Rating: 
Summary: Not the worst, not the best Chabrol
Review: What saves this film--noticeably weaker than a number of other Chabrol efforts--is the acting. Veteran actress Natalie Baye is superb here, as is the actress playing her Aunt Line, Suzanne Flon. Also notable are Benoit Magimel and Melanie Doutey as the two young lovers.While the actors all turn in solid performances, the plotting and story leave something to be desired. Chabrol specializes in the corruption of the well-to-do and how the lower classes conflict with those above them. This conflict can result in superb filmmaking (La Ceremonie, La Rupture, Les Biches). But this film is decidedly lopsided; with its essentially single focus--corruption and guilt--it lacks the dramatic punch and juice found in the other films cited here. One can explore these themes (guilt and corruption) and certainly generate a powerful piece of drama. But Chabrol seems to be comfortable when they are inextricably tied to class conflict and when they are not, as is true here, he does not dig deep enough to make these themes as strong as they should have been to elicit real emotional intensity. What we have instead is cinema that slickly skates on the surface of these two related issues--corruption and guilt--without really plunging into the basis, the repercussions, the intricate complications they can generate. Without revealing too much, a woman running for mayor focuses on getting out the vote, while her lecherous husband goes after young women--two in particular. Meanwhile, the husband's son--recently returned from America--and the wife's daughter (the husband and wife are each on a second marriage; hence the two younger people are half-siblings) fall hard for each other. Add to that a dark secret the woman's aunt has kept to herself for decades and there's the elements of the plot. The climax is weak because the momentum generated is just not sufficient to result in any real emotional payoff. One of the above characters may receive his/her just desserts, but they don't count for much because there is essentially a humdrum development on display here. Too bad. If Chabrol had added his signature element of class conflict he could have subverted the essentially superficial sheen of the film as it is with enough push and pull to make it really interesting. One can still admire it for the actors but not as a thrilling piece of dramatic cinema.
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