyond the obvious classic Chaney performances in "Phantom of the Opera" and "Hunchback of Notre Dame," then you should check out "Unholy 3," "The Unknown" or "He Who Gets Slapped" before you get around to second level Chaney films like "Shadows."

Rating:
Summary: Lon Chaney's silent film about Yen Sin, "The Heathen"
Review: Lon Chaney's performance in "Shadows" is really the only thing that makes this 1922 silent film worth preserving. Chaney plays Yen Sin, known as "The Heathen." Set in in the sea side fishing town of Urkey, the story focuses on Sympathy Gibbs (Marguerite De La Motte), who marries Daniel Gibbs (Walter Long), a violent seaman who supposedly dies at sea. She then marries the new parson, the Reverend John Malden (Harrison Ford). However, Sympathy has also caught the eye of the rich man in town, Nate Snow (John St. Polis). After the Maldens celebrate the birth of a daughter, the Reverend is told that his wife's first husband is still alive, and is blackmailed with the information, which leads him to reject his wife's bed.

Directed by Tom Forman (who would commit suicide in 1926 when suffering from an illness), "Shadows" was scripted by Hope Loring and Eve Unsell from the Wilbur Daniel Steele story, "Ching, Ching, Chinaman." Yen Sin is a Chinese laundryman, who came to town after he was washed ashore in the wake of the same shipwreck that killed Daniel Gibbs. Having put up with the prejudice of this community that prides itself on its Christian piety, he learns of the blackmail plot. The idea of the title is that he can no longer hide in the shadows, which puts him on a collision course with the ironically named Mr. Snow. The irony, of course, is that Yen Sin is the most Christian soul in Urkey. There is even a deathbed conversion just to set everything to rights in the end.

Chaney plays a relatively minor but pivotal role in the proceedings, which is rather odd given he is the star of "Shadows." His make up is pretty good, which is what you would expect from the legendary "Man of a Thousand Faces." This is not a classic Chaney film, being an overblown melodrama once you get away from Chaney's understated performance. If you are interested in getting beyond the obvious classic Chaney performances in "Phantom of the Opera" and "Hunchback of Notre Dame," then you should check out "Unholy 3," "The Unknown" or "He Who Gets Slapped" before you get around to second level Chaney films like "Shadows."