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The Importance of Being Earnest

The Importance of Being Earnest

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Rating: 5 stars
Summary: Beware 5.1 sound only
Review: You may have to change your set up on your DVD player to get sound on a stereo system. Older DVD players may not be able to reproduce the sound track.

Having seen a number of productions of the play I think this one works very well.

Rating: 5 stars
Summary: Oscar Wilde is full of wicked WIT
Review: Do you like handsome men who are decieveing? Do you enjoy a few mishaps? Do you delight in the unexpected? Than this is the movie for you!

What a funny movive, Oscar Wilde is so brilliant in his comedy. You must listen carefully to catch all the innuendos and double meanings of his words.

You have an all star cast who are terrifically chosen for their roles and such a lovely and a colorful spectacle. It is something for everybody who likes period films to see. You have the lovely Reese Witherspoon as the excessively pretty Miss Cardew, who did a wondeful job of acquiring a British accent. My two favorites Colin Firth and Rupert Everet, who are so comedically funny together. YOu would think they were brothers. Any movie with them in it is worth seeing. The rich heiress, Gwendolyn, played by Frances O Conner, who also was brilliant and Judi Dench as her mother to top it off. It is so entertaining. You should give it a try, I am sure it won't disappoint you.

Plus, when do you get to hear Colin Firth and Rupert Everet serenade?

Rating: 5 stars
Summary: A Brave Adaptation of Wilde's Four Act Version
Review: I won't waste time repeating the praise of other reviewers. This film is a great adaptation of Oscar Wilde's play. But did you know . . . ?

Oliver Parker, the director and screenwriter for The Importance of Being Earnest and An Ideal Husband, seems to have a tremendous love of Oscarania.

The additional scenes and extra dialogue that you may not recognize actually come from the original Four Act version of The Importance of Being Earnest. When the play was produced in 1895, Oscar Wilde was asked by the manager of the theatre to shorten the play to three acts. Wilde changed things in all of the acts and combined the second and third acts to make Act 2 and changed the fourth act to Act 3 of the three act version we are familiar with today.

Such scenes as Mr. Gribsby calling on Algernon to pay his bill at the Savoy and other minor dialogue changes are from the original Four Act play.

Of course, a couple of scenes were in neither versions of the plays: ie. Ms. Prism catching Dr. Chasuble painting pictures of herself in the vestry.

Also, several brilliant lines from both versions of Wilde's masterpiece didn't find their way onto Oliver Parker's script.

Nevertheless, Oliver Parker was faithful to the original material, and his adaptation is the most up-to-date Earnest we have, with splendid actors to carry it off.

Postscript: Wilde's original Four Act Earnest has been published in Collin's Complete Works of Oscar Wilde, which is also available from Amazon.com.

Another tidbit: Parker slipped another piece of Oscarania into the movie. The song, Lady Come Down, is actually taken from Oscar Wilde's poem - Serenade. Where the song comes in in the movie, in the stage directions of the play it reads that Algernon and Jack are simply whistling a tune from a "popular British air." Serenade can incidentally be found in Collins Complete Works of Oscar Wilde, as well as paperback collections of Wilde's poetry from Penguin Classics and Oxford World Classics (to be found on Amazon.com).

Pssst! Parker slipped more Oscarania into his film version of An Ideal Husband. See my review.

Ben.

Rating: 5 stars
Summary: Earnestly Fun
Review: If you are a drama major, you will want to see this film version of Oscar Wilde's brilliant play. In this light comedy of mistaken identity and play on words, the stars romp playfully through the production, seemingly having fun with the word, putting aside their star status for a smaller budget movie.

Films based on plays tend to lose the sharpness of a live performance, but the pacing of this film moves the play interestingly along. Beautiful sets and costumes provide eye-candy. However, it is the performances of the stars - Judi Dench, Rupert Everett, Colin Firth, and Reese Witherspoon that really sells this film. Their performances are earnestly fun.

Putting a Best Word Forward.

Rating: 5 stars
Summary: stands the test of time
Review: i watched this film again for the fourth time and it actually gets better with each viewing. in my first review i gave it four stars. now it's definitely a five star film. the actors deliver the brilliant script, but the screenplay adds a lot of humourous touches, bringing out even more the comic potential of this already very funny play. my only criticism is that the tom wilkinson is a little too young to play the love interest for reese's governess. she looked more like his mother than his lover. otherwise, a truly splendid film. must see.

Rating: 5 stars
Summary: an oscar wilde fan
Review: If you adore the play, you may not approve of this movie. The film makers made several changes, and though the add ons tend to work more often then not, exterme fans may not like them.
I myself have read the play, and absolutly loved it. And if one thinks of this strictly as a movie, and not as a play, it is a wonderful movie. All of the actors did a fabulus job. Paticularly Colin Firth and Ruport Evrret. It is a great movie from begining to end. The only gag I did not like was the hot air ballon. But Hollywood always seems to feel that they are helpfull in these sorts of films. The diologue was fast paced and witty, and the costumes perfect. So even if you hate movies that differ from the book(or play, as in this case)sit back and enjoy it as a movie.

Rating: 5 stars
Summary: Far better than I had anticipated
Review: After reading the reviews of this 2002 production of The Importance of Being Earnest here and elsewhere, I must say my expectations were fairly low. What a wonderful surprise awaited me. The fact that Oliver Parker chose to make a FILM, rather than a filmed play, seems to have upset a number of people. Nevertheless, he made savvy - if sometimes audacious - choices in adapting Oscar Wilde's oft-produced play for the cinema.

While most people agree that Ernest is one of the wittiest plays in the English language, I find that stage productions of it have an unfortunate tendency towards being precious: smug actors smirk at one another as they affectedly recite epigrams in between sips of tea (pinkies out, naturally). Parker's film nicely sidesteps this potential problem by transforming the prototypical English drawing-room comedy into a dynamic, visually rich and marvelously acted film. You also may be pleased to know that the oft-heard caviles regarding Reese Witherspoon's English accent are completely unwarranted. Highly recommended.

Rating: 1 stars
Summary: A good cast wasted.
Review: Every one of the actors and actresses is an extremely talented person, and could have been good in a different production of the play. It was obvious that the director didn't understand the play, and was taking a totally wrongheaded approach to it.

"Ernest" is a drawing room comedy. Hacking up the different scenes--moving from the club to Lady Bracknell's townhouse or from the country house to the church--destroys that. The tatoo parlor scene was entirely gratuitous. Showing Canon Chasibule's drawings was a total misreading of the character. Making Algy the older of the guys was wrong; if Wilde had wanted it that way, he would have WRITTEN it that way. And having Algy and Ernest getting into a physical struggle over the muffins was just wrong, wrong, WRONG--it violated the whole spirit of the play, which is the use of WORDS and LANGUAGE.

I just hope that some day the same cast gets together to do this again--under a director who knows what he is doing.

Rating: 5 stars
Summary: brilliant old english satire
Review: Judy Dench had alot to do with me choosing this edition over the 1952 criterion edition. I loved the original, yet this remake is so much funnier (much less subtle) than the original. Essentially powered by exquisite dialogue, this adaptation of Oscar Wilde's classic novel is less faithful than its 1952 counterpart, but I applaud the more satirical approach and believe this to be an excellent revision.


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