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Animated Classics of Japanese Literature - The Sound of Waves, Parts 1 & 2/ Growing Up

Animated Classics of Japanese Literature - The Sound of Waves, Parts 1 & 2/ Growing Up

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Rating: 4 stars
Summary: 2 remarkable tales of young love set to beautiful animation
Review: The "Animated Classics of Japanese Literature" series, made in 1986 but first released on VHS by Central Park Media in the U.S. in 1994, has seen four volumes so far come out on DVD, each with three episodes. This one includes a two-part condensation of Yukio Mishima's 1954 novel, "The Sound of Waves," and a short story written in 1895 by Higuchi Ichiyo, "Growing Up." The former is set in a Japanese fishing village in the years after the war and focuses on Shinji, a teenaged fisherman who has to work to care for his mother and pay for his little brother's schooling. When the richest man in town brings his 18-year-old daughter, Hatsue, back home to help him out, all the young men take an interest. Shinji soon has the upper hand although the father seems set on the arrogant Yasuo, head of the Youth Committee. The course of true love doesn't always run smoothly here, but unlike so many of the stories in this series, this one stays clear of tragedy.

What's most striking about this adaptation is the way the animators painstakingly create a sense of place, with an emphasis on the behavior of the sea and its effect on the people's lives. There are frequent cutaways to the water and the waves hitting the shore and there is one adventurous sequence set at sea during a perilous storm, where Shinji is faced with a decision that will change his life forever. The character design is a little simpler than we'd like it, but the attention to details of village life and atmosphere make this tale of young love so much more vivid and affecting.

"Growing Up" is set in the red-light Yoshiwara district of Tokyo in the early Meiji era and focuses on Midori, a pretty girl who is expected to follow in the footsteps of her sister, a prominent Geisha, and Shin, the son of a Buddhist monk derided as "a corrupt drunkard." Streetside taunts by other kids about a "monk" and a "whore" combine with an incident of bullying by Shin's friends to put a permanent rift in the two children's friendship. They're both soon overtaken by the unshakable destiny looming over their adolescence. There's an underlying sadness to it all, but the tale is laid out with such care and simplicity that we come to a state of understanding and acceptance rather than despair (although a tear might still work its way out, especially when we learn that the story's female author died a year after this story was written). The design and animation style are notably different from the rest of the series, with bolder lines, simpler forms, less shading, brighter colors and more of an illustrative look. The effect is quite stunning and especially evocative of the time and place, as if artists in the 1880s were given the tools to create manga and anime.



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